Born in Lake Charles, LA, 1941
Education
BFA, Newcomb College, New Orleans, LA, 1964
Lives and works in New York, NY, Santa Fe, NM and Ahmedabad, India
One-Person Exhibitions
2024
Fuentes, Banca March, Madrid, Spain
Lynda Benglis: Recent Sculptures, Turner Contemporary, Margate, UK
2022
Color + Form, Pace, Palm Beach, FL
Locks Gallery, Philadelphia, PA
Nasher Sculpture Center, Dallas, TX
Excavation, Blum & Poe, Los Angeles, CA
2021
Nœuds et nus, Xavier Hufkens, Brussels, Belgium
An Alphabet of Forms, Pace Gallery, New York, NY
Lynda Benglis, organized by Molly Donovan, National Gallery of Art, Washington D.C.
2020
Ceramics & Sparkle Sculptures, Xavier Hufkens, Brussels, Belgium
Early Work: 1967–1979, Cheim & Read and Ortuzar Projects, New York, NY
2019
Bird’s Nest, Harwood Museum of Art, University of New Mexico, Taos, NM
Pace Gallery, Palo Alto, CA
In the Realm of the Senses, Museum of Cycladic Art, Athens, Greece
Over Air, Locks Gallery, Philadelphia, PA
Elephant Necklace, Ogden Museum of Southern Art, Louisiana, New Orleans, LA
2018
Paula Cooper Gallery, New York, NY
Face Off, Kistefos-Museet, Jevnaker, Norway
Lock Gallery, Philadelphia, PA
2017
Blum & Poe, Los Angeles, CA
2016
Benglis and the Baroque, Thomas Brambilla, Bergamo, Italy
Secrets, Bergen Assembly, KODE Art Museums of Bergen, Norway
New Work, Cheim & Read, New York, NY
Cuerpos, Materia y Alma: Las Esculturas de Lynda Benglis = Bodies,Matter and Soul: The Sculptures of Lynda Benglis, Museo International del Barroco, Puebla, Mexico
Adhesive Products, Bergen Assembly, Bergen Kunsthall, Bergen, Norway
Double Albatross, Bergen Assembly, Kunstgarasjen, Bergen, Norway
Aspen Art Museum, Aspen, CO
Glacier Burger, Bergen Assembly, Bergen School of Architecture, Bergen, Norway
Primary Structures (Paula’s Props), PRAXIS at Bergen Assembly 2016, KODE Art Museums of
Bergen, Bergen Assembly, Bergen, Norway
2015
Hepworth Wakefield, Wakefield, West Yorkshire, UK
Water Sources, Storm King Art Center, New Windsor, NY
2014
Cheim & Read, New York, NY
Planar Device, Thomas Dane Gallery, London, UK
2013
Everything Flows, Locks Gallery, Philadelphia, PA
Great Hall Exhibitions: Lynda Benglis, New York University Institute of Fine Arts, New York, NY
2012
Thomas Dane Gallery, London, UK
Prints & Cast Paper 1970’s–2000’s, Goya Contemporary, Baltimore, MD
Part One: New Works on Paper, Kappatos Gallery, Athens, Greece
Figures, Savannah College of Art and Design Museum of Art, Savannah, GA
Flow and Marks, Winner of the Erich Hauser Award 2012, Erich Hauser Art Foundation, Rottweil, Germany
2011
Fountains, Salon 94 Freemans, New York, NY
Glass Masks, Texas Gallery, Houston, TX
Museum of Contemporary Art, Los Angeles, CA
2010
Wax’in Wane, Galerie Michael Janssen, Cologne, Germany
Flow and Flesh, Locks Gallery, Philadelphia, PA
2009
New Work, Cheim & Read, New York, NY
Van Abbemuseum, Eindhoven, Netherlands; traveled to Irish Museum of Modern Art, Dublin, Ireland; Museum le Consortium, Dijon, France; Museum of Art, Rhode Island School of Design, Providence, RI; New Museum of Contemporary Art, New York, NY; Museum of Contemporary Art, Los Angeles, CA
2008
Shape Shifters, Locks Gallery, Philadelphia, PA
Lynda Benglis as Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati, OH
2007
ArtMatters 11: Lynda Benglis, McNay Art Museum, San Antonio, TX
Lynda Benglis – Wax Paintings & Ceramic Sculptures, Texas Gallery, Houston, TX
2006
Pleated, Knotted, Poured…, Locks Gallery, Philadelphia, PA
New Work by Lynda Benglis, Nina Freudenheim Gallery, Buffalo, New York, NY
Bass Museum of Art, Miami, FL
2005
Susanne Hilberry Gallery, Ferndale, MI
Ceramic Sculpture, Frank Lloyd Gallery, Santa Monica, CA
2004
A Sculpture Survey 1969-2004, Cheim & Read, New York, NY
Ceramic Sculpture, Franklin Parrasch Gallery, New York, NY
2003
Toomey Tourell, San Francisco, CA
Sculptures, Bass Museum of Art, Miami, FL
2002
Lynda Benglis Soft Off, Locks Gallery, Philadelphia, PA
Cumberland Gallery, Nashville, TN
Ceramic Sculpture, Franklin Parrasch Gallery, New York, NY
2001
Echoes (Selection of Works on Paper), Riemba Gallery, Los Angeles, CA
New Work, Toomey Tourell Gallery, San Francisco, CA
2000
Weatherspoon Gallery, University of North Carolina at Greensboro, NC
Materials Girl, curated by Michael Klein, Meadows Museum, Shreveport, LA
A Decade of Ideas, Bryan Ohno Gallery, Seattle, WA
Hot Spots, Texas Gallery, Houston, TX
Stacked, Forced, Pinched: Clay and Bronze Works, Meadows Museum, Shreveport, LA
1999
Small Works, Galerie Simonne Stern, New Orleans, LA
Guild Hall Museum, East Hampton, NY
New Work, Cheim & Read, New York, NY
1998
Chimera, Forum Kunst Rottweil, Rottweil, Germany; traveled to Galerie Six Friedrich, Munich, Germany; Charim Klocker Gallery, Vienna, Austria
Recent Sculpture and a Screening of “Female Sensibility” from 1973, Cheim & Read, New York, NY
Dynamic Silhouette, Kappatos Gallery, Athens, Greece
Selected Wall Reliefs, University of South Florida Contemporary Art Museum, Tampa, FL
1997
Selected Wall Reliefs, Elizabeth Mayer Fine Art, New York, NY
Hidden Agenda, Contemporary Art Gallery, Ahmedabad, India
Galerie Michael Janssen, Cologne, Germany
1996
Ceramics, Porter Troupe Gallery, San Diego, CA
New Monotypes: Landscapes & Fetishes, Quartet Editions, New York, NY
1995
Recent Wall & Glass Sculpture, Heath Gallery, Atlanta, GA
Galerie Simonne Stern, New Orleans, LA
Susanne Hilberry Gallery, Ferndale, MI
1994
Wax Paintings, Paula Cooper Gallery, New York, NY
Wax Paintings, Heath Gallery, Atlanta, GA
Chimera: Recent Ceramic Sculpture, Harwood Foundation Museum, Taos, NM; traveled to Boulder Museum of Art, Boulder, CO; Cranbrook Art Museum, Bloomfield Hills, MI; University
Gallery, New Mexico State University, Las Cruces, NM
1993
Clothed and Unclothed: Recent Sculpture, Richard Gray Gallery, Chicago, IL
Ceramic Sculpture, Tavelli Gallery, Aspen, CO
From the Furnace, Auckland City Art Center, Auckland, New Zealand
Gow-Langsford Gallery, Auckland, New Zealand
1992
Heath Gallery, Atlanta, GA
1991
Recent Work, Heath Gallery, Atlanta, GA
Dual Natures, Retrospective, High Museum of Art, Atlanta, GA; traveled to Contemporary Art
Center and New Orleans Museum of Art, New Orleans, LA; San Jose Museum of Art, San Jose, CA
New Works, Tilden Foley Gallery, New Orleans, LA
Margo Leavin Gallery, Los Angeles, CA
1990
Recent Sculpture, Richard Gray Gallery, Chicago, IL
Sculpture and Silk Paintings, Linda Farris Gallery, Seattle, WA
Sena Galleries West, Santa Fe, NM
Tropies, Paula Cooper Gallery, New York, NY
1989
Tilden-Foley Gallery, New Orleans, LA
New Sculpture, Margo Leavin Gallery, Los Angeles, CA
Florida Fan Dance: A Palmetto Series. Monotype Prints by Lynda Benglis, Michael Murphy Gallery, Tampa, FL
1988
Recent Sculpture and Works on Paper, Cumberland Gallery, Nashville, TN
Full Gross Gallery, San Francisco, CA
1987
Recent Sculpture, Paula Cooper Gallery, New York, NY
Monoprints/Windy Hill Series, Landfall Press, New York, NY
New Sculpture, Margo Leavin Gallery, Los Angeles, CA
1986
Fuller Goldeen Gallery, San Francisco, CA
Tilden-Foley Gallery, New Orleans, LA
Glass, Dart Gallery, Chicago, IL
1985
Works in Glass, Margo Leavin Gallery, Los Angeles, CA
New Works in Glass, Susanne Hilbery Gallery, Birmingham, MI
Glass, Dart Gallery, Chicago, IL
Recent Wall Pieces and Glass Sculpture, Heath Gallery, Atlanta, GA
1984
New Sculpture, Paula Cooper Gallery, New York, NY
New Sculptures, The Texas Gallery, Houston, TX
New Sculpture, Tilden-Foley Gallery, New Orleans, LA
1983
New Sculpture, Susanne Hilberry Gallery, Ferndale, MI
Dart Gallery, Chicago, IL
1982
Sculpture and Works on Paper, Okun-Thomas Gallery, St. Louis, MO
Flux & Fusion: An Exhibition of Sculpture, Margo Leavin Gallery, Los Angeles, CA
Benglis: ΕΙΩΛΑ, Paula Cooper Gallery, New York, NY
Fuller Goldeen Gallery, San Francisco, CA
1981
Drawings from India, Museum of Art, University of Arizona, Tucson, AZ
Indian Wood Blocks, Galerie Albert Baronian, Brussels, Beligum
New Work, Dart Gallery, Chicago, IL
Recent Gold Pieces, Jacksonville Art Museum, FL
Sculptures, Texas Gallery, Houston, TX
Cirrus Gallery, Los Angeles, CA
1980
Lynda Benglis 1968–1978, University of South Florida, Tampa, FL; traveled to Lowe Art
Museum, University of Miami, Coral Gables, FL
Margo Leavin Gallery, Los Angeles, CA
Recent Works by Lynda Benglis, Portland Center for the Visual Arts, Portland, OR
Fans (Air) Kites (Air) Airport (Air). Lynda Benglis: “Patang.” The Atlanta Airport Commission and New Works Executed in Ahmedabad, India, Texas Gallery, Houston, TX
Aquanots, Paula Cooper Gallery, New York, NY
Recent Works, David Heath Gallery, Atlanta, GA
Woodland Gallery, Chatham College, Pittsburgh, PA
New Work, Susanne Hilberry Gallery, Ferndale, MI
1979
New Works, Texas Gallery, Houston, TX
New Works, Dart Gallery, Chicago, IL
Wall Sculptures and Floor Installations, Real Art Ways, New Haven, CT
Bodies and Fans, Hansen-Fuller Goldeen Gallery, San Francisco, CA
Recent Works, Georgia State University Art Gallery, Atlanta, GA
Galerie Albert Baronian, Brussels, Belgium
1978
Paula Cooper Gallery, New York, NY
1977
Lynda Benglis Presents the Amazing Bow-Wow, The Kitchen, New York, NY
7 Come 11: A Series of Recent Sculpture by Lynda Benglis, Margo Leavin Gallery, Los Angeles, CA
Hansen-Fuller Gallery, San Francisco, CA
Copper Knots and Floor Sculpture, Douglas Drake Gallery, Kansas City, MO
1976
Metallized Knots and Wax Paintings, Paula Cooper Gallery, Los Angeles, CA
Videotapes, AND/OR, Seattle, WA
1975
Physical and Psychological Moments in Time: A First Retrospective of the Video Work of Lynda Benglis, Fine Arts Center Gallery, State University of New York College at Oneonta, New York, NY; traveled to the Stedelijk van Abbemuseum, Eindhoven, Netherlands
Moving Polaroids, The Kitchen, New York, NY
Sculpture, Paula Cooper Gallery, New York, NY
Texas Gallery, Houston, TX
1974
Lynda Benglis Presents Metallized Knots, Paula Cooper Gallery, New York, NY
Knots, Hansen-Fuller Gallery, San Francisco, CA
1973
Video Tapes, Paula Cooper Gallery, New York, NY; traveled to Everson Museum of Art, Syracuse, NY
Paintings and Videotapes, Hansen-Fuller Gallery, San Francisco, CA
Dimensional Paintings by Lynda Benglis, Portland Center for the Visual Arts, Portland, OR
Texas Gallery, Houston, TX
Jack Glenn Gallery, Corona Del Mar, California Sparkle Knots, The Clocktower, Institute for Art
and Urban Resources, New York, NY
1972
Wax Paintings, Hansen-Fuller Gallery, San Francisco, CA
1971
The Kansas State University Union Art Gallery and the Kansas State University Department of Art Invitational Exhibition ’71, Union Art Galleries, Kansas State University, Manhattan, KS
Paula Cooper Gallery, New York, NY
Polyurethane Foam, Two-Component System, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, MA
1970
Paula Cooper Gallery, New York, NY
Janie C. Lee Gallery, Dallas, TX
Galerie Hans Müller, Cologne, Germany
1969
Main Gallery, Fine Arts Center, University of Rhode Island, Kingston, RI
Two-Person Exhibitions
2015
Free Fall: Lynda Benglis and Polly Apfelbaum, Locks Gallery, Philadelphia, PA
2009
Lynda Benglis/Robert Morris: 1973-1974, Susan Inglett Gallery, New York, NY
2007
Circa 70: Lynda Benglis and Louise Bourgeois, Cheim & Read, New York, NY
2005
Monique Prieto: New Paintings & Lynda Benglis: The Graces, Cheim & Read, New York, NY
2004
Improvisation: Lynda Benglis and Isaac Witkin, Locks Gallery, Philadelphia, PA
2002
Small Bronze and Wax Paintings by Lynda Benglis and Images from Mexico, Photographs by Jack Spencer, Cumberland Gallery, Nashville, TN
Bettina Rheims/Lynda Benglis, Cheim & Read, New York, NY
1999
Lynda Benglis – Joe Zucker, Guild Hall Museum, East Hampton, NY
Lynda Benglis – Wols: Photographs of the 1930s, Cheim & Read, New York, NY
1989
American Sculptors: New York and Los Angeles, Part I–Lynda Benglis and Mark Lere, Kamakura Gallery, Tokyo, Japan
1988
Lynda Benglis – Ida Kohlmeyer, Cumberland Gallery, Nashville, TN
1987
Kohlmeyer and Benglis: Teacher and Student in the 80’s, Gibson-Barkam Gallery, The Imperial
Calcasieu Museum, Lake Charles, LA
Lynda Benglis, Keith Sonnier: A Ten-Year Retrospective, Alexandria Museum of Art, Alexandria, LA
1985
Kohlmeyer and Benglis: Teacher & Student in the 80's, Pensacola Museum of Art, FL
1983
Recent Work: Lynda Benglis & John Duff, Margo Leavin Gallery, Los Angeles, CA
1979
Lynda Benglis and Ron Gorchov, Susanne Hilbery Gallery, Birmingham, MI
1977
Lynda Benglis and William Weege, Hansen-Fuller Gallery, San Francisco, CA
1971
Lynda Benglis and Allen Hacklin, Forum Kunst Rottweil, West Germany
1970
Lynda Benglis and Mike Goldberg, Lobby, College of Architecture and Urban Studies, Virginia Polytechnic Institute, Blacksburg, VA
Group Exhibitions
2024
Infinite Regress: Mystical Abstraction from the Permanent Collection and Beyond, Kemper Museum of Contemporary Art, Kansas City, MO
When Forms Come Alive, Hayward Gallery, London, UK
In the House of the Trembling Eye, Aspen Art Museum, Aspen, CO
If not now, when?: Collection Max Vorst, Museum Beelden aan Zee, the Haugue, Netherlands
2023
Making Their Mark, Curated by Cecilia Alemani, Shah Garg Collection, New York, NY
Linhas Tortas, curated by Diana Campbell, Mendes Wood DM, São Paulo, Brazil
Per Diem Part II:The Gerd Metzdorff Collection, curated by Lisa Baldissera, Griffin Art Projects, North Vancouver, Canada
Sangam/Confluence, curated by Jeffrey Deitch and Ranjit Hoskote, Nita Mukesh Ambani Cultural Centre, Mumbai, India
2022
Other Images of Man, Hall Art Foundation, Kunstmuseum Schloss Derneburg, Holle, Germany
Wild Strawberries, Gallery 125 Newbury, New York, NY
Monochrome Multitudes, Smart Museum of Art, Chicago, IL
Lynda Benglis and Arlene Shechet, Pace, East Hampton, NY
Stuff, organized by Arlene Shechet, Pace Gallery, New York, NY
A Feminist Avant-Garde. Photographs and Performances of the 1970s from the Verbund Collection, Vienna, curated by Gabriele Schor, Rencontres d’Arles, Arles, France
What happens in silence, Corkin Gallery, Toronto, Canada
Slip Zone: A New Look at Postwar Abstraction in the Americas and East Asia, Dallas Museum of Art, Dallas, TX
A Matter of Life and Death, curated by Jenni Lomax, Thomas Dane Gallery, Naples, Italy
Per Diem: The Gerd Metzdorff Collection, curated by Lisa Baldissera, Griffin Art Projects, Vancouver, Canada
2021
On the Edge: Los Angeles Art 1970s–1990s from the Joan and Jack Quinn Family Collection, Bakersfield Museum of Art, Bakersfield, CA; traveled to the Armenian Museum of America, Watertown, MA
Slip Zone: A New Look at Postwar Abstraction in the Americas and East Asia, Dallas Museum of Art, Dallas, TX
Skin in the Game, curated by Zoe Lukov, Palm Heights, Miami, FL
Ceramics: Mingei to Modern, Blunk Space, Point Reyes Station, CA
Community Trust Bank Presents the Vogel Collection: Fifty Works for West Virginia, Huntington Museum of Art, Huntington, WV
All Tomorrow’s Parties, curated by Michael Slenske, domicile (n.), Los Angeles, CA
Toes, Knees, Shoulders, Heads + Butts & Guts, organized by Zak Kitnick, Meredith Rosen Gallery, New York, NY
13 Artists: A Tribute to Klaus Kertess' Bykert Gallery 1966-75, David Nolan Gallery, New York, NY
A Room with A…, Pace Gallery, Palm Beach, FL
Women in Abstraction, Centre Pompidou, Paris, France
Arcimboldo Face to Face, Centre Pompidou-Metz, Metz, France
Expanded Painting in the 1960s and 1970s, Philadelphia Museum of Art, Philadelphia, PA
Stop Painting, curated by Peter Fischli, Fondazione Prada, Venice, Italy
Highlights of Post-war and Contemporary Art, Mnuchin Gallery, New York, NY
Preservative Force: Recent Acquisitions to the Collection, Ogden Museum of Southern Art, New Orleans, LA
Built: Sculptural Art from the Permanent Collection, Ogden Museum of Southern Art, New Orleans, LA
Shapes from Out of Nowhere: Ceramics from the Robert A. Ellison Jr. Collection, Metropolitan Museum of Art, New York, NY
2020
Approaches to Abstraction by Greek Artists of the Diaspora, Basil & Elise Goulandris Foundation – Museum of Contemporary Art, Andros, Greece
Paula Cooper Gallery, New York, NY
Post War Abstraction, Leslie Feely, East Hampton, NY
Knotted, Torn, Scattered: Sculpture after Abstract Expressionism, curated by Lauren Hinkson, Solomon R. Guggenheim Museum, New York, NY
At The Noyes House Blum & Poe, Mendes Wood DM and Object & Thing, The Eliot Noyes House, New Canaan, CT
2019
Two Friends: Lynda Benglis and Tom Bronk, Vivian Horan Fine Art, New York, NY
1967-1980: Explorations, Paula Cooper Gallery, New York, NY
She Persists, Heist Gallery, Venice, Italy
Painters Reply: Experimental Painting in the 1970s and Now, Lisson Gallery, New York, NY
In Honor of the New MoMA, Cheim & Read, New York, NY
Painting/Sculpture, Marianne Boesky Gallery, New York, NY
Une Brève Histoire de la Modernité des Formes, Galerie Mitterrand, Paris, France
The Poydras Corridor Sculpture Exhibition: Presented by the Helis Foundation, Helis Foundation, New Orleans, LA
Art & Porn, ARoS Aarhus Kunstmuseum, Aarhus, Denmark, traveled to Kunsthal Charlottenborg, Denmark
2018
Women, Peters Projects, Santa Fe, NM
Copper, Marble, Cotton, Thomas Brambilla, Bergamo, Italy
A Study in Scarlet, FRAC Île-de-France, Le Plateau, Paris, France
Studio Visit: Selected Gifts from Agnes Gund, Museum of Modern Art, New York, NY
Paper/Print: American Hand Papermaking, 1960s to Today, International Print Center, New York, NY
Surface Work, Victoria Miro Gallery, London, UK
Taos: 1960’s – Present, Vivian Horan Fine Art, New York, NY
The Whole Drum Will Sound: Women in Southern Abstraction, Ogden Museum of Southern Art, New Orleans, LA
50th Anniversary Exhibition, Paula Cooper Gallery, New York, NY
Entangled in the Everyday, curated by Ruth Erickson, Institute of Contemporary Art, Boston, MA
Work By Women, Harwood Museum of Art, Taos, NM
Kiss Off, Luxembourg & Dayan, New York, NY
Molding / Mark-Making: Ceramic Artists and Their Drawings, Dorsky Gallery Curatorial Program, Long Island City, NY
Travelers: Stepping into the Unknown, curated by Yuka Uematsu, National Museum of Art, Osaka, Japan
Materiality, Mixografia, Los Angeles,CA
Pop-Up Collection Exhibition: Art in Context: Selections from the UNLV Marjorie Barrick Museum of Art Collection, Marjorie Barrick Museum of Art, University of Nevada, Las Vegas, NV
American Masters 1940–1980, National Gallery of Australia, Canberra, Australia
The Mechanics of Fluids, curated by Melissa Gordon, Marianne Boesky Gallery, New York, NY
/ Off the Wall, Locks Gallery, Philadelphia, PA
MoMA at NGV: Melbourne Winter Masterpieces 2018, National Gallery of Victoria, Melbourne, Australia
Wild Thing: Adventures with the Permanent Collection, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2017
Now You See Me, Sotheby’s S2, New York, NY
Masterclass: A Survey of Work from the Twentieth Century, Pavel Zoubok Gallery, New York, NY
Lynda Benglis, Alan Shields, Peter Young, Texas Gallery, Houston, TX
No Boundaries: Sculptures by Thirteen Women, Malborough Gallery, New York, NY
Disobedient Bodies, curated by JW Anderson, Hepworth Wakefield, Wakefield, West Yorkshire, UK
Now, screening of Now, Moore College of Art and Design, Philadelphia, Pennsylvania, PA
HL2805xy57, Kappatos Gallery, Athens, Greece
Making Space: Women Artists and Abstraction, organized by Starr Figura and Sarah Hermanson Meister, Museum of Modern Art, New York, NY
In My Garden: An Exhibition of Paintings and Sculpture, presented by Kipton Cronkite & Michael Klein, 36 Commerce Street, New York, NY
Sculpture Milwaukee, Milwaukee Avenue, Downtown Milwaukee, WI
ANTIDORON. The EMST Collection (part of documenta 14), Fridericianum, Kassel, Germany
Generation Loss: 10 Years of the Julia Stoschek Collection, Julia Stoschek Collection, Dusseldorf, Germany
Drawings, Prints & Graphic Works by Sculptors, Alpha 137 Gallery, online exhibition
Citings / Sightings, Lennon, Weinberg, New York, NY
Picture Industry, curated by Walead Beshty, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, NY
Für Barbara, curated by Leo Koenig, Hall Art Foundation, Schloss Derneburg, Germany
Wormwood, organized by Todd von Ammon, Ellis King, Dublin
Shades of Summer, Vivian Horan Fine Art, online exhibition
2017 Summer Group Show, Mixografia, Los Angeles, CA
Heavy Metal, Judith Bear Isroff Gallery, Akron Art Museum, Akron, OH
Range: Experiments in New York, 1961–2007, Metropolitan Museum of Art, New York, NY
Women Artists, Alpha 137 Gallery, New York, online exhibition
Delirious: Art at the Limits of Reason, 1950–1980, Met Breuer, Metropolitan Museum of Art, New York, NY
2016
Dhaka Art Summit, Samadhi Art Foundation, curated by Diana Campbell Betancourt, Shilpakala
Academy, Bangladesh, India
Number Twelve: Hello Boys, Julia Stoscheck Collection, Dusseldorf, Germany
Performing for the Camera, Tate Modern, London, UK
Revolution in the Making: Abstract Sculpture by Women, Hauser Wirth & Schimmel, Los Angeles, CA
About Art, Trondheim Kunstmuseum, Trondheim, Norway
From the Collection: 1960–1969, Museum of Modern Art, New York, NY
Aspen Art Museum, Pink Ladies exhibited, Aspen, CO
la mia ceramica, Galerie Max Hetzler, Paris, France
FORTY, organized by Alanna Heiss, MoMA PS1, Long Island City, NY
Foundation for Art and Preservation in Embassies (FAPE), Ronald Reagan Presidential Library and Museum, Washington, D.C.
Skins: Body as Matter and Process, Garth Greenan Gallery, New York, NY
The Female Gaze, Part Two: Women Look at Men, Cheim & Read, New York, NY
Invisible Adversaries: Marieluise Hessel Collection, Bard College, Annandale-On-Hudson, New York, NY
Splotch, Sperone Westware, New York, NY
Puff Pieces, curated by Feelings, Rachel Uffner Gallery, New York, NY
Splotch, curated by Eileen Jeng, Lesley Heller Workspace, New York, NY
My Skin is My Krustle (Pink Marble), curated by Marcus Herse, Guggenheim Gallery at Chapman University, Orange, CA
Short Film Program, screening of Now, Anthology Film Archives, New York, NY
Coming to Power: 25 Years of X-Plicit Art by Women, Maccarone Gallery, New York, NY
Flesh: Skin and Surface, York Art Gallery, York, UK
Continuum: Art-as-Art, Harwood Museum of Art, Taos, NM
Artists Choose Artists, Parrish Art Museum, Water Mill, NY
2015
A Golden Age, Locks Gallery, Philadelphia, PA
Videotalk #10: Lynda Benglis, Foreman Art Gallery, Bishop’s University, Sherbrooke, Quebec
Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, MA
Lynda, Robert, Amy, Enzo and the Others, Kunstlerhaus Bremen, Bremen, Germany
All Back in the Skull Together, Maccarone Gallery, New York, NY
Vessels, Blackston Gallery, New York, NY
On the Wall/and Off, Vivian Horan Gallery, New York, NY
Cumberland Gallery 35th Anniversary Show, Cumberland Gallery, Nashville, TN
From Above, Di Donna Galleries, New York, NY
Robert Rauschenberg and ‘The Five From Louisiana, New Orleans, Museum of Art, New
Orleans, LA
Double Eye Poke: Lynda Benglis, Dan Flavin, Sol LeWitt, Bruce Nauman, curated by Béatrice
Gross, Kamel Mennour, Paris, France
2015 Annual: The Depth of the Surface, National Academy Museum, New York, NY
Le Musee Imaginaire, Lefebvre & Fils, Paris, France
Differences in Identity: Artistic Perspectives, curated by Efthalia Rentetzi, Church of San Lorenzo, Venice, Italy
The Great Mother, Palazzo Reale, Milan, Italy
The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery, Yale University Art Gallery, New Haven, CT
The violent No! of the sun burns the forehead of hills. Sand fleas arrive from salt lake and most of the theatres close, project in collaboration with the Fiorucci Art Trust, part of the 14th Istanbul Biennial, Kastellorizo, Greece
Neo-Baroque, curated by Ignacio Prado
Bottoms Up: A Sculpture Survey, curated by Janie Welker, University of Kentucky Art Museum, Lexington, KY
40 The Anniversary Exhibition, Hal Bromm Gallery, New York, NY
Immersed: An Exhibition of Works from the Linda Pace Foundation Collection, organized by Annette DiMeo Carlozzi, Linda Pace Foundation Collection, San Antonio, TX
Highlights: The Castellani Collection, Castellani Art Museum of Niagara University, NY
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich, Germany; traveled to Museum of Modern Art Ludwig Foundation, Vienna, Austria
Marks Made: Prints by Women Artists from the 1960s to the Present, Museum of Fine Arts, Houston, TX
Thirty Nine Years: Anniversary Exhibition Honoring the Memory of Memorial Exhibition to Honor Susanne Feld Hilberry and the History of the Gallery, Susanne Hilberry Gallery, Ferndale, MI
2014
Looking Back, Moving Forward: PMA Permanent Collection Retrospective, Pensacola Museum of Art, Pensacola, FL
Gravity’s Edge, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C.
69/96, Gebert Stiftung fur Kultur, Rapperswil-Jona, Switzerland
Venus Drawn Out: 20th Century Works by Great Women Artists, curated by Susan Harris, The Armory Show at Pier 92, New York, NY
The Influencers II, Miami Dade College Museum of Art and Design, Miami, FL
The Very Last Plastics Show: Industrial L.A. 1965 to the Present, Dorfman+, New York, NY
The Shaped Canvas, Revisited, Luxembourg & Dayan, New York, NY
The Gus Foster Collection, Harwood Museum of Art, Taos, NM
Mitchell, Benglis, Wilke, Williams College Museum of Art, Williamstown, MA
Art Expanded 1958–1978, Walker Art Center, Minneapolis, MN
Bloodflames Revisited: Ode to Summer, curated by Phong Bui, Paul, Kasmin Gallery, New York, NY
Foundation for Art and the Preservation of Embassies, Guild Hall, East Hampton, NY
Earthly Delights, curated by Abigail Winograd, Museum of Contemporary Art Chicago, Chicago, IL
Temporal Domain, Peters Projects, Santa Fe, NM
Make it New: Abstract Paintings from the National Gallery of Art, 1950–1975, Sterling and Francine Clark Art Institute, Williamstown, MA
Benglis ’73 / ’74, curated by Geoff Newton, Sutton Projects, TCB Arts Inc., Neon Parc, Melbourne, Australia
Lynda Benglis 73/74, exhibition across three venues: Sutton Projects, Neon Parc and TCB Art, Sydney, Australia
10, Kappatos Gallery, Athens, Greece
tc: temporary contemporary, Bass Museum of Art, Collins Park, Miami, FL
2013
Painting and Sculpture Changes 2013, Museum of Modern Art, New York, NY
Glam! The Performance of Style, Tate Liverpool, Liverpool, UK; traveled to Lentos Kunstmuseum, Linz, Linz, Austria
Lynda Benglis, Sean Bluechel, Jean Dubuffet, Mika Rottenberg, Axel Salto, Andrea Rosen Gallery, New York, NY
Home, Octavia Art Gallery, New Orleans, LA
Shacklewell Studios, screening of Exchange, London, UK
Come Together: Surviving Sandy, Year 1, Dedalus Foundation, Sunset Park Brooklyn, New York, NY
To Be a Lady: An International Celebration of Women in the Arts, curated by Jason Andrew, organized in collaboration with Norte Maar, Sundaram Tagore Gallery, Singapore
2012
Public Spaces Changes 2012, Museum of Modern Art, New York, NY
Early Video in the U.S., screening of Enclosure, South London Gallery, London, UK
MoMA Media Lounge, Museum of Modern Art, New York, NY
The Persistence of Pollock, Pollock-Krasner House & Study Center, East Hampton, NY
Crucible: Selections from an Art Foundry, Angles Gallery, Los Angeles, CA
Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY
Escape: Video Art from Long Island, screening of Female Sensibility, Guild Hall Museum, East Hampton, NY
Battle of Matter, Brand New Gallery, Milan, Italy
Explosion! Painting as Action, Moderna Museet, Stockholm, Sweden; traveled to Fundació Joan Miró, Barcelona, Spain
Watch Your Step, FLAG Art Foundation, New York, NY
The Dorothy and Herbert Vogel Collection: Fifty Works for Rhode Island, Rhode Island School of Design Museum, Providence, RI
Landmarks, screening of Now, University of Texas at Austin, TX
Less is More: Minimal and Post-Minimal Art in Australia, Heide Museum of Modern Art, Melbourne, Australia
We the People, screening of Female Sensibility, Robert Rauschenberg Foundation, New York, NY
Explosion! The Legacy of Jackson Pollock, curated by Magnus af Petersens, Fundació Joan Miró, Barcelona, Spain
2011
Painting and Sculpture Changes 2011, Museum of Modern Art, New York, NY
Public Spaces Changes 2011, Museum of Modern Art, New York, NY
Modern Women: Single Channel, MoMA PS1 Contemporary Art Center, Long Island City, NY
Valery Proust Museum, Museum of Modern Art, Oostend, Belgium
Unpainted Pictures, Luxembourg & Dayan, New York, NY
Reconfiguring an African Icon: Odes to the Mask by Modern and Contemporary Artists from
Three Continents, Metropolitan Museum of Art, New York, NY
Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, High Museum of Art, Atlanta, GA
Then & Now, Contemporary Arts Center, New Orleans, LA
The Last Grand Tour, Museum of Cycladic Art, Athens, Greece
Fabric as Form, Jack Tilton Gallery, New York, NY
Jack Brogan: Projects, Baxter Art Gallery, California Institute of Technology, Pasadena, CA
Micaela Amateau Amato, Lynda Benglis, Heather McGill, Dwight Hackett Projects, Santa Fe, NM
Four Sculptors 1968–1980: Lynda Benglis, Rosemarie Castoro, Ursula von Rydingsvard, Jackie Winsor, curated by Ann Landi, Lesley Heller Workspace, New York, NY
The Women in Our Life, Cheim & Read, New York, NY
Belief & Understanding, Nicole Klagsbrun Gallery, New York, NY
Earth and Fire, Denver Art Museum, Denver, CO
The Dorothy and Herbert Vogel Collection: Fifty Works for Ohio, Akron Art Museum, Akron, OH
The Collectors Show: Part of Vanuit Hier (Out of Here), Van Abbemuseum, Eindhoven, Netherlands
Body Gesture, Elizabeth Leach Gallery, Portland, OR
2010
Painting and Sculpture Changes 2010, Museum of Modern Art, New York, NY
Think Pink, curated Beth Rudin DeWoody, Gavlak Gallery, Palm Beach, FL
Feminist Avant-Garde of the 1970s, curated by Gabriele Schor and Annna Dannemann, Gallerie Nazionale d’Arte Moderna, Rome, Italy; traveled to Circulo de Bellas Artes, Madrid, Spain; The Photographers’ Gallery, London, UK; Bozar, Plais des Beaux-Arts de Bruxelle, Belgium; Mjellby Konstmuseum, Halmstad, Schwenden, Switzerland; Hamberger Kunsthalle, Hamburg,
Germany; Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria; Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany; Haus der Kunst der Stadt Berlin, Germany; Stavanger Kunstmuseum, MUST, Stavanger, Norway
Not Cooperative, Harriet & Charles Luckman Fine Arts Complex, California State University, Los Angeles, CA
Abstract Resistance, Walker Art Center, Minneapolis, MN
Reflection, Nathan A. Bernstein & Co., Ltd., New York, NY
1968, Locks Gallery, Philadelphia, PADo Redo Undo: 45 Years of Performance Video from EAI, Wiels Contemporary Art Center, Brussels, Belgium
Pictures by Women: A History of Modern Photography, Museum of Modern Art, New York, NY
Behind The Green Door, Harris Lieberman, New York, NY
40, Texas Gallery, Houston, TX
Christmas in July, Galerie Yvon Lambert, New York, NY
Contemporary Art from the Collection, Museum of Modern Art, New York, NY
Thrice Upon a Time, curated by Richard Julin, Elisabeth Millqvist, and Tessa Praun, Magasin III, Stockholm Konsthall, Stockholm, Sweden
Artist’s at Max’s Kansas City, 1965-1974: Hetero-holics and Some Women Too, Loretta Howard Gallery, New York, NY
Keeping It Real: An Exhibition in Four Acts: The D. Daskalopoulos Collection, Act 2, Whitechapel Gallery, London, UK
ARTPARK: 1974–1984, UB Art Gallery, State University of Buffalo, Buffalo, New York, NY
Ordinary Madness, Carnegie Museum of Art, Pittsburg, PA
Inspired Giving: The Apollo Society 25th Anniversary Exhibition, Toledo Museum of Art, Toledo, OH
Painting and Sculpture: To Benefit the Foundation for Contemporary Arts, Lehmann Maupin, New York, NY
2009
Synthetic, Whitney Museum of American Art, New York, NY
American Concepts and Global Visions/Selections from the AT&T Collection: Contemporary
Paintings and Sculpture, McNay Art Museum, San Antonio, TX
1968: The Great Innocents, Kunsthalle Bielefeld, Bielefeld, Germany
The Dorothy and Herbert Vogel Collection–Fifty Works for Fifty States, The Speed Art Museum,
Louisville, KY
Arte Povera and Anti-Form, Tate Modern, UK
Soft Sculpture, National Gallery of Australia, Canberra, Australia
Jo Baer, Lynda Benglis, Jutta Koether, Van Abbemuseum, Eindhoven, Netherlands
Target Practice: Painting Under Attack 1949–1978, Seattle Art Museum, Seattle, WA
The Female Gaze: Women Look at Women, Cheim & Read, New York, NY
Bad Habits, organized by Heather Pesanti, Albright-Knox Art Gallery, Buffalo, NY
Not New Work: Vencent Fecteau Selects from the Collection, San Francisco Museum of Modern Art, San Francisco, CA
Abstractions by Gallery Artists, Cheim & Read, New York, NY
Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles, CA
After Awkward Objects: Lynda Benglis, Louise Bourgeois, Alina Szapocznikow, Hauser & Wirth, London, UK
Space as Medium, curated by René Morales, Pérez Art Museum, Miami, FL
Edition/Addition, Locks Gallery, Philadelphia, PA
2008
The Sum of Its Parts, Cheim & Read, New York, NY
Action Painting Jackson Pollock, Beyeler Museum, Basel, Switzerland
Group Show, Texas Gallery, Houston, TX
Decoys, Complexes, and Triggers: Feminism and Land Art in the 1970s, Sculpture Center, Long
Island City, NY
Punk Generation–No One Is Innocent, Kunsthalle Wien, Wien, Germany
The Alliance, doArt, Beijing, China; traveled to, doArt, Seoul, Korea
Summer Exhibition, Tahari Boutique, East Hampton, NY
Pretty Ugly, Maccarone Gallery, New York, NY
Medien, Charim Ungar Contemporary, Berlin, Germany
Metal, Kresge and Pascal Galleries, Berrie Center, Ramapo College, NJ
Sand: Memory, Meaning, and Metaphor, The Parrish Art Museum, Southampton, NY
2007
Not For Sale, MoMA PS1, Long Island City, NY
The Artist’s Body, Then and Now, Centre d'Art Contemporain Geneve, Switzerland
WACK! Art and the Feminist Revolution, Museum of Contemporary Art, The Geffen
Contemporary, Los Angeles, CA; traveled to National Women's Museum, Washington
D.C.; MoMA PS1, Long Island, New York, NY; Vancouver Art Gallery, Canada
Role Play: Feminist Art Revisit, 1960–1980, Galerie Lelong, New York, NY
Ithaca Regained: Greek Artists in New York, curated by Irving Sandler, Kouros Gallery, Ridgefield, CT
A Point in Space is a Place for an Argument, David Zwirner, New York, NY
Short Distance to Now, Paintings from New York 1967–1975, Galerie Kienzle & Gmeiner, Berlin, Germany; traveled to Galerie Thomas Flor, Dusseldorf, Germany
What is Painting? Contemporary Art from the Collection, Museum of Modern Art, New York, NY
Sensuality in the Abstract, Frank Lloyd Gallery, Santa Monica, CA
Material Affinities: To Clay and Back, Fischer Gallery, University of Southern California, Los
Angeles, CA
A batalla dos xéneros = gender battle, Centro Galego de Arte Contemporánea, Santiago de Compostela, A Coruña, Spain
I Am As You Will Be–The Skeleton in Art, Cheim & Read, New York, NY
Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York, NY
eFEMera, Binghamton University, Binghamton, NY
90° The Margins as Center, Andrea Rosen Gallery, New York, NY
The Lure of Clay, Fisher Gallery, University of Southern California, Los Angeles, CA
2006
Women’s Work, Greenberg Van Doren Gallery, New York, NY
Glass: Material Matters, Los Angeles County Museum of Art, Los Angeles, CA
The Last Time They Met, Stephen Friedman Gallery, London, UK
The 181st Annual: An Invitational Exhibition of Contemporary American Art, The American Academy of Arts and Letters, New York, NY
Your Beauty’s Gold is Clay, curated by Ellen Robinson, Alexandre Gallery, New York, NY
60 Years–The Skowhegan School of Painting and Sculpture, Colby College Museum of Art, Waterville, ME
Into Me/Out of Me, MoMA PS 1, Long Island City, NY; traveled to Kunst-Werke Institute for Contemporary Art, Berlin, Germany
High Times, Hard Times: New York Painting 1965–75, curated by Katy Siegel, Independent Curators International, New York, NY; traveled to Weatherspoon Art Museum, Greensboro, NC; University of North Carolina at Greensboro, NC; American University Museum at the Katzen Arts Center, Washington, D.C.; National Academy Museum, New York, NY; Museo Tamayo Arte Contemporáneo, Mexico City, Mexico; Neue Galerie Graz, Graz, Austria; ZKM | Center for Art and Media Karlsruhe, Karlsruhe, Germany
The Materialization of Sensibility: Art and Alchemy, Leslie Tonkonow Artworks & Projects, New York, NY
1970–1975, Paula Cooper Gallery, New York, NY
2005
Potentially Harmful: The Art of American Censorship, Georgia State University, Welch School of Art & Design, Atlanta, GA
Contemporary Woman Artists, University Art Gallery, Indiana State University, Terre Haute, IN
Interstate, Nicole Klagsbrun Gallery, New York, NY
Summer of Love: Psychedelic Art from the 60’s, Tate Liverpool, UK; traveled to Schirn Kunsthalle, Frankfurt, Germany; Kunsthalle Wien, Vienna; Whitney Museum of American Art, New York, NY
Water without you I’m not, 3rd Valencia Biennial, Valencia, Spain
PART object PART sculpture, Wexner Center for the Arts, Columbus, OH
How American Women Artists Invented Post-Modernism, Rutgers University, New Brunswick, NJ; traveled to Monmouth Museum, Lincroft, NJ; The Harold B. Lemmerman Gallery and The Visual Arts Gallery, New Jersey City University, Jersey City, NJ; Noyes Museum, Oceanville, NJ; Hunterdon Museum of Art in Clinton, NJ; Morris Museum, Morristown, NJ
2004
Sculpture, Danese, New York, NY
When I Think About You I Touch Myself, New York Academy of Art, New York, NY
Modern Means: Continuity and Change in Art, 1880 to Now, Museum of Modern Art, New York, NY
North Fork/South Fork: East End Art Now – Part I, Parrish Art Museum, Southampton, NY
Soft Edge, Museum of Contemporary Art, Chicago, IL
Four-Ply, Andrea Rosen, New York, NY
Sculpture: Precarious Realism between the Melancholy and the Comical, Kunsthalle Wien, Austria
Extreme Abstraction, Albright-Knox Gallery, Buffalo, New York, NY
2003
Eye of the Beholder, George Adams Gallery, New York, NY
Women’s Lines, G Fine Art, Washington, D.C.
25th Anniversary Exhibition, Arthur Roger Gallery, New Orleans, LA
Breaking Boundaries, Ise Cultural Foundation Gallery, New York, NY
Die Verlarung des Un-Gewohnlichen, Charim Galerie, Vienna, Austria
2002
Women Artists, Their Work and Influence, Paule Anglim Gallery, San Francisco, CA
Walk Around Time: Selections from the Permanent Collection, Walker Art Center, Minneapolis, MN
The Sea, The Sea, Glenn Horowitz Bookseller, East Hampton, NY
Scenic Group, Art & Outrage, curated by Simon Watson, Robert Miller Gallery, New York, NY
Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York, NY
Time Share, Sara Meltzer Gallery, New York, NY
Revealing Nature, Glenn Horowitz Bookseller, East Hampton, NY
Summarize/Summer Eyes, Jan Weiner Gallery, Kansas City, KS
Personal and Political: The Women’s Art Movement, 1969–1975, Guild Hall Museum, East Hampton, NY
Gloria: Another Look at Feminist Art in the 1970s, White Columns, New York, NY; traveled to The Galleries at Moore College of Art and Design, Philadelphia, PA; Rhode Island School of Art and Design Museum of Art, Providence, RI
Decades: Gretchen Albrecht, Lynda Benglis, Ron Gorchov, James Ross, Robert Steele Gallery, New York, NY
Heckscher Museum of Art, Huntington, NY
2001
Matter, Museum of Modern Art, New York, NY
Shadow Dancing: 1975–79, D’Amelio Terras Gallery, New York, NY
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London, UK
Autobiographies, Kappatos Gallery, Athens, Greece
New York, Circa 1975, David Zwirner Gallery, New York, NY
Liquid Properties, Cheim & Read, New York, NY
Rags to Riches: 25 Years of Paper Art From Dieu Donné Papermill, Kresge Art Museum; traveled to Maryland Institute College of Art, Baltimore, MD; Marianna Kistler Beach Museum of Art, Kansas State Museum, Manhattan, KS; Heckscher Museum of Art, Huntington, New York, NY; Milwaukee Art Museum, Milwaukee, WI; Fort Wayne Museum of Art, Fort Wayne, IN
2000
Eccentric Forms & Structures, Microsoft Corporation, Redmond, WA
The Likeness of Being: Contemporary Self Portraits by 60 Women, DC Moore Gallery, New York,
NY
The Persistence of Memory, Nature Morte Gallery, New Delhi, India
Making Time: Considering Time as a Material in Contemporary Video & Film, Palm Beach
Institute of Contemporary Art, Palm Beach, FL
American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts & Letters, New York, NY
Action/Performance & the Photograph, Sidney Mishkin Gallery, Baruch College, New York, NY
"Rites of Spring 2000, Long House Reserve, East Hampton, NY
Opulent, Cheim & Read, New York, NY
Summerstage, Charim Klocker Gallery, Salzburg, Germany
Hot Spots, Texas Gallery, Houston, TX
Clay, Jan Weiner Gallery, Kansas City, MO
The American Century, Whitney Museum of Modern Art, New York, NY
1999
Twistfoldlayerflake, California College of Arts & Crafts, Oakland, CA
New Etchings & Monoprints, Quartet Additions, New York, NY
Afterimage, Drawing through Process, Film & Video program, Museum of Contemporary Art, Los Angeles, CA
Neuberger Museum of Art Biennial Exhibition, Neuberger Museum, Purchase, NY
Modern Odysseys: Greek American Artists of the 20th Century, Queens Museum of Art, Queens, NY
1998
Women Artists in the Vogel Collection, President’s Gallery, Simmons Visual Arts Center, Brenau University, Gainsville, GA
International Group Show, Wainscott Gallery, Wainscott, NY
MAI 98 – Positions in Contemporary Art Since the 1960’s, Kunsthalle, Cologne, Germany
Male Female-for instance Picasso, Newton, Yoko Ono and…, Centro Internazionale Mostre, Rome, Italy
Dreams for the Next Century: A View of the Collection, Parrish Art Museum, Southampton, NY
Off the Wall, 8 Contemporary American Sculptors, Asheville Art Museum, Asheville, NC; traveled to University of Alabama, Birmingham, AL
1997
The Edge of Chaos, Fotouhi Cramer Gallery, New York, NY
Plastik, Wurttembergischer Kunstverein, Stuttgart, Germany
Laying Low, Kunstnernes Hus, Oslo, Norway
Art/Fashion, Guggenheim Museum Soho, New York, NY
After the Fall: Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York, NY
A Tribute to Frederick R. Weisman: Selections from the New Orleans Museum of Art, New Orleans Museum of Art, New Orleans, LA
Luces, cámara, acción, ¡Corten! (videoacción: el cuerpo y sus fronteras), IVAM Centre Julio Gonzalez, Valencia, Spain
Lynda Benglis, Adam Fuss, David Salle, Serge Spitzer, Cheim & Read, New York, NY
Art Foundry Editions, Santa Fe, Knoedler & Company, New York, NY
Envisioning the Contemporary: Selections from the Permanent Collection, Museum of
Contemporary Art, Chicago, IL
Selections from the Video Collection, Museum of Modern Art, Department of Film & Video, New York, NY
Clear Intentions, Auckland Art Gallery, Auckland, New Zealand
The Masters Exhibition, Fine Arts Gallery, Long Island University, Southampton, NY
Salient Green, Susanne Hilberry Gallery, Ferndale, MI
Hanging by a Thread, The Hudson River School, Yonkers, New York, NY
Surveying the 1st Decade: Video Art & Alternative Media in the US, SFMOMA, San Francisco,
CA
Gravity – Axis of Contemporary Art, National Museum of Art, Osaka, Japan
Hanging by a Thread, Hudson River Museum of Westchester, Yonkers, NY
1996
Epitaphs, Edward Thorp Gallery, New York, NY
Laura Carpenter Gallery, Santa Fe, NM
Lesbian Genders, curated by Chris Strayer, Whitney Museum of American Art, New York, NY
More Than Minimal: Feminism & Abstraction in the 70s, Rose Art Museum, Brandeis University, Waltham, MA
Sexual Politics, Armand Hammer Museum of Art & Cultural Center, University of California, Los Angeles, CA
The Artist’s Choice, Santa Fe Fine Arts Gallery, College of Santa Fe, NM
Graphics from Solo Impression, Inc., Albright-Knox Art Gallery, Buffalo, NY
Gala Art Auction ’96, University Art Gallery, New Mexico State University, Las Cruces, NM
Homeland of the Imagination: The Southern Presence in 20th Century Art, Nations Bank Plaza, Atlanta, GA
Love Gasoline, Mercer Union, Toronto, Canada
Openclosure, Hand Graphics Gallery, Santa Fe, NM
FremdKörper-corps étranger-Foreign Body, Museum für Gegenwartskunst, Basel, Switzerland
Lynda Benglis, Louis Lieberman, Astrid Fitzgerald, Murakami Gallery, New York, NY
Lynda Benglis, John Chamberlain, Rudolph Stingel, James Welling, Margo Leavin Gallery, Los Angeles, CA
Chimériques Polyméres, Musée d’Art Moderne et d’Art Contemporain, Nice, France
Art au Corps, MAC, Galeries Contemporaines des Musées de Marseille, Marseille, France
Summer Group Exhibition, Laura Carpenter Fine Arts, Santa Fe, NM
La Toilette de Venus: Women & Mirrors, CRG Gallery, New York, NY
Women’s Work, Greenenaftali, Inc, New York, NY
1995
Light (for the Dark Days of Winter), A/D Gallery, New York, NY
In a Different Light, University Art Museum, University of California, Berkeley, CA
Duck!, Edward Thorp Gallery, New York, NY
Prints from Solo Impression, Inc., New York, Gallery 72, Omaha, NE
20 Years of Hallwalls Contemporary Arts Center 1975-95, Burchfield Penny Art Center, Buffalo
State College, Buffalo, NY; traveled to Cumberland Gallery, Nashville, TN
Phallic Symbols: Images in Contemporary Art, curated by Hal Bromm, 24 Hours for Life Gallery, New York, NY
New Works at Laumeier Sculpture Park, Sunset Hills, MO
Anne Reed Gallery, Ketchum, ID
The Golden & the Baroque in Contemporary Art, Robert McClain & Co, Houston, TX
25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA
In Three Dimensions: Women Sculptors of the 90's Part II – Beyond Gender, Snug Harbor Cultural Center, Staten Island, New York, NY
Fémininmasculin: le sexe dans l’art, Centre George Pompidou, Paris, France
44th Biennial: Exhibition of Contemporary American Painting; Painting Outside Painting, Corcoran Gallery of Art, Washington, D.C.
1994
Sculpture, Nina Freudenheim Gallery, Buffalo, New York, NY
American Academy Invitational Exhibition of Painting & Sculpture, The American Academy of Arts & Letters, New York, NY
Tandem Press: 5 Years of Collaboration & Experimentation, Elvehjem Museum of Art, Madison, WI
30 Years, The Aldrich Museum of Contemporary Art, Ridgefield, CT
From Minimal to Conceptual Art: Works from the Dorothy & Herbert Vogel Collection, National Gallery of Art, Washington, D.C.
Prints from Solo Impression, Inc., New York, College of Wooster Art Museum, Wooster, OH
Sculpture from Santa Fe, Greer Garson Theatre Gallery, College of Santa Fe, Santa Fe, NM
The Essential Gesture, Newport Harbor Art Museum, Newport Beach, CA
Poetic Heroic: 12 American Artists, Art Initiatives at Tribeca 148 Gallery, New York, NY
Holiday Exhibition, Paula Cooper Gallery, New York, NY
1993
Sculpture & Multiples, Brooke Alexander Editions, New York, NY
Bodily, Penine Hart Gallery, New York, NY
Hunter College MFA Faculty, Hunter College Art Gallery, New York, NY
Blast Art Benefit, 142 Greene Street, 4th floor, New York, NY
Coming to Power: 25 Years of Sexually X-Plicit Art by Women, curated by E. Cantor, produced by S. Watson at the David Zwirner Gallery, New York, NY; traveled to Real Arts Ways, Hartford, CT
Design Invitations from 1940 to Present, Exit Art, New York, NY
Abject Art: Repulsion & Desire in American Art, Whitney Museum of American Art, New York, NY
Action Performance & the Photograph, Turner/Krull Galleries, Los Angeles, CA
The First Generation: Women & Video, 1970-75, ICI Exhibition Prints, Haenah-Kent Gallery, New York, NY
An Exhibition, Richard Gray Gallery, Chicago, IL
25 Years (Part I), Paula Cooper Gallery, New York, NY
The Return of the Cadavre Exquis, The Drawing Center, New York, NY; traveled to The Corcoran Gallery of Art, Washington D.C., Foundation for Contemporary Art, Mexico City; Santa Monica Museum, Los Angeles, CA; Forum, St. Louis, MO
9 Sculptors & Their Printer, Bernard Toale Gallery, Boston, MA
Drawings: 30th Anniversary Exhibition to Benefit the Foundation for Contemporary Performance Arts, Castelli Gallery, New York, NY
1992
N.A.M.E.'s, 11th Annual St Valentine's Exhibition & Benefit Auction, Chicago, IL
Visiting Artist Program: 20th Anniversary Show, CU Art Galleries, University of Colorado at Boulder, Boulder, CO
Blast Art Benefit, X-Art Foundation, New York, NY
Glass: from Ancient Craft to Contemporary Art, 1962 to 1992 & Beyond, Morris Museum, Morristown, NJ; traveled to University of Oklahoma Museum of Art, OK; Fine Arts
Museum of the South, Mobile, AL; Art Museum of South Texas, TX; Scottsdale Center for the
Arts, Scottsdale, AZ; Philbrook Museum of Art, Tulsa, OK
3 Louisiana Women Artists: Benglis, Connell & Kohlmeyer, Masur Museum of Art, Monroe, LA
Celebrating Art & Architecture: Creating a Place for People, La Salle Partners, Charlotte, NC; traveled to Federal Reserve Board, Washington, D.C. Clearly Art, Pilchuck's Glass Legacy, Whatcom Museum of History & Art, Bellingham, WA; traveled to Crocker Art Museum, Sacramento, CA; Currier Gallery of Art, Manchester, NH; Chrysler Museum, Norfolk, VA; Tucson Museum of Art, Tucson, AZ; Palm Springs Desert Museum, Palm Springs, CA; Hunter Museum of Art, Chattanooga, TN; Brunnier Gallery, Iowa State University, Ames, IA; Muskegon Museum of Art, Muskegon, MI; Birmingham Museum of Art, Birmingham, AL; Fort Wayne Museum of Art, Fort Wayne, IN; Museum of Art, Washington State University, Pullman, WA, Erotiques, A.B. Galleries, Paris, France
Volume 6 Contemporary Sculptors, Guild Hall Museum, New York, NY
Benefit: YMCA Clayworks Youth Shelter Program, Stark Gallery, New York Cross Section, by American Express, Battery Park City Authority, Merrill Lynch & Olympia & New York, Battery Park City & World Financial City, New York Her Art Works, juror & participant at national competitive exhibition co-sponsored by the South Bend Regional Museum of Art & the Indiana Women's Caucus for Art
Fourth Benefit Art Auction, Contemporary Art Society, Milwaukee Art Museum, WI
Functional Objects by Artists & Architects, Rhona Hoffman Gallery, Chicago, IL,
Small Works, Julian Pretto, New York, NY
Santa Fe Sculpture Project, Fine Arts Gallery, College of Santa Fe, NM
1991
Baubles, Bangles & Mardi Gras Beads, Galveston Arts Center, TX
25th Anniversary Exhibition, Gloria Luria Gallery, Miami, FL
Focus on Louisiana: Artists from AMoA's Permanent Collection, Alexandria Museum of Art, LA
Setting the Stage: Contemporary Artists Design for the Performing Arts, Columbus Museum of Art, OH
Dead Heroes, Disfigured Love, Lorence Monk Gallery, New York, NY
Action & Reaction: Jackson Pollock's Influence, Panel discussion, School of Visual Arts, New York, NY
Physicality, Hunter College, New York, NY; traveled to University Art Gallery, Albany, NY; DW Bell Gallery, Providence, RI; Plattsburgh Art Museum, Plattsburgh, PA; R. Gibson Gallery, Potsdam, NY; University Art Museum, Binghamton, NY
Little Things Mean Alot, Momentary Modern, Amsterdam, Netherlands
Illeme Biennale de Sculpture, Monte Carlo, Monaco
Blast Art Benefit, The X-Art Foundation, NY
Show of Strength, Annie Plumb Gallery, NY
Aspects of Collage, Guild Hall Museum, East Hampton, NY
Masterworks of Contemporary Sculpture, Painting & Drawing, the 1930's to the 1990's, Bellas Artes, Santa Fe, NM
Small Sculpture in an Inner Space, Bellas Artes, Santa Fe, NM
Changing Sculpture Exhibition, Margo Leavin Gallery, Los Angeles, CA
The First Parrish Art Museum Design Biennial: Weathervanes, Parrish Art Museum, New York, NY
Small-Scale Sculpture, Sewall Art Gallery, Houston, TX
American Academy and Institute of Arts & Letters: 43rd Annual Purchase Exhibition, American Academy & Institute of Arts & Letters, New York, NY
1990
The Radiant Principle, Penine Hart Gallery, New York, NYWrit in Water Solo Press/Solo Gallery, New York, NY
Group Exhibition, Susanne Hilberry Gallery, Ferndale, MI
Group Exhibition, Genovese Gallery, Boston, MA
The New Sculpture 1965–75: Between Geometry & Gesture, Whitney Museum of American Art, New York, NY; traveled to Museum of Contemporary Art, Los Angeles, CA
Sculpture from New England Collections, Beth Urdang Fine Arts, Boston, MA
Hand, Body, House: Approaches to Sculpture, Ben Shahn Galleries, Center for the Visual Arts, William Paterson College, Wayne, NJ
Pharmacy, Jan Kesner Gallery, Los Angeles, CA
Hellenikon, City Gallery, Department of Cultural Affairs, New York, NY
Carsinart: The Automobile Icon, Pensacola Museum of Art, Pensacola, FL
Art in Europe & America: The 1960s & 1970s, Wexner Center for the Visual Arts, Ohio State University, Columbus, OH
Let’s Play House, The Fabric Workshop, Philadelphia, PA
Newer Sculpture, Charles Cowles Gallery, New York, NY
Group Exhibition, Paula Cooper Gallery, New York, NY
Prints of the Eighties, Guild Hall Museum, East Hampton, NY
Amerikanische Videos aus den Jahren 1965-75, The Castelli/Sonnabend Tapes & Films, Ausstellungsraum Künstlerhaus Stuttgart, Germany
Tandem Press Benefit, Pace Prints, New York, NY
1989
Monoprints/Monotypes, University of Maine Museum of Art, Orono, ME
Making Their Mark: Women Artists Move into the Mainstream, 1970–1985, Cincinnati Art Museum, OH; traveled to New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, CO; Pennsylvania Academy of the Fine Arts, Philadelphia, PA
Golden Opportunity: Benefit Exhibit for the Resettlement of Salvadoran Refugees, Leo Castelli Gallery, New York, NY
1st Impressions: Early Prints by 46 Contemporary Artists, Walker Art Center, Minneapolis, MN; traveled to Laguna Gloria Art Museum, Austin, TX; Baltimore Museum of Art, Baltimore, MD; Neuberger Museum, Purchase, NY
Don't Bungle the Jungle, Tony Shafrazi Gallery, NY
First Impressions, Walker Art Center, Minneapolis, MN; traveled to Laguna Gloria Art Museum, Austin, TX; Baltimore Museum of Art, Baltimore, MD; Neuberger Museum, State University College at Purchase, NY
Contemporary Art from New York: The Collection of the Chase Manhattan Bank, Yokohama Museum of Art, Yokohama, Japan
Sculptural Intimacies: Recent Small-Scale Works, Security Pacific Gallery, South Coast Metro Center, Costa Mesa, CA
Benefit Auction of Contemporary Sculpture, International Sculpture Center, Washington D.C.
Small & Stellar, Ruth Siegel Gallery, New York, NY
Benefit for the Wooster Group, Brooke Alexander Editions, New York, NY
1988
Collecting on the Cutting Edge: Frito-Lay, Inc, Laguna Gloria Art Museum, Austin, TX
Anniversary Exhibition, Susanne Hilerry Gallery, Ferndale, MI
New Erotic Video, The Kitchen, New York, NY
Lynda Benglis, John Chamberlain, Joel Fisher, Mel Kendrick, Robert Therrien, Magasin 3, Stockholm, Sweden
Private Works for Public Spaces, R.C. Erph Gallery, New York, NY
Group Exhibition, Res Nova, New Orleans, LA
Extant Work: Tapes from The Kitchen Archives, The Kitchen, New York, NY
Painting in Relief/Sculpture on the Wall, John C. Stoller and Company, Minneapolis, MN
Life Forms: Contemporary Organic Sculpture, Freedman Gallery, Albright College, Reading, PA
Four Sculptors, Nina Freudenheim Gallery, Buffalo, NY
Floating Values, HALLWALLS Contemporary Arts Center, Buffalo, NY; traveled to Artists Space, New York Eleven Artists from Paula Cooper, Mayor Rowan Gallery, London, UK
Beyond Illusion: American Film and Video Art, 1965-1975, Whitney Museum of American Art, New York, NY
American Artists in Jewelry, Rena Bransten Gallery, San Francisco, CA
New Works in Glass by Artists in Residence, Linda Farris Gallery, Seattle, WA
Artists in Residence: Pilchuck Glass School, 1980-1988, Linda Farris Gallery, Seattle, WA
Minos Beach Art Symposium, Minos Beach Hotel, Crete, Greece
The Material Image: Pure and Simple, Elizabeth McDonald Gallery, New York, NY
Knots and Nets, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; traveled to New York State Museum Cultural Education Center, Albany, NY; Parrish Art Museum, Southampton, NY
Group Exhibition: Gallery Artists, Tilden-Foley Gallery, New Orleans, LA
The Gold Show 1988, Genovese Gallery, Boston, MA
Pilchuck: An Exhibition of Contemporary Glass Sculpture, Walter Gallery, Santa Monica, CA
Video Art Series: Early Experimental Work & Recent Explorations, Gray Art Gallery, Jenkins Fine Art Center, E. Carolina University, Greenville, NC
Private Reserve: Important Works from Artists Represented by the Gallery, Dorothy Goldeen Gallery, Santa Monica, CA
Changing Group Exhibition, Paula Cooper Gallery, New York, NY
From the Collection of Dorothy & Herbert Vogel, Arnot Art Museum, Elmira, NY; traveled to Grand Rapids Art Museum; Terra Museum of American Art, Chicago, IL; Laumeler Sculpture Park, St. Louis, MO; Art Museum of Florida International University, FL
1987
Sculpture Installation, Margo Leavin Gallery, Los Angeles, CA
Group Exhibition, Tilden-Foley Gallery, New Orleans, LA
From the Sol LeWitt Collection, Wadsworth Atheneum, Hartford, CT
Artists da Paula Cooper Gallery, Galerie EMI Valentim de Carvalho, Lisbon, Portugal
Standing Ground: Sculpture by American Women, The Contemporary Arts Center, Cincinnati, OH
What Does She Want?: A Video Debate, University Gallery, Ohio State University, Columbus, OH
Contemporary American & European Glass: The Saxe Collection, American Craft Museum, New York, NY
Alternative Supports: Contemporary Sculpture on the Wall, David Winton Bell Gallery, List Art Center, Brown University, Providence, RI
Art Against Aids, organized by the American Foundation for AIDS Research, Paula Cooper Gallery, New York, NY
Structure to Resemblance: Work by Eight American Sculptors, Albright-Knox Art Gallery, Buffalo, NY
Masters II, Fine Arts Gallery, Long Island University, Southampton, NY
Group Exhibition, Susanne Hilberry Gallery, Ferndale, MI
AMFAR (American Foundation for AIDS Research), Dia Art Foundation, New York, NY
Avery Distinguished Professors, Edith C. Blum Art Institute, Bard College, Annandale-on-Hudson, NY
Faux Arts, La Jolla Museum of Contemporary Art, La Jolla, CA
Handmade Paper, organized by Art Advisory Service for Corporate Members of Museum of Modern Art, New York, American Express Company, New York, NY
A Bountiful Decade: Selected Acquisitions 1977–1987, Nelson-Atkins Museum of Art, Kansas City, MO
Sculpture, Dart Gallery, Chicago, IL
Contemporary Masters: Selection from the Collection of Southwestern Bell Corporation, St Louis Gallery of Contemporary Art, MO
New Space, New Work, New York, The Helander Gallery, Palm Beach, CA
Video Art Series: Early Experimental Work and Recent Explorations, Gray Art Gallery, East Carolina University, Greenville, NC
Contemporary American Collage, 1960-1987, Herter Art Gallery, University of Massachusetts, Amherst, MA; traveled to William Bennett Museum of Art, University of Connecticut, Storrs, CT; Lehigh University Galleries, LeHigh University, Bethlehem, Pennsylvania; Butler Institute of American Art, Youngstown, Ohio; Kansas City Art Institute, Missou, KS; University Art Gallery, University at Albany, State University of New York, NY; Nevada Institute for Contemporary Art, Las Vegas, NV
Feminism in High Art: A Contradiction in Terms?, Ritter Art Gallery, Florida Atlantic University, Boca Raton, FL
American Artists in Jewelry, Dorothy Goldeen Gallery, Santa Monica, CA; traveled to Fuller-Gross Gallery, San Francisco, CA; Nancy Hoffman Gallery, New York, NY; Harcus Gallery, Boston, MA
New Space, New Work, New York, The Helander Gallery, Palm Beach, FL
Fifty Years of Collecting: An Anniversary Selection Sculpture of the Modern Era, Solomon R. Guggenheim Museum, New York, NY
The Gold Show, Maloney Gallery, Santa Monica, CA
Drawings from the Collection of Dorothy & Herbert Vogel, University of Arkansas at Little Rock; traveled to University of Alabama, Moody Gallery of Art & Pennsylvania State University Museum of Art, PA
1986
Glass America, Heller Gallery, New York, NY
Connecticut Collects: American Art Since 1960, Whitney Museum of American Art/Fairfield County, Stamford, CT
Group Exhibition, Tilden-Foley Gallery, New Orleans, LA
Pilchuck: The Creative Fire (1985 Pilchuck Faculty Exhibition), Washington State Capital Museum, Olympia, WA
Cast Glass Sculpture, Main Art Gallery, Visual Arts Center, California State University, Fullerton, CA
1986
Museum of Contemporary Art Benefit Auction, Gemini G.E.L. & Margo Leavin Gallery, Los Angeles, CA
Natural Forms and Forces: Abstract Images in American Sculpture, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, MA, and Bank of Boston Gallery, Boston, MA
The Artist and the Quilt, Harriet Pratt Bush/Pratt Manhattan Gallery, New York, NY
1986 Museum of Contemporary Art Benefit Exhibition, Gemini Graphic Editions Limited and Margo Leavin Gallery, Los Angeles, CA
Entra la Geometria y el Gesto Escultura Norte-Americana, 1965-1975 = Between Geometry & Gesture: American Sculpture, 1965-1975, Palacio de Velazquez, Centro Nacional de Exposisiones, Madrid, Spain
Painting and Sculpture Today: 1986, Indianapolis Museum of Art, IN
Changing Group Exhibition, Tilden-Foley Gallery, New Orleans, LA
Changing Sculpture Exhibition, Paula Cooper Gallery, New York, NY
Group Exhibition, Paula Cooper Gallery, New York, NY
Twentieth Century Drawings & Sculptures, Janie Lee Gallery, Houston, TX
Painting and Sculpture Acquisitions: 1973-1986, Whitney Museum of American Art, New York,
NY
Philadelphia Collects: European & American Art since 1940, Philadelphia Museum of Art, PA
Works from the Paula Cooper Gallery, John Berggruen Gallery, San Francisco, CA
Works by American Women, 1976-86, First Bank Skyway Gallery, Minneapolis, MN
Contemporary Works from the Collection, Museum of Modern Art, New York, NY
American Eccentric Abstraction: 1965-1972, Blum Helman, New York, NY
Paper's Third Dimension, Bergen Museum of Art and Science, Paramus, NJ
Benefit for The Kitchen, Brooke Alexander, New York, NY
1985
A New Beginning: 1968-1978, Hudson River Museum, Yonkers, New York, NY
Monuments to: An Exhibition of Proposals for Monumental Sculpture, University Art Museum, California State University, Long Beach, CA
Group Exhibition, Paula Cooper Gallery, New York, NY
Dracos Art Center: 1st Show, New Dialogues, Dracos Art Center, Athens, Greece
Drawings, Lorence Monk Gallery, New York, NY
Selections from the William J. Hokin Collection, Museum of Contemporary Art, Chicago, IL
In Three Dimensions: Recent Sculpture by Women, Harriet Pratt Bush/Pratt Manhattan Gallery, New York, NY
By the Sea, By the Sea..., Creative Time Benefit Art Sale, Christie's, New York, NY
Benefit Art Auction for Parallel Films, Littlejohn Smith Gallery, New York, NY
Paper: From Surface to Form, City Gallery, New York, NY
Abstract Relationships, Charles Cowles Gallery, New York, NY
Body & Soul: Aspects of Recent Figurative Sculpture, Contemporary Arts Center, Cincinnati, OH
El Bohio Benefit Auction and Exhibition, El Bohio Cultural and Community Center, New York, NY
20th Anniversary of the National Endowment for the Arts, Museum of Modern Art, New York, NY
Guerrilla Girls, The Palladium, New York, NY
Workshop Experiments: Clay, Paper, Fabric, Glass, Brattleboro Museum & Art Center, Brattleboro, VT; traveled to Museum of Art, Wellesley College, MA; League of New Hampshire Craftsmen, Concord, NH; Worcester Craft Center, Worcester, MA; Museum of Art, Science & Industry, Bridgeport, CT; Bevrier Gallery, Rochester Institute of Technology, New York, NYVideo Arts Festival, Stockholm
Made in India, Museum of Modern Art, New York, NY
Aids Benefit Exhibition: A Selection of Works on Paper, Daniel Weinberg Gallery, Los Angeles, CA
Profile of a Connoisseur: The Collection of Muriel Bultman Francis, New Orleans Museum of Art, LA
The Easthampton Star 100th Anniversary Portfolio, Guild Hall Museum, East Hampton, NY
A Decade of Visual Arts at Princeton: Faculty 1975-1985, Art Museum of Princeton University, Princeton University, NJ
Independent Curators' Inc. 10th Anniversary Exhibition & Auction, The Puck Building, New York, NY
Benefit Auction for Gay Men's Health Crisis, Sotheby's, New York, NY
Diversity: New York Artists, Main Gallery, University of Rhode Island, Kingston, RI
Changing Sculpture Exhibit, Paula Cooper Gallery, New York, NY
New York Artists, The Helander Gallery, Palm Beach, FL
Sculpture, Nina Freudenheim Gallery, Buffalo, NY
Correspondences: New York Now, Laforet Museum, Tokyo, Japan; traveled to Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan; Tazaki Hall Espace Media, Kobe American Art: American Women, Stamford Museum and Nature Center, Stamford, CT
1984
International Water Sculpture Competition, Davis McClain Galleries, Houston, TX
Cover to Cover, Penrose Hall Gallery, Tyler School of Art, Temple University, Philadelphia, PA
Artists Call Against Intervention in Central America Benefit Exhibition, Paula Cooper Gallery, New York, NY
Intermedia: Between Painting & Sculpture, The Aldrich Museum of Contemporary Art, Ridgefield, CT
A Celebration of American Women Artists, Part II: The Recent Generation, Sidney Janis Gallery, New York, NY
Works by Women, Texas Women's University, Denton, Texas Monotypes, Weintraub Gallery, New York, NY
Paper Transformed: A National Exhibition of Paper Art, Turman Gallery, Indiana State University, Terre Haute, IN
American Art Since 1970: Painting, Sculpture & Drawings from the Collection of the Whitney Museum of American Art, Whitney Museum of American Art, New York; traveled to Museo Tamayo, Mexico City, Mexico; North Carolina Museum of Art, Raleigh, NC; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln,NB; Center for the Fine Arts, Miami, FL
The Decorative Continues, Pam Adler Gallery, New York, NY
New American Video Art: A Historical Survey, 1967-1980, Whitney Museum of American Art, New York, NY
50 Artists/50 States, Fuller Goldeen Gallery, San Francisco, CA
Citywide Contemporary Sculpture Exhibition, Toledo Museum of Art, OHAmerican Sculpture, Margo Leavin Gallery, Los Angeles, CA
Forming, The Parrish Art Museum, Southampton, NY
A Changing Group Exhibition, Paula Cooper Gallery, New York, NY
Ecstasy, Monique Knowlton Gallery, New York, NY
Arabesque: Grand Gestures in Painting, Sculpture & Decorative Arts, Bette Stoler Gallery, New York, NY
Group Exhibition, Olsen Gallery, New York, NY
Content: A Contemporary Focus 1974-84, Hirshhorn Museum & Sculpture Garden, Washington D.C.
American Bronze Sculpture: 1850 to the Present, Newark Museum, Newark, NJ
American Sculpture: Three Decades, Seattle Art Museum, Seattle, WA
Highlights: Selections from the Bank America Corporation Art Collection, Plaza Gallery, Concourse Gallery, AP Gianni Gallery, San Francisco, CA
Stars: A Theme Exhibition, Fuller Goldeen Gallery, San Francisco, CA
Eight Artists from Paula Cooper Gallery, Contemporary Art Gallery, Seibu Corporation, Tokyo,
Japan
Gala!Gala! Art Auction, Museum of Contemporary Art, San Pedro, CA
Creative Time Benefit, Oil and Steel Gallery, New York, NY
1983
1984 Olympic Fine Art Posters: 15 Contemporary Artists Celebrate the Games of the XXIII Olympiad, Municipal Art Gallery, Los Angeles, CA; traveled to University Art Gallery, California State University, Dominguez Hills Festival of the Arts, Muhlenberg College, Allentown, PA
Women Artists Invitational 1983: Selections from the Women Artists Historical Archives, Philadelphia College of Art Gallery, Philadelphia, PA
Selections from the Collection of Robert Vogele, Swen Parson Gallery, Northern Illinois University, De Kalb, IL
Printed by Women: A National Exhibition of Photographs & Prints, Port of History Museum at Penn’s Landing, Philadelphia, PA
Arrivals, Guild Hall Museum, Easthampton, New York, NY
Lynda Benglis and John Duff, Margo Leavin Gallery, Los Angeles, CA
Paula Cooper, Nancy Hoffman, Phyllis Kind: A Profile of Three Art Directors, Center for the Arts, Muhlenberg College, Allentown, PA
20th Century Sculpture: Process & Presence, Whitney Museum of American Art at Phillip Morris, New York, NY
Small Bronzes, McIntosh/Drysdale Gallery, Houston, TX
Surreal, Robert Miller Gallery, New York, NY
The Sixth Day: A Survey of Recent Developments in Figurative Sculpture, The Renaissance Society at the University of Chicago, IL
All that Glitters, Tweed Gallery, Plainfield, NJ
Vente aux enchéres: art contemporain, Palais des Beaux-Art, Brussels, Belgium
Back to the U.S.A., Künstmuseum, Lucerne, Switzerland; traveled to Rheinisches Landesmuseum Bonn, West Germany; Württembergischer Künstverein, Stuttgart, West Germany
Group Exhibition, Paula Cooper Gallery, New York, NY
Minimalism to Expressionism: Painting & Sculpture since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, NY
Selections II, Fuller Goldeen Gallery, San Francisco, CA
New Decorative Art, The Berkshire Museum, Pittsfield, MA; traveled to State University of Albany, Albany, NY
Black and White, Margo Leavin Gallery, Los Angeles, CA
Sixteenth Annual Artists of the Springs Invitational Exhibition, Ashawag Hall, East Hampton, NY
Group Exhibition, Olsen Gallery, New York, NY
Of, On or About Paper, USA Today, Arlington, VA
Language, Drama, Source & Vision, New Museum of Contemporary Art, New York, NY
Shift: LA, NY, Neuberger Museum, Purchase, New York, NY
Changing Group Exhibition, Paula Cooper Gallery, New York, NY
Art Cars: National Juried Exhibition, Contemporary Arts Center, New Orleans, LA
The Knot & Spiral Show, Suellen Haber Gallery, New York, NY
Group Exhibition, Christminister Fine Art, New York, NY
1982
Flux & Fusion: An Exhibition of Sculpture from 1970 to the Present, Margo Leavin Gallery, Los Angeles, CA
Flat & Figurative: 20th Century Wall Sculpture, Zabriskie Gallery, New York, NY
Critical Perspectives: Curators and Artists, MoMA PS 1, Long Island City, NY
Energie New York, E.L.A.C. (Espace Lyonnais d’Art Contemporain) Centre d'Echanges, Lyon, France
Nature as Image and Metaphor : Works by Contemporary Women Artists, 105 Greene Street, New York, NY
Early Work, New Museum for Contemporary Art, New York, NY
Dynamix, Contemporary Arts Center, Cincinnati, OH; traveled to Sullivan Hall Gallery, Ohio State University, Columbus,OH; Allen Memorial Art Museum, Oberlin College, OH; Butler Institute of American Art, Youngstown, OH; University of Kentucky, Lexington, KY; Joslyn Art Museum, Omaha; and Doane Hall Art Gallery, Allegheney College, Meadville, PA
Early Work, New Museum, New York, NY
Made in California: Major New Works from Experimental Printmaking, San Francisco, CA, Thomas Segal Gallery, Boston, MA
Prints by Contemporary Sculptors, Yale University Art Gallery, Yale University, New Haven, CT
74th American Exhibition, Art Institute of Chicago, Chicago, IL
Sweet Art Sale Benefit, Franklin Furnace Archive, Inc., New York, NY
Casting: A Survey of Cast Metal Sculpture in the 80’s, Fuller Goldeen Gallery, San Francisco, CA
New Glass Review 3, Corning Museum of Glass, Corning, NY
The Americans: The Collage 1950-82, Contemporary Arts Museum, Houston, TX
Metals: Cast-Cut-Coiled, Rhode Island School of Design Museum of Art, Rhode Island School of Design, Providence, RI
Selected Prints III, Brooke Alexander, Inc., New York, NY
Group Show: Sculptor’s Drawings, Paula Cooper Gallery, New York, NY
Women of the Americas, Kouros Gallery and Center for Inter-American Relations, New York, NY
PostMINIMALism, Aldrich Museum of Contemporary Art, Ridgefield, CT
Out of the South, Heath Gallery, Atlanta, GA
Twentieth Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts & Sciences at Potsdam, NY; traveled to Gallery of Art, University of Northern Iowa, Cedar Rapids, IA
Shift: LA/NY, Newport Harbor Art Museum, Newport Beach, California & Neuberger Museum, Purchase, NY
Androgyny in Art, Emily Lowe Gallery, Hofstra University, Hempstead, Long Island, NY
The Destroyed Print, Harriet Pratt Bus/Pratt Manhattan Gallery, New York, NY
New York Now, Kestner-Gesellschaft, Hanover, West Germany
Changing Group Exhibition: Sculptor’s Drawings, Paula Cooper Gallery, New York, NY
U.S. Art Now, Nordiska Kompaniet, Stockholm, Sweden
1981
Decorative Sculpture, The Sculpture Center, New York, NY
1981 Whitney Biennial, Whitney Museum of American Art, New York, NY
Coast to Coast, Okun-Thomas Gallery, St. Louis, MO
Bronze, Hamilton Gallery, New York, NY
Group Exhibition, Susanne Hilberry Gallery, Ferndale, MI
Art in the Public Eye: Recent Acquisitions of the Security Pacific Collection, Security Pacific
National Bank, Los Angeles, CA
Coast to Coast, Okun-Thomas Gallery, St. Louis, MO
New Dimensions in Drawing, Aldrich Museum of Contemporary Art, Ridgefield, CT
Donne in Arte-Viaggo a New York, Provincia di Genova, Genoa, Italy
ICA Street Sights 2, Institute of Contemporary Art, University of Pennsylvania, PA; organized by Independent Curators, Inc.; traveled to New Gallery of Contemporary Art, Cleveland, OH; Long
Beach Museum of Art, CA; Contemporary Arts Center, New Orleans, LA
New Dimension in Drawing: 1950–1980, Aldrich Museum of Contemporary Art, Ridgefield, CT
The Great American Fan Show, Lerner Heller Gallery, New York and Reynolds/Minor Gallery, Richmond, VA
Media Relief, John Weber Gallery, New York, NY
In the Summer Space, Okun-Thomas Gallery, St. Louis, MO
Developments in Recent Sculpture, Whitney Museum of American Art, New York, NY
Group Exhibition, Susanne Hilberry Gallery, Ferndale, MI
Cast, Carved and Constructed, Margo Leavin Gallery, Los Angeles, CA
Benefit Exhibition for the Kitchen, Paula Cooper Gallery, New York, NY
Variants: Drawings by Contemporary Sculptors, Sewell Art Gallery, Rice University, Houston, TX; traveled to Art Museum of South Texas, Corpus Christi, TX; Newcomb Art Gallery, Tulane University, New Orleans, LA; High Museum of Art, Atlanta, GA
Currents: A New Mannerism, Jacksonville Museum of Art, Jacksonville, FL; traveled to University of South Florida Art Galleries, University of South Florida, Tampa, FL
Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators, Inc., New Gallery of Contemporary Art, Cleveland; traveled to Gibbes Art Gallery, Charleston, South Carolina; Hudson River Museum of Westchester, Yonkers, New York; University of South Florida, Tampa, FL; Art Museum and Galleries, California State University at Long Beach, CA; Alberta College of Art, Calgary, Canada; Pensacola Museum of Art, FL
Possibly-Overlooked Publications: A Re-examination of Contemporary Prints & Multiples, Landfall Gallery, Chicago, IL
Group Exhibition, Paula Cooper Gallery, New York, NY
Polychrome, Hansen Fuller Goldeen Gallery, San Francisco, CA
Selected Prints Published by Landfall Press, Fox Graphics Gallery, Boston, MA
New Options in Sculpture, Mattingly Baker Gallery, Dallas, TX
Handmade Paper: Prints A Unique Works, Art Lending Service, Museum of Modern Art, New York, NY; traveled to General Electric Company, Fairfield, CT
Sculptor's Drawings and Maquettes, Max Hutchinson Gallery, New York, NY
American Reliefs, 121 Gallery, Antwerp, Belgium
Art for E.R.A., Zabriskie Gallery, New York, NY
Paula Cooper Gallery, New York, NY
1980
Extensions: Jennifer Bartlett, Lynda Benglis, Robert Longo, Judy Pfaff, The Contemporary Arts Museum, Houston, TX
Current/New York, Joe and Emily Lowe Art Gallery, Syracuse University, NY
Painting in Relief, Whitney Museum of American Art/Downtown Branch, New York, NY
Invitational, David Winton Bell Gallery, Brown University, Providence, RI
Paula Cooper at Yvon Lambert, Galerie Yvon Lambert, Paris, France
Urban Encounters: Art, Architecture, Audience, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
Sculpture on the Wall: Relief Sculpture of the Seventies, University Gallery, University of Massachusetts, Amherst, MA
Painted Structure, Jeffrey Fuller Fine Art, Philadelphia, PA
Jack Brogan Projects, Baxter Art Gallery, California Institute of Technology, Pasadena, CA
Sculpture in California: 1975-1890, San Diego Museum of Art, San Diego, CA
Lynda Benglis, Jonathan Borofsky, Peter Campus, Michael Hurson: Works on Paper, Paula
Cooper Gallery, New York, NY
American Contemporary Sculpture, Max Hutchinson Gallery, New Orleans, LA
Drawings: The Pluralist Decade, organized by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; American Pavilion, Venice Biennale, Venice, Italy; a version of the exhibition traveled to Institute of Contemporary Art, Chicago, IL
Works by Women, University Gallery, Southern Methodist University, Dallas, TX; organized by Gihon Foundation, Dallas, TX; traveled to Rudder Tower Exhibit Hall, Texas A & M University, College Station, TX; Cultural Activities Center, Temple, TX; Art Center, Waco, TX; Tyler Museum of Art, TX; Wichita Falls Museum and Art Center, TX; Student Center Gallery, Texas Christian University, Ft. Worth, TX; Northwood Institute Art Center, Cedar Hill, TX; Clyde H. Wells Find Arts Center, Tarleton State University, Stephenville, TX; Abilene Fine Arts Museum, TX; Scurry County Museum, Western Texas College, Synder, TX; Stephen F. Austin University, Nacogdoches, TX; Cameron University Gallery, Lawton, OK; Victoria Regional Museum, TX; Amarillo Art Center, TX; Longview Museum and Arts Center, TX; John E. Conner Museum, TX; A & M University, Kingsville; Charles B. Goddard Center, Ardmore, OK; Meadows Art Museum, Centenary College of Louisiana, Shreveport; Weil Gallery, Corpus Christi, TX; Warehouse Living Arts Center, Corsicana, TX; University Gallery, Angelo State University, San Angelo, TX; Museum of the Southwest, Midland, TX; Museum of the Big Bend, Alpine, TX; Firehouse Arts Center, Norman, OK; Texas Women’s University, Denton, TX; Dallas Public Library, TX; Central Exchange, Kansas City, Missouri; Arkansas Arts Center, Little Rock; Memphis Brooks Museum of Art, TN; Union Gallery, Louisiana State University, Baton Rouge, LA; McAllen International Museum, TX; School of Art and Architecture Gallery, Louisiana Tech University, Ruston; Alexandria Museum, LA; Michelson-Reves Museum of Art, Marshall, TX; Plano Cultural Arts Center, Texas; Haggar Gallery, University of Dallas, Irving, TX; Edwin A. Ulrich Museum of Art, Wichita State University, KS; Museum, Texas Tech University, Lubbock; The Museum of East Texas, Lufkin; Museum of Arts and Sciences, Macon, GA; Gertrude Herbert Memorial Institute of Art, Augusta, GA; Rosenberg Library, Galveston, TX; RGK Foundation, Austin, TX; Midwest Museum of American Art, Elkhart, IN; and Mitchell Museum, Mount Vernon, IL
Three Dimensional Painting, Museum of Contemporary Art, Chicago, IL
With Paper, About Paper, Albright-Knox Art Gallery, Buffalo, New York, NY; traveled to Museum of Fine Arts, Springfield, MA
Flight Patterns, Third Floor Gallery, Forrest Avenue Consortium, Atlanta, GA
Working with Bummy Huss Paper, Nielsen Gallery, Boston, MA
Three Generations of Twentieth Century American Art: Betty Parsons, Helen Frankenthaler, Lynda Benglis, Birmingham Museum of Art, AL
The Pluralist Decade, Institute of Contemporary Art, University of Pennsylvania, PA
New York City, Galerie Daniela Ferraria, Rome, Italy
The Peaceable Kingdom, Hansen Fuller Goldeen Gallery, San Francisco, CA
Selected Prints Published by Landfall Press, Fox Graphics, Boston, MA
All that Glistens..., Marilyn Pearl Gallery, New York, NY
New York City, Galerie Daniela Ferraria, Rome, Italy
1979
Images of the Self, Hampshire College Art Gallery, Hampshire College, Amherst, MA
Artattack, Otis Art Institute Gallery, Los Angeles, CA
Color and Structure, Hamilton Gallery, New York, NY
Projects: Vodep XXVII, Museum of Modern Art, New York, NY
Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, Museum of Modern Art, New York, NY
American Portraits of the Sixties and Seventies, The Aspen Center for the Visual Arts, CO
Pittura-Ambiente, Palazzo Reale, Milan, Italy
An Exhibition of Selected Acquisitions, Margo Leavin Gallery, Los Angeles, CA
Painting: Five Views, Ben Shahn Galleries, William Paterson College, Wayne, NJ
First Exhibition, Toni Girhead Gallery, Cincinnati, OH
1978
Up Against the Wall, Daniel Weinberg Gallery, San Francisco, CA
Eleven Artists, Georgia State University Art Gallery, Atlanta, GA
In Video, Winnipeg Art Gallery, Canada
Art at Work: Recent Art from Corporate Collections, Whitney Museum of American Art,
Downtown at Federal Reserve Plaza, New York, NY
Summer Video Archives, Long Beach Museum of Art, CA
Group Exhibition, Paula Cooper Gallery, New York, NY
Made by Sculptors, Stedelijk Museum, Amsterdam, Netherlands
Video Art: Made for TV?, The Kitchen, New York, NY; traveled to Long Beach Museum of Art, CA
Sculpture: Modern Works, Philbrook Art Center, Tulsa, OK
Gold, Members’ Penthouse, Museum of Modern Art, New York, NY
Film/Video 1976-1978, Leo Castelli Gallery, New York, NY
Gold/Silver, Holly Solomon Gallery, New York, NY
1977 Group Exhibition, Paula Cooper Gallery, New York, NY
A Women's Exhibition, Cedars-Sinai Medical Center, Los Angeles, CA
Five from Louisiana, New Orleans Museum of Art, LA
Recent Acquisitions, Solomon R. Guggenheim Museum, New York, NY
Materials of Art: Plastic, Joseloff Gallery, University of Hartford, CT
1977
Biennial Exhibition, Whitney Museum of American Art, New York, NY
Filmex Video and Film Project, ABC Entertainment Center, Century City, CA
For the Mind & the Eye: Artwork by Nine Americans, New Jersey State Museum, Trenton, NJ
Group Exhibition, Southwestern College Art Gallery, Chula Vista, CA
A View of a Decade: 1967–1977, Museum of Contemporary Art, Chicago, IL
Group Exhibition, Paula Cooper Gallery, New York, NY
Contemporary Women: Consciousness & Content, Brooklyn Museum Art School, NY
Video and Performance Art, Stedman Art Gallery, Rutgers, the State University of New Jersey, Camden, NJ
1976
Exhibition of Recent Work by Nineteen New York Artists, Johnson Art Gallery, Middlebury
College, VT
Approaching Painting: Part III, HALLWALLS Contemporary Arts Center, Buffalo, NY
Video II, Smith College Museum of Art, Northampton, MA
First Pan Pacific Biennale, 1976: Colour Photography and Its Derivatives, Auckland City Art Gallery, New Zealand
The Liberation: 14 American Artists, Aarhus Künstmuseum, Vennelystparken, Denmark
Sequential Imagery in Photography, Broxton Gallery, Los Angeles, CA
Nine Sculptors: On the Ground, In the Water, Off the Wall, Nassau County Center for the Fine Arts, Roslyn, NY
American Artists: A Celebration, Marion Koogler McNay Art Institute, San Antonio, TX
Selection of New Work, Texas Gallery, Houston, TX
Handmade Paper: Prints and Unique Works, Members’ Penthouse, The Museum of Modern Art, New York, NY; traveled to General Electric Company, Fairfield, CT
Video Projects: IX, Museum of Modern Art, New York, NY
Contemporary American Sculptors Not Included in the Whitney Museum’s Concurrent “Two Hundred Years of American Sculpture Exhibition, Stamford Museum & Nature Center, CT
Celebration of the Body, Agnes Etherington Art Center, Queens University, Kingston, Canada
Five Contemporary Artists: Albuquerque, Arnoldi, Benglis, Castoro, Steir, Otis Art Institute Art Gallery, Los Angeles, CA
Reinstallation of the Painting and Sculpture Collection, Museum of Modern Art, New York, NY
Southland Video Anthology, Part 2, Long Beach Museum of Art, CA; traveled to State University
of New York at Buffalo, New York, NY
Benefit Exhibition for “Einstein on the Beach”, BlumHelman Gallery, New York, NY
Recent International Forms in Art: The 1976 Biennale of Sydney, The Art Gallery of New South Wales, Sydney, Australia
Opening Exhibition, Susanne Hilberry Gallery, Ferndale, MI
1975
Video Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA; traveled to Contemporary Arts Center, Cincinnati, Ohio; Museum of Contemporary Art, Chicago, IL; Wadsworth Atheneum, Hartford, MA
Time and Transformation, Lowe Art Museum, University of Miami, Coral Gables, FL
Arnoldi, Benglis, Bengston, Wudl, Texas Gallery, Houston, TX
Fourteen Artists, Baltimore Museum of Art, Baltimore, MD
Selections from the Collection of Herbert and Dorothy Vogel, The Clocktower, Institute for Art
and Urban Resources, New York, NY
Group Exhibition, Paula Cooper Gallery, New York, NY
Media Arts Exhibition, Blair County Arts Festival, Altoona Campus of Pennsylvania State University, PA
The Video Show, Serpentine Gallery, London, UK
Artists' Rights Today, Rayburn Building, Washington, D.C. and West Broadway Gallery, New York, NY
Projected Video, Whitney Museum of American Art, New York, NY
Southland Video Anthology, Long Beach Museum of Art, CA; traveled to the San Francisco Museum of Modern Art, CA
Women’s Video Festival, State University of New York at Buffalo, NY
Painting, Drawing and Sculpture of the 60’s and 70’s from the Dorothy and Herbert Vogel Collection; traveled to Contemporary Arts Center, Cincinnati, OH
Lives, Fine Arts Building, New York, NY
Video Circuit II, Student Art Gallery, University of Guelph, Canada
Autogeography, Whitney Museum of American Art, New York, NY
The Year of the Woman, Bronx Museum of the Arts, New York, NY
Photography/Not Photography, Fine Arts Building, New York, NY
New Editions 1974-75, New York Cultural Center, New York, NY
Group Exhibition, Paula Cooper Gallery, New York, NY
1974
Six from Castelli, De Saisset Museum, Santa Clara University, CA
Group Exhibition, Paula Cooper Gallery, New York, NY
Project: Video I, The Museum of Modern Art, New York, NY
Group Exhibition, Paula Cooper Gallery, New York, NY
Video as an Art Form: An Anthology of Videotapes 1969-1974, Smith College Museum of Art, Northampton, MA
Video Circuit I, McLaughlin Library, University of Guelph, Canada
Drawings and Other Work, Paula Cooper Gallery, New York, NY
Choice Dealer/Dealer's Choice: New York Cultural Center Opening Exhibition, Galerie John Doyle, Paris, France
John Doyle Gallery, Chicago, IL
The Four, De Saisset Museum, Santa Clara University, Santa Clara, CA
1973
Biennial Exhibition of American Painting & Sculpture, Whitney Museum of American Art, NY
University of Rochester Studio Art Gallery, Memorial Art Gallery, University of Rochester, NY
Options and Alternatives: Some Directions in Recent American Art, Yale University Art Gallery,
New Haven, CT
Re: Vision: Series of Performance, Concerts and Film, Contemporary Arts Museum, Houston, TX
Three Weekends of Video: Lynda Benglis, John Baldessari, William Wegman, Texas Gallery, Houston, TX
Options 73/30, The Contemporary Art Center, Cincinnati, OH
Drawings and Other Work, Paula Cooper Gallery, New York, NY
1972
New York '72: Paula Cooper Gallery Group, Hurlbutt Gallery, Greenwich Public Library, CT
New York Artists, Richard Gray Gallery, Chicago, IL
American Women Artists Show, GEDOK (Gemeinschaft der Künstlerinnen und Künstfreunde), Künsthaus, Hamburg, Germany
Painting and Sculpture Today, Indianapolis Museum of Art, IN
Kent Women’s Invitational Exhibition, School of Art Gallery, Kent State University, OH
Painting New Options, Walker Art Center, Minneapolis, MN
Painting and Sculpture Today, Indianapolis Museum of Art, IN
32nd Annual Exhibition: Contemporary Works of Art, Society for Contemporary Art, Art Institute of Chicago, Chicago, IL
Group Exhibition, Paula Cooper Gallery, New York, NY
American Women: 20th Century, Lakeview Center for the Arts & Sciences, Peoria, IL
12 Statements Beyond the 60's, Detroit Institute of Arts, MI
12th Annual St. Jude Invitational, De Saisset Museum, Santa Clara University, CA; traveled to Everson Museum of Art, Syracuse, NY
Unmanly Art, Suffolk Museum, Stony Brook, NY
Small Series, Paula Cooper Gallery, New York, NY
1971
Into the Seventies: Paintings and Graphics from the New Gallery, Mansfield Art Center, OH
MoMA's Restaurant, Members' Penthouse, Museum of Modern Art, New York, NY
Twenty-six by Twenty-six, Vassar College Art Gallery, Vassar College, Poughkeepsie, NY
Group Exhibition, Bykert Gallery, New York, NY
Paula Cooper Gallery, New York, NY
New Works for New Spaces, Walker Art Center, Minneapolis, MN
University of Rochester Studio Arts Faculty, Memorial Art Gallery, University of Rochester, New York, NY
Paula Cooper Gallery Group, Windham College, Putney, VT
Directions 3: 8 Artists, Milwaukee Art Center, WI
1970
Highlights of the 1969–1070 Art Season, Aldrich Museum of Contemporary Art, Ridgefield, CT
Referendum 70 Exhibition, Paula Cooper Gallery, New York, NY
Benglis, Sanderson, Van Buren, Ithaca College Museum of Art, New York, NY
Art for Your Collection IX, Rhode Island School of Design Museum of Art, RISD, Providence, RI
Small Works, New Gallery for Contemporary Art, Cleveland, OH
Drawing Show, Paula Cooper Gallery, New York, NY
Lynda Benglis, George Kuehn, Richard Van Buren, Paula Cooper Gallery, New York, NY
1969
Lynda Benglis, Charles Close, Richard Van Buren, David Paul, Bykert Gallery, New York, NY
Group Exhibition, Carmen Lamanna Gallery, Toronto, Canada
Other Ideas, Detroit Institute of Arts, Detroit, MI
Lynda Benglis, Gary Dubosen, Alan Shields, Paula Cooper Gallery, New York, NY
Prospect ‘69, Städtische Künsthalle Düsseldorf, Germany
Drawing Show, Paula Cooper Gallery, New York, NY
Art and Process IV, Finch College Museum of Art, New York, NY
1969 Annual Exhibition: Contemporary American Painting, Whitney Museum of American Art, New York, NY
Winters Gallery, Winters College, York University, Toronto, Canada
Teaching
Quinnipiac College, Hamden, CT (1997-98, 1998-99)
Yale University, Senior Critic (autumn 1994)
College of Santa Fe, NM (5/94, summer 1995)
Santa Fe Institute of Fine Arts, SF, NM (5/93, summer 1994, 3/96)
Visiting Professor, School of Visual Arts, Fine Arts Workshop, NY (autumn 1985–1996)
Visiting Professor, University of Arizona Department of Art, Tucson, AZ, 1982
Visiting Artist, Skowhegan School of Painting and Sculpture, Maine, 1979 & 1999
Visiting Artist, Kent State University, OH, 1977
Visiting Professor, California Institute of the Arts, CA, 1976
Visiting Professor, Princeton University, NJ, 1975
Visiting Professor, California Institute of the Arts, Valencia, CA 1974
Assistant Professor, Hunter College, New York, NY, 1972-73
Visiting Artist, Yale-Norfolk Summer School, CT, 1972
Assistant Professor of Sculpture, University of Rochester, NY, 1970-72
Awards
Women's Caucus for Art Lifetime Achievement Award, 2022
Art Basel Miami Beach Women in the Arts Honoree, 2014
New Museum Gala Honoree, 2014
Member of the American Academy of Arts and Letters, 2012
Honored by The Brodsky Center for Innovative Editions at Rutgers, The State
University of New Jersey, 2012
Sculpture Center Gala Honoree, 2010
Honorary Doctorate, Kansas City Art Institute, 2000
National Endowment for the Arts, 1990
National Council of Art Administration, 1989
Olympiad of Art Sculpture Park, Korea, 1988
Delphi Art Symposium, 1988
Minos Beach Art Symposium, 1988
National Endowment for the Arts Grant, 1979
Australian Art Council Award, 1976
Artpark Grant, 1976
Guggenheim Fellowship, 1975
Max Beckmann Scholarship, The Brooklyn Museum, 1965
Yale-Norfolk Scholarship, 1963
BIBLIOGRAPHY
Catalogs
2024
When Forms Come Alive: Sixty Years of Restless Sculpture. Text by Ralph Rugoff, Natalie Rudd, James Attlee, Katie Guggenheim, Helen Luckett, Anusha Mistry, Lorena Muñoz-Alonso. London: Hayward Publishing, 2023, 64–69, 200–202.
2023
Godfrey, Mark, and Katy Siegel. Making Their Mark: Art by Women in the Shah Garg Collection. Gregory R. Miller, 2023.
2022
Delahunty, Gavin. Amor Mundi: The collection of Marguerite Steed Hoffman. London: Ridinghouse, 2022.
Selected Articles and Reviews
2022
Lauesen, Conor. “ArtSeen: Lynda Benglis at Locks Gallery.” Brooklyn Rail (July/August 2022).
Haddad, Natalie. “Lynda Benglis Basks in the Light of Her Art.” Hyperallergic.com, June 23, 2022.
Dambrot, Shana Nys. “Review: Lynda Benglis: ‘Excavation’ & Lauren Quin: ‘Pulse Train Howl.’” ArtAndCakeLA.com, June 13, 2022.
Goldman, Edward. “Solo Exhibitions by Adventurous Sculptors: Gwynn Murrill, Lynda Benglis and Kyong Boon Oh.” Art Matters, June 11, 2022.
Anapur, Eli. “Lynda Benglis Explores the Theme of Excavation at Blum & Poe.” Widewalls.ch, May 14, 2022.
Bailey, Stephanie. “Lynda Benglis: Sculpture on Its Own Terms.” Ocula.com, May 18, 2022.
2021
Applin, Jo. “Lynda Benglis: The Erotics of Artmaking.” Artreview.com, September 30, 2021.
Kennicott, Philip. “Artist Lynda Benglis Became Controversial in an Instant, but Her Career Has Thrived for Decades.” WashingtonPost.com, August 26, 2021.
Benglis, Lynda. “Artist Lynda Benglis Remembers Life at 222 Bowery in the 1970s.” Curbed.com, June 28, 2021.
Durón, Maximilíano. “See Works from Collector Agnes Gund’s Prescient Collection.” ARTnews, March 24, 2021.
Smee, Sebastian. “Why Some Sculpture Parks Are Better Than Others.” Borneobulletin.com, March 8, 2021.
Mir, Stan. “When Abstraction Exploded in Form and Meaning.” Hyperallergic.com, March 6, 2021.
Paik, Sherry. “Lynda Benglis, Famous for Her Latex Pours, Joins Mendes Wood DM.” Ocula.com, February 25, 2021.
2020
Goodman, Jonathan. “Lynda Benglis at Cheim & Read.” Whitehotmagazine.com, December 2020.
Spalding, Jill. “Art by Remote: Art Basel Miami Beach.” Studiointernational.com, December 2020.
Loos, Ted. “As Another Fair Goes Virtual, Art Basel Finds its Footing.” New York Times, December 1, 2020.
“Art Industry News: Why a Minneapolis Artist Whose Life’s Work Burned during the Protests Is Not Upset about It + Other Stories.” Artnet News, June 10, 2020.
Drake, Cathryn. “Lynda Benglis at Museum of Cycladic Art.” Artforum vol. 58, no. 9 (May/June 2020).
Fondren, Precious. “Sculpture Garden Tour Allows Visitors to View Art from a Distance.” ToldedoBlade.com, July 11, 2020.
“Galleries and Artists Fundraise for Black Lives Matter Movement, Lynda Benglis Joins Xavier Hufkens, and More.” Artforum.com, June 12, 2020.
Glickstein, Adina. "Lynda Benglis Is Back — Knots, Pours, Dildos, and All." Hyperallergic.com, October 7, 2020.
Gupta, Sunil. "Is There an Ideal Age to Be an Artist?" Elephant.art, April 8, 2020.
Lee, Shannon. “How Galleries Are Supporting and Signing New Artists during the Pandemic.” Artsy.net, June 17, 2020.
“Lynda Benglis, Eric N. Mack, Kelley Walker at Paula Cooper.” Artforum.com, September 2020.
Miller, M.H. "The T List: Five Things We Recommend This Week." T: New York Times Style Magazine, October 15, 2020.
Pateman, Daniel. “Lynda Benglis: In the Realm of the Senses.” Brooklyn Rail, February 2020.
Sayej, Nadja. "5 New York Galleries Showcase Women Artists in Online Exhibitions." Forbes.com, April 9, 2020.
"Sculpture Garden Tour Allows Visitors to View Art from a Distance." ToledoBlade.com, July 11, 2020.
Shaw, Amy. “Lynda Benglis: The Globe-Trotting Artist Who Shocks and Delights” Financial Times, January 17, 2020.
Solomon, Tessa. “Storm King Becomes a Sensation: Why the Upstate New York Sculpture Park Is Now a Destination.” Artnews, November 10, 2020.
"Spotlight: Lynda Benglis, Eric N. Mack, Kelley Walker." Artforum.com, September 8, 2020.
Zefkili, Despina. “Lynda Benglis Museum of Cycladic Art / Athens.” Flash Art no. 329 (Feb-Mar 2020).
2019
“The 25 Works of Art That Define the Contemporary Age.” New York Times, July 15, 2019.
Frock, Christian L. “Lynda Benglis.” SF/Arts, August 21, 2019.
Greenberger, Alex. "Pace Gallery Now Represents Lynda Benglis." ARTnews, January 14, 2019.
Selvin, Claire. "New ‘Artists on the Future’ Conversation Series Takes Talk of Art to Stanford University." ARTnews, February 7, 2019.
Yerebakan, Osman Can. “Lynda Benglis Redefined Sculpture in the ’60s. Now, She’s at Her Most Prolific” (Pace Gallery exhibition preview). T: The New York Times Style Magazine, August 16, 2019.
2018
Beckenstein, Joyce. "Forum: Kistefos Sculpture Park." Sculpture 37.5 (June 2018): 14-16.
Benglis, Lynda. “You Can't Change Anything.” Permanent Collection V (Aspen Art Museum) (2018): cover, 58-64, back cover.
Bennet, Alex. “Lynda Benglis.” Novembre 13 (Spring/Summer 2018): 208-215, illustrated.
Borcherdt, Gesine. "Lynda Benglis." Blau Magazine 26 (March 2018): 34-45.
Bradley, Paige Katherine. "Forget Deskilling, the Craft Invasion is ON in New York." Garage Magazine, June 14, 2018
Bradley, Paige Katherine. “This '90s Exhibition About Feminism and Abstraction Started It All.” Garage Magazine 15, 4 September 2018.
Carde, Leslie. "Feminists in the Visual Arts." The Tulanian: The Magazine of Tulane University 90, no. 1 (September 2018): 28-31.
Carrigan, Margaret. “Lynda Benglis on the Pleasures of Decoration, and Why She's 'Very Uncomfortable' Being Called a Feminist Artist.” Artnet, June 5, 2018.
Cohen, David. "Drill Hall Delectations: The Art Show at the Armory." Artcritical.com, March 2, 2018.
“Connoisseur-Worthy Hightlights from ADAA's 30th Anniversary Art Fair.” Artnet, February 28, 2018.
Freeman, Nate. “At 30, ADAA Is the Country's Longest-Running Fair--and Hasn't Lost a
Step.” Artsy, February 27, 2018.
Kinsella, Eileen. "This California Winery Is Opening a Massive Sculpture Park with Works by Ai Weiwei, Yayoi Kusama, and More Blue-Chip Artists." Artnet, September 21, 2018.
Larmon, Annie Godfrey. "Can Art Change the World?" BBC.com, May 21, 2018.
Leturcq, Armelle. "Lynda Benglis." Crash Magazine 83.13 (Spring 2018): 60-67.
Martiny, Donald. "Artist to Artist: An Interview with Sculptor Lynda Benglis." Artists on Art 28 (March/April 2018): 5-12.
Newhall, Edith. "In Philly galleries this March: Neysa Grassi, Lynda Benglis, Kazimira Rachfal, Robert Younger." Philadelphia Inquirer, March 7, 2018.
Obler, Bibiana K. “Lynda Benglis Recrafts Abstract Expressionism.” American Art (Spring 2018): 2-23, illustrated.
Olesen, Ivy and Victoria Stapley-Brown. "Three to See: New York." The Art Newspaper, May 24, 2018.
O'Neill-Butler, Lauren. “Interviews: Lynda Benglis.” Artforum.com, June 8, 2018.
“Opening Night: Lynda Benglis, Erika Verzutti, Jesse Wine' at Fortes D'Aloia & Gabriel, Carpinaria, Rio de Janeiro.” ARTnews, January 9, 2018.
Rees, Christina. "The DMA and the Art of Overcorrection." Glasstire, 31 July 2018.
Rosen, Mis. "Vintage 70s Selfies Show an Artist Discovering Her Sexuality." Vice.com, February 7, 2018.
Smee, Sebastian. "Exhibiting Inequality." The Washington Post, April 15, 2018, 1, 8-9.
Soboleva, Ksenia M. "Confronting Our Fears of Looking at the Unknown." Hyperallergic.com, July 18, 2018.
Sussman, Anna Louie. “Inside the $200 Million Expansion of America's New Must-See Museum.” Artsy.net, September 25, 2018.
Sutton, Benjamin. "Lynda Benglis, Catherine Opie, and Damaged Art at the ADAA Art Show." Hyperallergic.com, February 26, 2018.
"UN/BREAKABLE: A Curated Auction Dedicated to Modern and Contemporary Ceramics." Webwire.com, September 14, 2018.
“Warm Receptions at Kistefos' Opening.” NewsinEnglish.no, May 28, 2019.
2017
Arram, Danielle. "Why Are Women Artists So Underrepresented in Museums?" DallasNew.com, February 10, 2017.
Bamberger, Tom. "Why I Fell for the Pink Lady." UrbanMilwaukee.com, August 3, 2017.
Benglis, Lynda. “Lynda Benglis.” Interview by Federica Bueti. BOMB Magazine, no. 138 (December 2016): 33–38.
Benglis, Lynda. "Split Pea Dal." Gather Journal (Summer 2017): 105.
Betancourt, Diana Campbell. "Looking Forward: Diana Campbell-Betancourt." Frieze.com, October 7, 2017.
Bookhardt, Eric D. “Lynda Benglis: I Choose My Dreams.” Sculpture Magazine 36, no. 3 (April 2017): 17–25.
Bowles, Hamish. "Mix Master." Vogue (August 2017): 128.
Campbell, Andy. "Lynda Benglis." Artforum.com, November 8, 2017.
Dambrot, Shana Nys. "Lynda Benglis at Blum & Poe." Art and Cake, November 29, 2017.
Eastham, Ben. "Art Basel." Apollo Magazine (June 2017): 60-61.
Fite-Wassilak, Chris. "Layered Histories." Art Monthly 403 (February 2017): 40-41.
Forbes, Alexander. "Frieze London and Masters Find a Common Future for Contemporary Art."
Artsy.net, 4 October 2017.
Freeman-Attwood, Jessica. "A Timely but Limited Look at Feminist Art from the 1970s." Hyperallergic.com, January 15, 2017.
Goldman, Edward. "Beauty and the Beast: All About Art." HuffPost.com, October 31, 2017.
Gerlis, Melanie. "Frieze Masters." Apollo Magazine (October 2017): 64-65.
Grant, Daniel. "For Contemporary Artists, Joining the National Academy is Suddenly Cool."
Observer.com, October 9, 2017.
Guner, Fisun. "Shagged Out: At Frieze 2017." TheQuietus.com, October 8, 2017.
Hanson, Sarah P. "New Commissions by Nine Artists for Dicaprio Foundation Sale." The Artnewspaper.com, July 20, 2017.
“I'll Be Your Mirror.” British Journal of Photography (May 2017): 36-49.
Landes, Jennifer. "Through a Feminine Gaze." EastHamptonStar.com, April 20, 2017.
Marks, Olivia. "The Women to Watch at Frieze 2017." Vogue, October 4, 2017.
Martin, Hannah. "Look Inside the New York Glass Studio Used by More Than 200 Artists and Designers." ArchitecturalDigest.com, July 24, 2017.
Micchelli, Thomas. "The Feminist Avant-Garde, Now More Than Ever." Hyperallergic.com, May 19, 2017.
Miranda, Carolina. "Essential Arts & Culture: Getty Center at 20, A Show Unearths Mexican Masterpieces, A Gold Rush Opera." Los Angeles Times, December 1, 2017.
Mueller, Matt. “Here's Where to fiNd All of the Sculpture Milwaukee Art Pieces.” OnMilwaukee.com, June 1, 2017.
Murphy, Joceyln. “Creative Conversation: Context Informs Artist's Work.” Northwest Arkansas Democrat Gazette (online), October 27, 2017.
Nimptsch, Emily. "The Oozing, Undulating Forms of Lynda Benglis." Riot Material, November 29, 2017.
Osberg, Annabel. "Lynda Benglis." Artillery (29 November 2017).
Pagel, David. "Lynda Benglis Sculptures at Blum & Poe Explode with Extraterrestrial Wonder." Los Angeles Times, December 1, 2017.
Phillips-Amos, Georgia. "The Weight of the World." C: International Contermporary Art 133 (Spring 2017): 63-64.
Pioselli, Alessandra, translated by Marguerite Shore. "Artforum Picks: Lynda Benglis." Artforum.com, January 27, 2017.
Rice, Robin. “Reviews: Lynda Benglis: Water Sources.” Woman's Art Journal 38.1 (March 2017): 41-42.
Schjeldahl, Peter. "The XX Factor." New Yorker, April 24, 2017, 100-01.
"Sculptures and Other Works by Lynda Benglis at Blum & Poe in LA." Modern Painters
(November 2017): 156.
Searle, Adrian. “Frieze Masters 2017 Review - 'You want sex? We've got sex-and smoking skeletons too!'” Guardian.com, October 4, 2017.
Sherwin, Skye. "Arts." The Guardian, September 10, 2017, 14-15.
Sherwin, Skye. "Glitter, Latex and Double Dildos: Art Provacateur Lynda Benglis Relives Her
Rollercoaster Career." Guardian.com, October 6, 2017.
Sillman, Amy. "Drug, Poison, Remedy, Talisman, Cosmetic, Intoxicant." ServingLibrary.org, 2017.
Smallwood, Christine. "Grounded: Why Are So Many Artists Making Work That Lies on the Floor?" T: New York Times Style Magazine, August 16, 2017, 169-72.
Smith, Roberta. "Art." New York Times, September 22, 2017, C23.
Smith, Roberta. "Delirious: Art at the Limits of Reason, 1950–1980." New York Times, September 15, 2017, C15.
“Through Her Eyes: A Spotlight on Female Artists.” Christie's, February 15, 2017.
Valinsky, Michael. "The Frozen Gesture of Lynda Benglis." Hyperallergic.com, December 8, 2017.
Wagley, Catherine. "5 Free Art Shows to See in L.A. This Week." LA Weekly, November 21, 2017.
“What Not to Miss: Los Angeles November Shows." Whitewall, November 14, 2017.
Zara, Janelle. "The Origin Story of Feminist Art Comes with a Big Asterisk." W Magazine, July 26, 2017.
Zargani, Luisa. “Vogue Italia's October Issue Dedicated to Women Over 60.” WWD.com, October 4, 2017.
2016
"20 New York Gallery Exhibitions Everyone Should See This Fall." Artnet News, August 25, 2016.
Abrams, Amah-Rose. "Ideas, Experimentation, and Pertinent Questions at the 2016 Bergen Assembly." Artnet News, September 5, 2016.
Abrams, Loney. “Here's Everything You Need to Know About New York's Summer Shows.” Artspace.com, July 9, 2016.
Art Das Kustmagazin (October 2016): 44-57.
Beckenstein, Joyce. "Lynda Benglis: New Works." Surface Design Journal (Fall 2016): 74-75.
Beckenstein, Joyce. "When Artists Choose Artists." Brooklyn Rail (December 2016/January
2017).
Benglis, Lynda. "Canine Freak Show." Art in America (September 2016): 77.
Binlot, Ann. “Portfolio 5: Artwork Lynda Benglis.” Document Journal (Spring/Summer 2016): 132-41.
Boxer, Sarah. "An Era for Women Artists?" The Atlantic, December 2016.
Bueti, Federica. "Lynda Benglis." BOMB Magazine (December 2016): 33-38.
Buhe, Elizabeth. "Lynda Benglis at Cheim & Read." Art in America (December 2016): 118-19.
Buhe, Elizabeth. "Hippie Modernism: The Struggle for Utopia." College Art Association Reviews,
November 11, 2016.
Cachia, Amanda. "Revolution in the Making: Abstract Sculpture by Women." College Art
Association Reviews, December 20, 2016.
Cohen, Alina. "A Year of Lynda Benglis Shows in Norway." Hyperallergic.com, August 29, 2016.
Cutler, Aaron and Lynda Benglis. "The Best Old Movies on a Big Screen This Week: NYC
Repertory Cinema Picks, August 31-September 6." Brooklyn Magazine, August 30, 2016.
Davis, Ben. “Hauser, Wirth and Schimmel is a Gallery Built Like a Museum–What's Really Going On?” Artnet News, March 11, 2016.
Dawson, Jessica. "Lynda Benglis." The Village Voice, September 8, 2016.
Duran, Maximilliano. "AD for LGBTQ Show with Photo by Trans Artist Cassils is Banned by German Rail, Then Allowed." ARTNews, May 5, 2016.
Ebony, David. “David Ebony's Top 10 New York Gallery Shows for October.” Artnet News, October 5, 2016.
Eckardt, Stephanie. "Only the Very Best Art to See During NYFW." W Magazine, September 11, 2016.
Fowle, Alexandra. "The Female Gaze Part II: Women Look at Men." Brooklyn Rail (September 2016): 58.
"Galleries-Chelsea: Lynda Benglis." New Yorker, September 26, 2016, 10.
"Galleries-Chelsea: The Female Gaze, Part Two: Women Look at Men." New Yorker, August 29, 2016.
“German Railroad Company Bans Ad for LGBTQ Show." Artforum, May 12, 2016.
Goldsher, Tessa. “The Last Taboo is the Penis: John Cheim on 'The Female Gaze, Part II:
Women Looking at Men' at Cheim & Read.” ARTNews, August 25, 2016.
Hoban, Phoebe. "Lynda Benglis at Cheim & Read." Whitehot Magazine, September 15, 2016.
"ISC People, Places, Events: 2017 Lifetime Achievement Award." Sculpture Magazine (September 2016): 80.
Johnson, Ken. "What to See in New York Art Galleries This Week." New York Times, July 28, 2016.
Kinselle, Eileen. "9 Must-See Summer 2016 Group Gallery Shows." Artnet News, June 30, 2016.
Knudson, Rainey. "This and That: Lynda Benglis & Rosie the Riveter." Glasstire (Texas Visual Art), December 5, 2016.
Lesser, Casey. "15 New York Group Shows You Need to See This July." Artsy.net, June 28,
2016.
Martin, Alison. "Lynda Benglis Combines New Medium with Signature Style In Latest Chelsea Gallery Show." Artfuse, 28 September 2016.
Micchelli, Thomas. “When a Splotch Isn't Just a Splotch.” Hyperallergic.com, August 6, 2016.
Miller, Michael. "The Shape-Shifter." ARTNews, The Icons Edition (Spring 2016): 98-105.
Miranda, Carolina. "Sneak Peek: Inside the Mega New Hauser and Wirth & Schimmel Gallery in Downtown L.A." Los Angeles Times, March 11, 2016.
Mirtsioti, Giota. "Thessaloniki University Honors Greek-American artist Lynda Benglis." Ekathimerini.com, October 10, 2016.
Moore, Lucy Kumara. “Lynda Benglis.” Marfa Journal (March 2016): 294-305.
Niemi, Julie. "Spooky Actions at a Distance." Frieze.com, September 19, 2016.
O'Halloran, Robbie. “200 Words #8 / Lynda Benglis.” TheGlazeLondon.com, September 25, 2016.
Osterweil, Ara. "Fuck You! A Feminist Guide to Surviving the Art World." Artforum (Summer 2016): 326-27.
Phillips, Kaitlin. "The Female Gaze, Part Two: Women Look at Men." Artforum (November 2016): 280-81.
Piejko, Jennifer. "Reviews: Bergen Assembly September Program." Modern Painters (Winter 2016/2017): 100, 102.
Rakes, Rachel. "Bergen Assembly." Artforum (December 2016): 277-78.
Rhodes, David. "Lynda Benglis." Brooklyn Rail, October 4, 2016.
Riley, Charles A. "Art Review: New Sculpture by Lynda Benglis Shows Playful Spirit at Cheim & Read." HamptonsArtHub.com, October 11, 2016.
Rose, Julian. "Spectator Sports: The New Tate Modern.” Artforum vol 55, no. 1 (September 2016): 329–335.
Sansone, Valentina. “Bergen Assembly's Second Triennial.” Frieze.com, April 14, 2016.
Schlaegel, Andreas. "Reviews: Lynda Benglis." Flash Art no. 309 (June/July/August 2016): 137.
Sheets, Hilarie M. "Female Artists Are (Finally) Getting Their Turn." New York Times, March 29, 2016.
Spada, Sabina. "In Bergamo: Lynda Benglis." Arte Mondadori (December 2016): 135-38.
Stamler, Hannah. "The Female Gaze, Part Two: Women Look at Men," Artforum.com, July 1, 2016.
Steer, Emily. "Opening This Week: The Female Gaze, Part Two: Women Look at Men." Elephant Magazine, June 22, 2016.
Stromberg, Matt. "A Los Angeles Mega-Gallery Opens with Museum Ambitions." Hyperallergic,
March 11, 2016.
Tyler, Sandra. "Exhibition Review: Artists Choosing Artists." TheWovenTalePress.com, December 8, 2016.
Vasey, George. "Feminist Avant-Garde of the 1970s." Art Monthly 402 (December 2016/January 2017): 19-20.
Whiles, Virginia. "Dhaka Art Summit." Art Monthly 394 (March 2016): 36.
2015
Abrams, Amah-Rose. "Lynda Benglis Talks Material and Controversy at Bergen Assembly.” Artnet News, May 5, 2015.
Baldessari, John. "Lynda Benglis." Interview Magazine (March 2015): 252-61, 303.
Banks, Grace. "Rethink Pink!" Elephant Magazine 22 (Spring 2015): 75-78.
Barnard, Imelda. "Rule Breaker." Apollo Magazine, February 6, 2015, 27–28.
Benglis, Lynda. "My Year Ahead: Lynda Benglis." Christies.com, January 8, 2015.
Bria, Geneva. "Lynda Benglis: Materiality Gender." Artribune.com, January 18, 2015.
"The Brief: Storm King." Art in America (May 2015).
Brumfitt, Stuart. "Artist and Feminist Icon Lynda Benglis Gets Big British Show." i-D.Vice.com, February 6, 2015.
Buck, Louisa. "Lynda Benglis: Breaking Boundaries." Telegraph.co.uk, April 3, 2015.
Buck, Louisa. "Lynda Benglis: Going with the Flow." Art Newspaper, March 2015, 66.
Callahan, Sophia. “Bronze Crustaceans and Giant 'Pink Lady' Sculptures Go on Display at Storm King.” Vice.com, May 24, 2015
Clark, Robert. “Lynda Benglis, Abjad, Ori Gersht: This Week’s New Exhibitions.” TheGuardian.com, February 7, 2015.
Coghlan, Niamh. "Redefined Expectation." Aesthetica, April/May 2015.
De Wachter, Ellen Mara. "Lynda Benglis: The Hepworth Wakefield." Frieze (April 2015): 154-55.
Dickie, Anna. "A Conversation with Lynda Benglis." Ocula.com, February 28, 2015.
Duguid, Hannah. "Lynda Benglis: The Hepworth, Wakefield." The Independent, March 25, 2015, 46.
Ellis-Petersen, Hannah. "Lynda Benglis-Sensuality, Sex Toys and Sea Creatures in Major
Retrospective." TheGuardian.com, February 5, 2015.
Enright, Robert. "Poring and Pouring: The Physical Body and Its Gestures: An Interview with Lynda Benglis." Border Crossings 134 (May 2015): 24–37.
Frank, Priscilla. “Lynda Benglis' Massive, Drippy Sculptures Bring Storm King to Life.” HuffingtonPost.com, June 1, 2015.
Frank, Priscilla. "Photographer Captures." HuffingtonPost.com, February 5, 2015.
Frank, Priscilla. "15 Badass Art World Heroines Over 70 Years Old." HuffingtonPost.com, January 8, 2015.
Gibb, Susan. "Australia." Art and Asia Pacific Almanac (2015): 94-98.
Goodman, Jonathan. "Lynda Benglis at Storm King." Sculpturenature.com, September 13, 2015.
Green, Charles. "Benglis 73/74." Artforum vol. 53, no. 5 (January 2015): 236-37.
Haider, Faheem. "Priestesses at Play: Lynda Benglis at Storm King." Hyperallergic.com,
November 5, 2015.
Hauser, Micah. “An Interview with Lynda Benglis, 'Heir to Pollock,' on Process, Travel and Not Listening to What Other People Say.” HuffingtonPost.com, January 23, 2015.
"The Hepworth Wakefield." Sculpture Magazine 34 (June 2015): 13.
H.M. "Lynda Benglis Hepworth Wakefield." Art Newspaper, February 2015: 31.
Huddleston, Yvette. "Lynda Benglis: Off the Wall by Nature." YorkshirePost.co.uk, February 24, 2015.
Johnson, Ken. “All Back in the Skull Together.” New York Times, April 10, 2015.
Johnson, Ken. "Review: Tapping into the Fluidity of Nature." New York Times, June 19, 2015.
Kinsella, Eileen. "What Are Top Dealers Bringing to Art Basel in Miami Beach and Why?." Artnet News, November 25, 2015.
Morrish, Lydia. "Lynda Benglis: ‘You Cannot Kill Creativity.’" DazedDigital.com, February 6, 2015.
Munro, Cait. “Last-Minute Art Getaways: Lynda Benglis's 'Water Sources' at Storm King.” Artnet News, June 22, 2015.
Mutti, Giulia. "Ten Things You Might Not Know About Lynda Benglis." Anothermag.com, February 6, 2015.
Pavia, Will. "The Woman Who Refused to Take Her Clothes off for Warhol." Times.co.uk,
February 2, 2015, 8-9.
Reilly, Maura, Lynda Benglis et al. "Taking the Measure of Sexism: Facts, Figures and Fixes."
ARTnews 114 (June 2015): 38-65.
Rosenberg, Karen. "Lynda Benglis on Her Aquatic Sculptures, the Art of Buoyancy, and That Infamous Artforum Ad." Artspace.com, June 11, 2015.
Satchell-Baeza, Sophia. "Molten Meteors and Dirty Icecream: Lynda Benglis at the Hepworth Wakefield." Sleek-Mag.com, February 9, 2015.
Searle, Adrian. "Lynda Benglis Review: All Vitality and Good Dirty Fun." TheGuardian.com, February 5, 2015.
Sheets, Hilarie M. "Review: Lynda Benglis Storm King Art Center." ARTnews (September 2015): 78.
Tannenbaum, Judith. "Judith Tannenbaum on the Work of Lynda Benglis." Obelisk vol 2, issue 1 (Winter 2015).
"Things to Do in Westchester, May 31 to 6, 2015." New York Times, May 28, 2015
Whiles, Virginia. "Lynda Benglis." Art Monthly (March 2015): 1-4.
“Women at Work.” Harper's Bazaar, March 2015.
Wright, Katharine J. “Art Everywhere: The Met's Little-Known Collection of Advertising Art.” MetMuseum.org (blog), November 25, 2015.
2014
Alvarez, Ana Cecelia. "Bend it Like Benglis." TheNewInquiry.com, October 20, 2014.
Burns, Charlotte. "Benglis Brings Her Sculpture Home." Art Newspaper, December 5, 2014.
Corwin, Will. "Come Together: Surviving Sandy." Frieze Magazine 162 (April 2014).
D'Addario, John. “Lost and Found: Lynda Benglis' 'The Wave.'” Hyperallergic.com, May 14, 2014.
Eccles, Tom. "Lynda Benglis: NSFW 40 Years after Artforum." New York Magazine, November 11, 2014.
Goodman, Jonathan. "New York: Lynda Benglis." Sculpture 33 (May 2014): 68-69.
Gronlund, Melissa. "Narcissism to the Dialogic: Identity in Art after the Internet." Afterall 37 (Autumn/Winter 2014): 4-13.
Guiducci, Mark. "Ed Ruscha, John Baldessari, and Others Debut Homages to Artist Ray Johnson." Vogue.com, August 11, 2014.
Hamer, Katy Diamond. “26 Female Artists on Lynda Benglis and the Art World's Gender Problems (NSFW).” New York Magazine, November 23, 2014.
Heinrich, Will. "Lynda Benglis at Cheim and Read." New York Observer, January 22, 2014.
Koplos, Janet. "Lynda Benglis at Cheim & Read." Ceramics: Art and Perception 98 (2014): 38-41.
Lapteva, Eugenia. "Colour, Sex and Scuba Diving with America’s Most Sensual Sculptor Lynda
Benglis." Husk Magazine, August 10, 2014.
MacAdam, Alfred. "Lynda Benglis." ArtNews (March 2014): 91.
McTwigan, Michael. "Lynda Benglis." Ceramic Review 268 (July/August 2014): 26.
Preciado, Beatriz. "Le Corps Transgenre Comme Objet Dada (The Transgender Body as Dada Object)." Art Press 417 (December 2014): 55-56.
Rubio, Lorraine. "Artnet Asks: Lynda Benglis." Artnet News, December 4, 2014.
Rule, Dan. “Lynda Benglis' Provocative Art Inspires Trio of Exhibitions.” Sydney Morning Herald, October 3, 2014.
Schwabsky, Barry. "Sculpting with Color: Ed Clark and Lynda Benglis Are Still Making Art on a Grand Scale." TheNation.com, April 22, 2014.
Sutton, Benjamin. “Phong Bui Brings Dance-Poetry Happening to 'Bloodflames Revisited.’” Artnet News, July 11, 2014.
Vogel, Carol. "Inside Art." New York Times, December 4, 2014.
Zwick, Tracy. “Dancing with Clay: An Interview with Lynda Benglis.” Art in America, January 21, 2014.
2013
Bauer, Kristin. "Lynda Benglis and 6 Contemporary Artists Sculpt With Paint." BeautifulDecay.com, November 23, 2013.
Corwin, William. "William Corwin in Conversation with Lynda Benglis and Susan Richmond, Author of Beyond Process." Artcore Journal, July 21, 2013.
Horodner, Stuart. "Lynda Benglis: Beyond Process." BOMB Magazine 125 (Fall 2013): 18.
Miller, Michael H. "This Lynda Benglis Can Be Yours for 1M at Frieze New York." Gallerist (The New York Observer), May 9, 2013.
Obler, Bibiana. "Lynda Benglis Locks Gallery." Artforum vol. 52, no. 1 (September 2013): 416-417.
Shearman, Bill. "Story of a Sculptor." Lake Charles American Press, November 10, 2013.
Thorson, Victoria. “Lynda Benglis, Beyond Process.” Woman's Art Journal vol. 34, no. 2 (Fall/Winter 2013): 63-64.
2012
Asfour, Nana. "Mission Accomplished."ARTnews, January 2012.
Ayers, Robert. "Watch Your Step." ARTnews, September 2012: 109.
Barnett, Laura. "Lynda Benglis: Now You Are Ready." TheGuardian.com, February 22, 2012.
Belcove, Julie L. “‘I Keep Surviving': The American Sculptor Lynda Benglis is Rediscovered Yet Again.” Financial Times, February 4, 2012.
Benglis, Lynda. “Lynda Benglis.” Artforum vol. 51, no. 1 (September 2012).
Bryan-Wilson, Julia. "Dirty Commerce: Art Work and Sex Work since the 1970s." differences: A Journal of Feminist Cultural Studies (Summer 2012): 71-112.
Danneels, Veronique. "Du Recyclage des Performances Feministes." Ligeia 2, no. 117-120 (2012): 107-115, 257.
“Things We Like." DesignWeek.co.uk, February 10, 2012.
2011
"Art Pick: Material Whirl." New Yorker, February 25, 2011.
“A Bad Girl's Vast Vision.” Art & Antiques (February 2011): 29.
Bailey, Stephanie. "The Unfolding Legacy of Lynda Benglis." Insider Athens (July/August 2011): 10-11.
Battista, Kathy. "The Influentials." Art Monthly (October 2011): 35-36.
Bishop, Marlon. "New Sculpture Retrospective Comes to the New Museum." WNYC.org, February 8, 2011.
“CAA Awards.” Art in America (April 2011): 144.
Civin, Marcus. "After Visiting the Lynda Benglis Traveling Retrospective." Artslant.com, January 2011.
Duvernoy, Sophie. "Lynda Benglis at MOCA: Conceptual Art Meets Dildoes (NSFW)." LA Weekly, August 3, 2011.
Goldman, Edward. "The Road to Art Hell Is Paved with Good Intentions." HuffingtonPost.com, August 8, 2011
“The Guide: Galleries." Los Angeles Times, August 28, 2011.
Hoban, Phoebe. "That Seventies Sensibility." ARTnews (November 2011): 90-97.
Hudson, Suzanne. "Unpainted Paintings." Artforum vol. 49, no. 10 (Summer 2011): 400-01.
Johnson, Dan. “The Don't Miss List.” Los Angeles Downtown News, August 8, 2011.
Johnson, Paddy. “Lynda Benglis's Happy Dildos and Sexy Foam.” The L Magazine, March 16, 2011.
Knight, Christopher. “Art Review: 'Lynda Benglis' at the Museum of Contemporary Art.” Los Angeles Times, August 4, 2011.
Mack, Joshua. "Lynda Benglis." Art Review (May 2011): 123.
“The Modernists' Masculine Malformation.” NY Arts, January 2011: 14-15.
Nadelman, Cynthia. "Four Sculptors 1968–1980." ArtNews, October 2011: 110.
Nadelman, Cynthia. "The Women in Our Life." ArtNews (November 2011): 112.
Robins, Corinne. “Lynda Benglis.” Woman's Art Journal 32.2 (Fall/Winter 2011): 61–62.
Ruiz, Alma. "Interview with Lynda Benglis." MOCA: The Contemporary (Summer 2011): 6-9.
Ruiz, Alma, Patrick Steffen. "Lynda Benglis: Figures." Flash Art (November/December 2011): 68
73.
Schwabsky, Barry. "Little Resistance to Gravity: On Lynda Benglis and David Hammons." The Nation, March 10, 2011.
Sheets, Hilarie M. "A Life of Melting the Status Quo." New York Times, February 13, 2011.
Slezak, Lilly. "Pour Us Another: Lynda Benglis at the New Museum." Art in America, February
10, 2011.
Smith, Roberta. "Artful Commentary, Oozing from the Walls." New York Times, February 18, 2011, 25-27.
Solomon-Godeau, Abigail. "Witnessing for Women." Art in America (April 2011): 43-44, 46.
Sutton, Benjamin. “Lynda Benglis's Sculptures Splash All Over the Lower East Side.” The L Magazine, February 16, 2011.
Swenson, Kirsten. "Lynda Benglis." CAAReview.org, December 1, 2011.
“Traveling Exhibition Opens at MOCA." Los Angeles Downtown News, July 28, 2011.
Wiener, Mark, Linda DiGusta. "Shifting Shapes and Surprising Surfaces: Museums Feature
Material Innovators Picasso and Benglis." HuffingtonPost.com, February 25, 2011.
2010
Cashdan, Marina. "Time & Tide." Frieze (October 2010): 214-219.
"Consumed: 05." Art Review (December 2010): 50.
Cook, Greg. "A Lynda Benglis Retrospective at the RISD Museum." The Providence Phoenix, October 27, 2010.
Fagaly, Bill. "Letters." Artforum vol. 48, no. 9 (May 2010): 50, 52, 54.
Griffin, Tim. "In Secrecy." Artforum vol. 48, no. 5 (January 2010): 27.
Green, Tyler. " Our Avatars, Ourselves: What Ever Happened to Self-Portraits." Modern Painters (December 2010/January 2011): 28-29.
Kalil, Susie. “Women Power: Texas Gallery's 40 Sends a Welcome Jolt through the Houston Art Scene.” Culturemap.com, August 7, 2010.
Landi, Ann. "Getting Paint off the Wall." ARTnews, September 2010: 84–89.
Laurence, Robin. “Beauty's Abjection.” Border Crossings vol. 29, no. 3 (September/November 2010): 98-105.
Lessick, Helen. "Art Basel Miami Beach." Surface Design Journal vol. 43, no. 4 (Summer 2010): 62-63.
"Lynda Benglis February 9 to July 13, 2011." Paper (The New Museum of Contemporary Art) 9 (Fall/Winter 2010).
MacAdam, Alfred. "Lynda Benglis, Cheim & Read." ARTnews vol. 109, no. 2 (February 2010):
105.
McAvera, Brian. "Lynda Benglis." Irish Arts Review vol. 27, no. 1 (March/May 2010): 127.
Merrigan, James. "Stupid Judgment." Circa 131 (October 2010): 1-7.
Meyer, Richard. “Miss Lynda: Richard Meyer on Lynda Benglis's Klaus 1975.” Artforum vol. 48, no. 5 (January 2010): 178-81.
Rehberg, Vivian. "The Legacy of Lynda Benglis and Her Current Retrospective." Frieze (October 2010): 220-21.
Rosenberg, Karen. “Commentary That's Both Visual and Vocal.” New York Times, July 1, 2010. Schlenzka, Jenny. "Lynda, das warden sie dir nie vergessen." Monopol (June 2010): 74-82.
Smee, Sebastian. "A Body of Work That Maximizes Provocation." Boston Sunday Globe, October 10, 2010.
Smith, Roberta. "Polyurethane and Color Punctuate a Long Career." New York Times, January 2, 2010.
Steffen, Patrick. "Process is Not Dead." Flash Art (January/February 2010): 37-38.
Storr, Robert. "Talk, Talk." Frieze (January/February 2010): 15.
Welch, Adam. "The Margins: A Theory of Resistance in Contemporary Ceramics." Ceramics, Art
and Perception (March/May 2010): 42-47.
2009
Bui, Phong. "In Conversation: Lynda Benglis." The Brooklyn Rail (December 2009-January 2010): 20-22.
Burton, Johanna. "Not a Single Point of View: Contemporary Sculpture and the Spatial Imaginary." Yale University Art Gallery Bulletin (2009): 70-83.
Capps, Kriston. "Lynda Benglis/Robert Morris." Art in America (December 2009).
“Coutdown Conundrum." The Sunday Times, November 29, 2009.
Evans, Sarah. “There's No Place Like Hallwalls: Alternative-Space Installations in an Artists' Community.” Oxford Art Journal 32.1 (March 2009): 95-119.
Friedman, Martin. " Up against the Wall with Lynda Benglis." Art in America (December 2009): 102-09.
Funkenstein, Susan. “Encounters in the Virtual Feminist Museum: Time, Space and the Archive.” Woman's Art Journal vol. 30, no. 1 (Spring/Summer 2009): 55-57.
"Galleries: Chelsea." New York Times, September 4, 2009.
Graves, Jen. "What Benglis Wore." TheStranger.com, July 2009.
Hudson, Suzanne. "Lynda Benglis." Artforum vol. 48, no. 1 (September 2009): 143.
Kim, Seungduk. "Lynda Benglis." Frog (Spring/Summer 2009): 144–57.
Kreimer, Julia. "Shape Shifter: Lynda Benglis." Art in America (December 2009): 94-101.
Michelson, Annette, Rosalind Krauss. "Letter to the Editor." Artforum vol. 48, no. 3 (November
2009): 40, 42.
O'Neill-Butler, Lauren. “Lynda Benglis and Robert Morris.” Artforum (October 2009): 234-235.
Paijmans, Theo. "Eat Meat." Blend, June 30, 2009: 22-23.
Smith, Roberta. "Art or Ad or What? It Caused a Lot of Fuss." New York Times, July 25, 2009.
Smith, Roberta. " Crucible of Creativity, Stoking Earth into Art." New York Times, March 19, 2009.
Smith, Roberta. "The Female Gaze: Women Look at Women." New York Times, August 21, 2009.
Vogel, Carol. “Company's Fortunes Change, And the Whitney Benefits.” New York Times, February 6, 2009.
Ward, Lucina. “Soft Sculpture. Don't Touch, Lick or Smell.” Artonview, March 2009: 20-27.
Wilson, Michael. "Lynda Benglis/Robert Morris: 1973–1974." Time Out New York, July 7, 2009.
Wolff, Rachel. "Amusing, Newly Unearthed Responses to Lynda Benglis and Her Infamous Dildo." New York Magazine, 2 July 2009.
Wood, Catherine. "Best of 2009." Artforum vol. 48, no. 4 (2009): 184-85.
Wullschlaer, Jackie. "After Awkward Objects." The Financial Times, November 28, 2009.
2008
“The Alliance-An Exhibition in China and Korea." Art Map (May 2008): 56-59.
“The Alliance'-doArt Seoul Opening Exhibition.” Yonhap News, June 12, 2008.
"The Alliance." Vision, June 2008: 233-36.
"Bernard Lavier." Modern Weekly (26 April 2008): F20-F21.
Boettger, Suzaan. "Evaluating Land Art by Women in the 1970s." Sculpture 27, no. 9 (November 2008): 38-45.
"Bowery Artist Tribute (New Museum of Contemporary Art)." Paper 3 (Winter 2008).
Csaszar, Tom. "Material Personae: Lynda Benglis." Sculpture 27, no. 10 (December 2008): 40-45.
Davidson, Chad. "The Kindness of Strangers." Beijing Talk, April 2008.
Eun-Joo, Lee. “An 'Alliance' That Crosses Age, Genre and Nationality.” The Joongang Daily, 19 June 2008.
Levin, Gail. "Action Painting: Perspectives from Two Sides of the Atlantic." Art Journal 67, no. 4 (Winter 2008): 119-21.
Gluibizzi, Amanda. "Tickling the Ivory Tower: Toward a Salon Culture in Libraries." Art Documentation: Journal of the Art Libraries Society of North America 27.1 (Spring 2008): 24-27.
Hanley, William. "Lynda Benglis Locks, Philadelphia." ARTnews, June 2008.
Hasse, Amine. "High Times Hard Times: New York Painting 1967–1975." Kunstforum International (May/July 2008): 354-57.
Krummel, Clemens. "The Power of Not Now." Texte zur Kunst 18.69 (March 2008): 222-25.
Kuspit, Donald. "The Advance of Beauty." Artnet News, 13 May 2008.
Kuzma, Marta. "Whatever Happened to Sex in Scandanavia? I Am Curious (Yellow)." Afterall 17
(Spring 2008): 5-19.
"Lynda Benglis." Bowery Artist Tribute (New Museum of Contemporary Art) 1 (2008).
Micchelli, Thomas. “WACK!: Art and the Feminist Revolution." The Brooklyn Rail, March 2008.
Ozuna, Tony. "Punk: No One is Innocent Art-Style Revolt Kunsthalle Wien." Umelec (2008): 74-75.
Pincus-Witten, Robert. "The Eyes Had It." Artforum vol. 46, no. 5 (January 2008): 69-70, 73-74, 301, 310.
Pincus-Witten, Robert. "Louise Bourgeois." Artforum vol. 47, no. 3 (November 2008): 340-341.
Richmond, Susan. " The Ins and Outs of Female Sensibility: A 1973 Video by Lynda Benglis." Camera Obscura 23.3 (2008): 80-109.
Rosenberg, Karen. "This Land is Her Land (And Her Artwork Too)." New York Times, 13 June 2008. Rottmann, Andre. "Silke Wagner." Artforum vol. 47, no. 3 (November 2008): 365–366.
Saltz, Jerry. "Art." New York Magazine, 14 April 2008.
Schwartz, Kathy. “It's Hard to Hang a Label on Benglis.” The Cincinnati Enquirer, November 28, 2008.
"Stimulate the Cornea and Thrill the Tympanum." 1626 Products Design, May 2008.
Young Sung, Ha. "Contemporary Art Without Formula or Rules." Wolgan Misool Monthly Art Magazine (May 2008): 102-05.
2007
Allen, Gwen, Cherise Smith. "Publishing Art: Alternative Distribution in Print." Art Journal 66.1 (Spring 2007): 41-45.
Armstrong, Carol. “‘Global Feminisms', 'Wack!'” Artforum vol. 45, no. 9 (May 2007): 360-62.
Berg, Ronald. "Short Distance to Now: Paintings from New York 1967–1975." Kunstforum International (October/November 2007): 384-85.
Bernardini, Andrew. "Wack! Art and the Feminist Revolution." Art Review (May 2007): 124-25.
Camhi, Leslie. "Body Work." The Village Voice, August 8-14, 2007.
Cattan, Nacha. "Brushes with Death: The Exuberant ‘Final Hours of New York Painting.’" The Herald Mexico, May 29, 2007.
"Circa 70." The New Yorker, August 20, 2007.
Cohen, David. "Sogginess with An Edge." The New York Sun, June 28, 2007, 17, 20.
Cotter, Holland. "Circa 70." New York Times, July 13, 2007.
Cotter, Holland. " The Art of Feminism as It First Took Shape." New York Times. March 9, 2007. Donovan, Molly. "Lynda Benglis, Sparkle Knot." National Gallery of Art Bulletin 36 (Spring 2007):
22-23.
Frances, Richard. "High Times, Hard Times: New York Painting 1967–1975." Artforum vol. 45, no. 8 (April 2007): 265.
Goddard, Dan R. "Ceramic Sculptures of Lynda Benglis Give an Abstract Message." San Antonio Express-News, July 8, 2007.
"Goings On About Town." The New Yorker, April 30, 2007.
Huntington-Standley, Shannon. "CAM San Antonio 2007: 22 Years of Strength and
Commitment." San Antonio Women (July/August 2007): 20-22.
Klaasmeyer, Kelly. “Liquid Courage, It's Time for Lynda Benglis to Become Cool Again.” Houston Press, August 2-8, 2007.
Knight, Christopher. "A Feminist Breakout." Los Angeles Times, March 5, 2007.
Kuo, Michelle. "The Producers.” Artforum 46.2 (October 2007): 352, 354-59, 402, 410.
Kuo, Michelle. "The Uncertainty of Objects and Ideas: Recent Sculpture." Artforum vol. 45, no. 6 (February 2007): 289.
Landi, Ann. "Lynda Benglis and Louise Bourgeois." ARTnews 106.9, October 2007.
Mack, Joshua. "Circa 70: Lynda Benglis and Louise Bourgeois." Time Out New York, July 25, 2007.
Meyer, Richard. “Feminism Uncovered: On the ‘Wack!’ Catalogue.” Artforum vol 45, no. 10 (June 2007): 211–212, 538.
Micchelli, Thomas. "Artseen." The Brooklyn Rail, April 2007.
Miles, Christopher. "High Times Hard Times: New York Painting 1967–1975." Flash Art 253 (March/April 2007): 78-79.
“National Spotlight: Wack! Art and the Feminist Revolution at the Los Angeles Museum of Contemporary Art." The Magazine of and for the Arts (July 2007): 53.
Naves, Mario. "What is Painting...Really?" New York Observer, 23 July 2007.
O'Brien, Paul. “Embodied Time: Art Video, 1970 to the Present, Lewis Glucksman Gallery, Cork.” Circa 120 (Summer 2007): 61-63.
Pagel, David. " This Exhibit Molds Clay into an Obvious Point." Los Angeles Times, September 25, 2007.
Princenthal, Nancy. "Feminism Unbound." Art in America (June/July 2007): 142-153, 221.Richard, Frances. "Circa 1970." Artforum (October 2007): 373.
Roberts, Diana. "Lynda Benglis, McNay Art Museum, San Antonio, TX." Ceramics Monthly (December 2007): 19-20.
Roberts, Diana. "Lynda Benglis San Antonio." Art Lies 55, Fall 2007.
Rubinstein, Raphael. “Annals of Painting: It's Not Made by Great Men.” Art in America (September 2007): 61-67.
Shaked, Nizan. "F is for Finally." X-tra 9.4 (Summer 2007): 38-45.
Siegel, Katy. "Sparkles and Freckles." Parkett (2007): 148-57.
Smith, Roberta. "Going the Way of All Flesh, Artistically." New York Times, October 10, 2007.
Thompson, Adam. "Circa 70: Lynda Benglis and Louise Bourgeois." Art Papers 31.6 (November/December 2007): 73.
Viveros-Faune, Christian. "The Anxiety of Influence." The Village Voice, August 22-28, 2007.
Weil, Harry Jacob. "Circa 70." ArtUS, December 2007: 47.
Wiebe, Christabel. “What's A Girl To Do?.” Border Crossings 26.3 (August 2007): 112-17.
2006
Balducci, Temma. “Revisiting 'Womanhouse': Welcome to the (Deconstructed) 'Dollhouse.'”
Woman's Art Journal 27.2 (Fall/Winter 2006): 17-23.
Bryan-Wilson. "Repetition and Difference." Artforum vol. 44, no. 10 (Summer 2006): 109-10.
Cheng, Scarlet. "Shattering Expectations." Los Angeles Times, August 13, 2006.
Dargis, Manohla. “New York's Art Scene in the 60's and a Major Player Within it.” New York Times, February 1, 2006.
"Gallery." Ceramic Review (January/February 2006): 16-18.
Harris, Mark. "Part Object Part Sculpture." Art Monthly (February 2006): 29-30.
Heiss, Alanna, Eugenie Tsai. "A Conversation with Ron Gorchov." P.S.1 Newspaper, Summer 2006: 1, 3.
Jimenez, Carlos. "3rd Valencia Biennial: A Watered down Biennial." Art Nexus 5.60 (April/May 2006): 94-96.
Jones, Amelia. "Interventions Reviews: Art Since 1900: Modernism, Antimodernism, Postmodernism." The Art Bulletin 88.2 (June 2006): 373-89.
Johnson, Ken. "The Listings." New York Times, 28 July 2006.
Kessler, Benjamin. "Julius and John Rosenthal and Rosenthal Art Slides." Visual Resources
22.3 (September 2006): 265-72.
Lambert-Beatty, Carrie. "Part Object Part Sculpture." Artforum vol. 44, no. 6 (February 2006): 203, 210.
Larsen, Lars Bang. "Summer of Love." Artforum vol. 44, no. 6 (February 2006): 222.
"May Guide.” Art in America Annual (2006–2007): 45
The McNay Art Museum. "Artmatters 11: Lynda Benglis." Impressions (September/December 2006): 10.
"Part Object Part Sculpture." American Craft 66.3 (June/July 2006): 54.
Reynolds, Jock. “Director's Report.” Yale University Art Gallery Bulletin (July 2006/June 2007): 4
23.
Schappert, Roland. "Summer of Love." Kunstforum International (February/April 2006): 310-13.
Schwabsky, Barry. "High Times, Hard Times: New York Painting 1967–1975, Weatherspoon Art Museum." Artforum (May 2006).
Smith, Roberta. "Art in Review." New York Times, April 7, 2006.
Smith, Roberta. "Art in Review." New York Times, June 23, 2006.
Smith, Roberta. “Avant-Gardist's Foray into Origins of Video Art.” International Herald Tribune, 7 February 2006, 10.
2005
Allen, Jennifer. "Bik Van Der Pol." Artforum vol. 44, no. 4 (December 2005): 104-05, 107-08.
Anfam, David. "Summer of Love." Burlington Magazine 147.1232, November 2005: 768-70.
Benglis, Lynda. “The Artists' Artists.” Artforum vol. 44, no. 4 (December 2005).
Colman, David. "Up Close." Elle Décor (July/August 2005): 128-33.
Cork, Richard. "Stone Me." New Statesman (13 June 2005): 38-40.
Ebony, David. "Art Show Shines in Big Apple." Art in America 93. (April 2005): 47.
Gockel, Cornelia. "Dead, undead: Retro-Mechanismen in der Aktuellen Kunst." Kunstforum
International (2005).
Hewitt, Simon. "2005 Was a Very Good Year for Museum Acquisitions." Art Newsletter, January 17, 2005.
Hirsch, Faye. "Abstract Generations." Art in America (October 2005): 122-27, 191.
Kalonick, Jillian. "How Women Invented Postmodernism." Princeton Packet, December 23,
2005.
McKanic, Arlene. "Lynda Benglis and Monique Prieto." ARTnews, November 2005: 180-82.
Miller, John. "Sarah Lucas." Artforum vol. 44, no. 2 (October 2005): 269.
Mitchner, Stuart. "Women Artists: Up To, Including, and Exceeding Their Limits." Town Topics (Princeton), December 21, 2005: 11.
Pagel, David. "Around the Galleries." Los Angeles Times, September 23, 2005.
Parker, Graham. "Extreme Abstraction-Albright Knox Art Gallery." Art Monthly (October 2005): 32-34.
Pasquariello, Lisa. "Part Object Part Sculpture." Artforum vol. 44, no. 1 (September 2005): 124.
Richmond, Susan. “Sizing Up the Dildo: Lynda Benglis' Artforum Advertisement as a Feminist Icon.” n.paradoxa, January 2005: 24-34.
Sheets, Hilarie M. "Underrated Overrated." ARTnews, January 2005: 100-09.
Smith, Roberta. "Monique Prieto and Lynda Benglis." New York Times, September 23, 2005.
2004
Amy, Michael. "Reviews." Sculpture 23.8 (October 2004): 67-68.
"Art Guide." New York Times, March 26, 2004.
"Art Museums and Libraries: At the Beach." The New Yorker, July 5, 2004, 21.
Camhi, Leslie. “Knot's Landing.” The Village Voice 49.12, March 24-30, 2004.
Cohen, David. "Arts & Letters: Lynda Benglis." The New York Sun, March 18, 2004.
Edelman, Robert G. “In Pursuit of the Organic." Artnet News, April 12, 2004.
Gingeras, Alison M. "Painting Without Canvas or Sculpting with Paint: Preparatory Sketch for an
Exhibition." Contemporary (2004): 22-25.
Harrison, Helen A. “An Earthly Sculptor's Organic Mysteries.” New York Times, May 9, 2004: 1, 9.
Hay, David. “The Artists' Architect, Building for Art's Sake.” New York Times, November 14, 2004.
Huberty, Erica-Lynn. "Longhouse Reserve, East Hampton." Sculpture 23.6 (July/August 2004): 24-25.
Jana, Reena. "Four-Ply." Time Out New York, August 26 – September 2, 2004.
Johnson, Ken. "Art in Review." New York Times, August 6, 2004.
Jones, Amelia. "Televisual Flesh: Activating Otherness in New Media Art." Parachute (January/March 2004): 70-91.
Kalina, Richard. "Drawing with Light." Art in America (April 2004): 114-19.
Johnson, Ken. “Three Radicals, Two Generations: Revisiting Sculpture from the 60's.” New York Times, March 12, 2004.
Landi, Ann. "Lynda Benglis." ARTnews 103.6 (June 2004): 111.
“Lynda Benglis." New York Times, March 19, 2004.
"Lynda Benglis." The New Yorker, March 22, 2004: 17.
MacCash, Doug. "In the Big Easy." Sculpture 23.8 (October 2004): 20-21.
Mack, Joshua. "The Human Touch." Modern Painters 17.2 (Summer 2004): 24-29.
Marter, Joan. “The Paintings of Joan Mitchell by Jane Livingston.” Woman's Art Journal 25.1
(Spring/Summer 2004): 56-59.
“Memorial Weekend Activities." Hampton Jitney Magazine, 2004: 24-27.
Meyer, Richard. “Bone of Contention: Richard Meyer on Lynda Benglis's Controversial Advertisement.” Artforum (November 2004): 73-74, 249-50.
Morris, Catherine. "Rebel with a Cause." Time Out New York 422, March 18-25, 2004.
Myers, Julian. "Lynda Benglis." Frieze (Summer 2004): 134.
Nadelman, Cynthia. "Singular Forms (Sometimes Repeated)." ARTnews 103.5, May 2004: 146.
Naves, Mario. "Victim of Minimalism Triumphs with Bold Ceramic Sculpture." The New York Observer, May 17, 2004.
Nichols, Matthew Guy. "Lynda Benglis at Cheim & Read." Art in America 92.8 (September 2004): 123.
Rodriguez, Johnette. "Glorious: The RISD Museum Focuses On Feminist Art." The Providence Phoenix, January 9, 2004, 8.
Rosenberg, Karen. "Art." New York Magazine, March 15, 2004: 91.
Siegel, Jeanne. “Eva Hesse's Influence Today? Conversations with Three Contemporary Artists.” Art Journal 63.2 (Summer 2004): 72-88.
Stein, Judith. "The Likeness of Being." Art Newspaper.com, 2004.
"Voice Choices: Shortlist." The Village Voice 49.12, March 24-30, 2004.
Westfall, Stephen. “Formalism's Poetic Frontier.” Art in America 92.1 (January 2004): 70-75.
Yablonsky, Linda. "How Far Can You Go?" ARTnews 103.1 (January 2004): 104-09.
2003
Burton, Johanna. "Calling Gloria." X-tra 5.3 (2003): 16-19.
Griffin, Tim. "Cindy Sherman Talks to David Frankel." Artforum 41.7 (March 2003): 54-55, 259-60.
Lovelace, Carey. "Art & Politics I: Feminism at 40." Art in America (May 2003): 67-73.
"Museum of Southern Art for New Orleans." Art in America 91.10 (October 2003): 37.
Nadelman, Cynthia. "Lynda Benglis." American Ceramics 14.2 (2003): 54.
Nobel, Philip. "Plainly Stated." Architectural Digest, October 31, 2003: 296-98.
Plagens, Peter. "John Coplans." Art in America 91.10 (October 2003): 43.
Pollack, Barbara. “‘Gloria' and 'Regarding Gloria.'” ARTnews, February 2003: 127-28.
Rodriguez, Bill. “Expressions: Old and New Visions Abound." The Providence Phoenix,
September 19, 2003, 8.
Starbird, Pamela. "Corbu in Ahmedabhad." Interior Design 74.2 (February 2003): 142-49.
Tomkins, Calvin. "Missing in Action Profiles." The New Yorker, August 4, 2003: 36.
Thomas, Kelly Devine. "The Most Wanted Works of Art." ARTnews 102.10 (November 2003):130-36.
Waterlow, Nick. "Conversations on the Work of Hilarie Mais." Art and Australia, 2003: 240-47.
2002
A.F. "Hey Hey Frankenthaler: A Survey of Important Works by Lynda Benglis, Locks Gallery, Philadelphia." The Art Newspaper, May 2002.
Allen, Gwen. "Documents of 1960s Art." Art Journal 61.2 (Summer 2002): 100-03.
Cohen, David. "Challenging Art: Artforum 1962–1974." The Art Bulletin 84.3 (September 2002): 535-38.
Cotter, Holland. "Two Nods to Feminism, Long Snubbed by Curators." New York Times, October 11, 2002.
Dailey, Meghan. "Gloria: Another Look at Feminist Art in the 1970s." Artforum vol. 41, no. 4 (December 2002): 141-42.
Ebony, David. "Art Fairs Energize New York Scene." Art in America (April 2002): 35-36.
Ebony, David. "Lynda Benglis at Franklin Parrasch." Art in America 90.10 (October 2002): 164-65.
“Exhibitions." Annual Report (Harvard University Art Museums (2002/2003): 32-45.
Fallon, Roberta. "Philadelphia Story." Artnet News, July 5, 2002.
Jay, Martin. "Somaesthetics and Democracy: Dewey and Contemporary Body Art." Journal of Aesthetic Education 36.4 (Winter 2002): 55-69.
Krayera, Janet. "Feminist Flashback." Time Out New York, 2002: 52.
McDonald, Elvin. "Warp and Weft." Traditional Home, November 2002: 184-89.
Naves, Mario. "Another Revelation from Lynda Benglis." The New York Observer, January 28, 2002, 14.
Newhall, Edith. "Lynda Benglis." ARTnews, September 2002: 158.
Paulk, Ann Bronwyn. "Femi-Primitivism." Art Criticism 17.2 (2002): 41-54.
Rubinstien, Raphael. "American Criticism and How It Got That Way." Art in America (June 2002): 37-41.
Sansegundo, Sheridan. “Artists Decry Curator's Firing.” The East Hampton Star, 2002.
Schwabsky, Barry. "Lynda Benglis." Artforum vol. 41, no. 2 (October 2002): 33.
Smith, Roberta. "Art in Review: Lynda Benglis, Franklin Parrasch." New York Times, February 1, 2002.
Weinrich, Regina. "Personal and Political." The East Hampton Star, 2002.
2001
Baker, Kenneth. "Grimaces that Have No Faces." San Francisco Chronicle, March 10, 2001, 1, 5.
Breidenbach, Tom. "New York ca. 1975." Artforum vol. 40, no. 3 (November 2001): 148-49.
Dannatt, Adrian. "This Text is a Work of Art." Parkett (2001): 163-68.
Fallon, Michael. "Bricks and Burnt Earth." Public Art Review 12.2 (Spring/Summer 2001): 15-19.
Fanning, Leesa. “Clay at Weiner Gallery." Review, January 2001: 32.
Kangas, Matthew. "Metamorphosis: Glass Sculptures by Lynda Benglis." Glass: The Urban Glass Art Quarterly 82 Special Czech Republic Section Glass (Spring 2001): 22–27.
Kastner, Jeffrey. "c1975 and All That." Art Monthly (September 2001): 14.
Miller, Cynthia. "Hugh Merrill." Contemporary Impressions 9.2 (Fall 2001): 16-19.
Princenthal, Nancy. "Bodycount: Recent Photographs of Women by Women-And Some Precedents." Artext (February/April 2001): 64-71.
"Rags to Riches: 25 Years of Paper Art from Dieu Donne Papermill." American Craft (December 2001/January 2002): 34.
Stoeber, Michael. "Skulpturals Feld." Kunstforum International (November/December 2001): 318-21.
Vaisman, Daria. "Return of the Scandalous Dildo." New York Press, July 11-17, 2001, 8.
Versace, Candelora. "Collectors Barbara-Rose and Ed Okun." American Craft (June/July 2001): 50-55.
2000
A.D. "Our Choice of New York Contemporary Galleries." The Art Newspaper 105, July/August 2000.
Antonelli, Paula, Laura Hoptman. "Matter." MoMA Membership Calender (November 2000): 10-13.
Breitenberg, Mark. "Freak Culture." Arttext 68 (February/March/April 2000): 59-62.
Chave, Anna. "Minimalism and Biography." Art Bulletin 82.1 (March 2000): 149-63.
Chris, Cynthia. “Video Art: Stayin' Alive.” Afterimage (March/April 2000): 10-12.
Cohen, Mark Daniel. "Exhibitions: Modern Odysseys: Greek American Artists of the 20th Century." Review: The Critical State of Visual Art in New York, January 15, 2000: 24-28.
Farr, Sheila. "Material as Message." The Seattle Times, October 20, 2000, 32.
"Gallery Listings." New York Times, July 28, 2000.
Glueck, Grace. "The Likeness of Being." New York Times, January 21, 2000.
Green, J. Ronald. "Maximizing Indeterminacy: On Collage in Writing, Film, Video, Installation and Other Artistic Realms." Afterimage 27.6 (May/June 2000): 8-11.
Hackman, Kate. "The Power of Clay." The Kansas City Star, December 17, 2000, 1, 3.
Huberty, Erica-Lynn. "Intensity of Form and Surface." Sculpture (July/August 2000): 31-37. Johnson, Ken. "Opulent." New York Times, July 21, 2000.
Kalina, Richard. “Odysseus's Progeny.” Art in America (September 2000): 60-63.
Lombardi, Dominick D. "Purchase New York 1999 Biennial Exhibition of Public Art, Neuberger Museum of Art." Sculpture (March 2000): 70-71.
"Museum Preview 2000–2001." Art in America 88.8 (August 2000): 27-39.
Naves, Mario. "The Mister Softee of the Current Art Diet." The New York Observer, August 21, 2000.
Pollack, Barbara. "Babe Power." Art Monthly (April 2000): 7-10.
Pops, Martin. "Three Exhibitions." Salmagundi 128-129 (Fall 2000/Winter 2001): 16-41.
Sansegundo, Sheridan. "Sculpture Added at Longhouse." The East Hampton Star, April 20, 2000, 1, 5.
“Studios by the Sea." Vanity Fair (August 2000): 138-54.
Turner, Elisa. "New Life for Old Theater." ARTnews, March 2000: 66.
Youens, Rachel. "Opulent." NY Arts 5.7 (July/August): 2000.
1999
“Advertisement for Lynda Benglis: Recent Work Wols: Photographs of the 1930's at Cheim & Read.” Artforum (October 1999).
"Art Guide." New York Times, November 5, 1999.
“Arts Digest: UAB Visual Arts opens with ‘Off the Wall.’" The Birmingham News, September 12, 1999.
"Big Easy Does It." The Times-Picayune, May 16, 1999.
Bobby, Kate. “‘Modern Odysseys' at the QMA.” Forest Hills Ledger, October 14, 1999.
Bradley, Jeff. "From Patience to Fascination." The Denver Post, 1999.
Braff, Phyllis. "Cues from Materials, Size and Experience." New York Times, August 8, 1999.
Braff, Phyllis. "Wave of Abstraction in Painting and Sculpture." New York Times, September 5, 1999.
Cotter, Holland. "A Garden of Subjects, Materials, Styles Across New Jersey." New York Times, July 30, 1999.
Duncan, Michael. "L.A. Portraiture: Post-Cool." Art in America 87.10 (October 1999): 124-31.
Gomez, Edward M. "Improvised Images in Molten Wax, As Fluid As Jazz." New York Times, May 16, 1999.
Huberty, Erica Gambino. "A Trio of Artists with Styles All Their Own." Southampton Press, September 9, 1999.Huberty, Erica-Lynn. "Lynda Benglis at Cheim & Read." Gallery Guide (October 1999): cover, 11.
Johnson, Ken. "Lynda Benglis, Cheim & Read." New York Times, October 29, 1999.
Klein, Michael. "Lynda Benglis at Cheim & Read." Sculpture (June 1999): 70-71.
Koroxenidis, Alexandra. "A Female Sensibility Made Tongue-In-Cheek." International Herald Tribune, January 11, 1999.
Lewis, Julia. "Wall to Wall." Interior Design, August 1999: 154-59.
"Lynda Benglis: New Work." New York Contemporary Art Report (October/November 1999): 18-19.
MacCash, Doug. "Form Follows Process." The Times-Picayune, May 14, 1999: 24, 25.
1998
"Advertisement for Lynda Benglis at Cheim & Read." Artforum (September 1998): 21.
Banfield, Susan. “Art Professor's Class a Real Sketch.” Connecticut Post, March 115, 1998: cover, 1, 2.
Bonetti, David. "Painting is Back, Thanks to Pollock." San Francisco Examiner, November 22, 1998.
Bracker, Alison. "Lost Property: Lisa Lyon in Artforum." Make (September/November 1998): 14-18.
Braff, Phyllis. "A Concept and Conceptualism at the Parrish." New York Times, August 9, 1998.
Braff, Phyllis. "Subjective and Abstract Flow in Many Directions." New York Times, May 3, 1998: 24.
“Celebrating Women's Creativity.” Quinnipiac College, School of Liberal Arts, March 21, 1998.
Cotter, Holland. "Messages Woven, Sewn or Floating in the Air." New York Times, January 9, 1998.
Cummings, Mary. "New Parrish Show: Thoughtful Questions on the Nature of Gifts." The Southampton Press, November 19, 1998.
Czach, Marie. " Caa in L.A.: Photograpy And/As/Or Art." Afterimage 25.6 (May/June 1998): 4-5.
Dunleavy, Virginia. "An Artful Fete at the Parrish." Newsday, November 19, 1998.
Ebony, David. "Isabel de Obaldia at Mary-Anne Martin." Art in America (May 1998): 128-29.
"An Exhibit of Gifts." The East Hampton Star, November 19, 1998.
"Exhibitions." Now in Athens, October/November 1998: 14-20.
Gambino, Erica-Lynn. “A 'Thank-You' Show at Parrish.” The Southampton Press, December 17,
1998, 1, 6.
“Galleries." The New Yorker, October 12, 1998.
Glueck, Grace. "Art in Review." New York Times, October 2, 1998.
Higgins, Andrea. "An Unconventional Visiting Artist Finds an Unconventional Setting at
Quinnipiac." New Haven Register, April 19, 1998, 1, 8.
"Home Gallery." Maison Figaro, October 1998, 132-39.
"Le Corbusier Was Here." Elle Décor, July/August 1998, 62-71.
"Lynda Benglis." New York Contemporary Art Report, October 1998, 18-19.
Martin, Lois. "When Is Thread Art? Questions from an Exhibition." Surface Design Journal (Fall 1998): 9-15.
Nagy, Peter. "Beach Arty." Time Out New York, August 6-13, 1998: 51
Ocampo, Manuel. "Manuel Ocampo: To Infinity and Beyond." Arti (May/July 1998): 36-41.
“Parrish Museum: New Show, Gala Party." The East Hampton Star, July 16, 1998, 5.
Perreault, John. "Glass Outside of Glass: A Portfolio." Glass: The Urban Glass Art Quarterly (1998): 26-29.
Pollack, Barbara. "Leaping Off the Pedestal." ARTnews, June 1998: 106-110.
Reilly, Maura. "Lynda Benglis at Cheim & Read." Art in America (November 1998): 124.
Ripley, Deborah. "Postcoital Painting." Artnet News, December 8, 1998.
Robins, Corinne. "Rediscovering Sex in Feminist Art." Art Journal 57.1 (Spring 1998): 88-89.
Sansegundo, Sheridan. "Lynda Benglis: On Surfaces, Skins and Movement." The East Hampton Star, November 12, 1998, 1, 5.
Schmerler, Sarah. "Lynda Benglis." ARTnews, November 1998: 164-65.
Slivka, Rose. "From the Studio." The East Hampton Star, August 13, 1998.
Slivka, Rose. "From the Studio: Dramatic Exhibit." The East Hampton Star, December 10, 1998, 1, 5.
Unnutzer, Petra. "Lynda Benglis." Kunstforum International (March 1998): 382-83.
Walker, Hollis. "Good Energy is in the Air at the Art Foundry." Pasatiempo, November 13-19,
1998, 10-11.
“'Waxing Poetic' on Display at Museum.” Garden State Press, July 22, 1998.
Zimmer, William. "Works That Are Made from Textiles." New York Times, January 18, 1998.
1997
Aletti, Vince. "Voice Choices." The Village Voice 42.26, July 1, 1997: 4.
"Art Guide." New York Times, October 24, 1997, 38.
Berkson, Bill. "Review of Books: The Pollock Effect." Art in America (December 1997): 29-31.
Braff, Phyllis. "Masters XI." New York Times, September 7, 1997, 28.
Constable, Ann. "Art School Daze." Santa Fe Reporter, October 8-15, 1997: 13-18.
Cotter, Holland. "Material Girls." New York Times, October 31, 1997.
Daniel, Mike. "Top Attraction: Lynda Benglis Works at UNT." Dallas Morning News, October 10,
1997, 47.
Denton, Monroe. "Inherent Voices." Arti (May/June 1997): 50-74.
"Fellow in Arts Lynda Benglis Expands Horizons for Students." Intercom (Quinnipiac College bi-weekly newsletter), October 30, 1997, 1.
"Galleries." The New Yorker, July 14, 1997, 20.
Glueck, Grace. "Lynda Benglis." New York Times, October 24, 1997, 38.
Ibugochoubi, N. "Mapping Hidden Agenda." Bombay Times, The Times of India, August 30, 1997, 8.
Kangas, Matthew. "Doris Chase at Friesen." Art in America 85.7 (July 1997): 101.
Landi, Ann. "Site Specifics." ARTnews 96.4, April 1997: 116-18.
Lath, Alpana. "The Third Dimension." Mid-Day, August 27, 1997, 4.
Markham, Pamela. "Lynda Benglis: Video." Arti 34 (May/June 1997): 88-97.
Mitchell, Charles Dee. "Lynda Benglis at UNT Art Gallery." Dallas Morning News, October 25,
1997, 12.
"Museum Weaves Exhibition and Events." Currents (The Hudson River Museum) (Fall/Holiday 1997/1998).
Norman, Kyle. "Artist Hosts Lecture, Exhibit in Art Gallery." North Texas Daily, October 14, 1997,
8.
Ratcliff, Carter. "The Fate of a Gesture: Lynda Benglis." Artnet News, June 13, 1997.
Rubinstein, Raphael. "Abstraction Out of Bounds." Art in America (November 1997): 104-115.
Siegel, Jeanne. "Lynda Benglis, Jackson Pollock and Process." Arti (May/June 1997): 75-87.
Stafne, Annelise. "Kunsten ned pa gulvet." Aftenposten, April 13, 1997.
Waddington, Chris. "All That Jazz." Art and Antiques (October 1997): 33-34, 36-37.
Ward, Fraser. "Some Relations Between Conceptual and Performance Art." Art Journal 56.4 (Winter 1997): 36-40.
Wilson, Martha. "Performance Art." Art Journal 56.4 (Winter 1997): 2.
1996
"Art." New York Magazine, September 9, 1996.
“Arts Calendar." Round Up (Las Cruces, New Mexico), January 25, 1996: 6.
Bonami, Francesco. "Lynda Benglis." Flash Art 29.187 (March/April 1996): 99.
Cramton-Wexton, Lisa. "Deconstructing the Beast." Detroit Metro Times, January 3-9, 1996.
De Diego, Estrella. "Sabe Usted Lo Que Pasando, Senora Jones?" Zehar (Spring 1996): 10-13.
Denton, Monroe. "Virtual (S)Exhibitionism." Art Journal 55.4 (Winter 1996).
Fricke, Roswitha. "Lynda Benglis." Art Press 17 (1996): 33-34.
Gilbert, Andrea. "Art at the End of the 20th Century: Selections from the Whitney Museum of American Art." Arti 31 (October/November/December 1996): 196-211.
Hannah, Deirdre. "Epoch-Making Art Sparks Love Gasoline." NOW, June 20-26, 1996.
Hill, Shawn. “Feminism Exhibit is 'More Than Minimal.'” Cambridge Tab, June 4, 1996.
Holert, Tom. "Die Kunst der Kontrolle: Anmerkungen zu Video, Authentizitat und Ubwerwachung." Texte zur Kunst 6.21 (March 1996): 68-79.
Holguin, Jaime. "Chimera Opening Creates ‘Unconscious Motion.’" Round Up (Las Cruces, New Mexico), January 29, 1996: 11.
Horowitz, Stash. "Sex Education." The Back Bay Courant, June 25, 1996, 10.
Klemic, Mary. "Clay Sculptures Mesmerize Viewers." The Eccentric, January 4, 1996.
“La Toilette de Venus." The Village Voice, September 24, 1996.
Moore, S. Derrickson. "Clay Artist to Give Lecture at NMSU." Sun-News, January 24, 1996.
Lumpkin, Libby. "Two Dissenting Views." Art Issues (September/October 1996).
Moore, S. Derrickson. "Sculpture Exhibit Opens at NMSU." Sun-News, January 26, 1996, 1, 3.
“More Than Minimal: Feminism and Abstraction in the '70s.” Boston Magazine (June 1996): 81, 85.
Perrott, Jeff. "More Is: More than Minimal: Feminism and Abstraction in the Seventies." artsMEDIA (June 1996): 8-10.
Smith, Roberta. “Art in Review: Women's Work.” New York Times, September 27, 1996.
Smith, Roberta. "Testing Limits at the Corcoran." New York Times, January 6, 1996, 11, 13.
"Spotlight: Rose Art Museum, More Than Minimal." Art New England, April/May 1996: 12, 51.
Stapen, Nancy. "Feminism Meets Minimalism." The Boston Globe, April 30, 1996, 27, 36.
“Voice Choices: Women's Work.” The Village Voice, October 15, 1996.
Yablonsky, Linda. "La Toilette de Venus." Time Out New York, September 18-25, 1996, 38.
1995
“Advertisement for Lynda Benglis at Galerie Simonne Stern." The New Orleans Art Review (September/October 1995): inside front cover.
Alderman, Ed. "Crawfish Towers Are Making the Art Scene." Lake Charles American Press, October 6, 1995, 3.
Armitage, Diane. "Lynda Benglis: Ceramic Sculpture." The Magazine (January/February 1995): 47.
Atkins, Robert. "Very Queer Indeed." The Village Voice, January 31, 1995.
Baker, Kenneth. "Common Ground in Queer Art." San Francisco Chronicle, January 12, 1995
S. Bonetti, David. "Looking at Art in a Different Light." San Francisco Examiner, January 11, 1995, 1-3.
"Bronze Age." New Orleans (October 1995): 33, 51.
Colby, Joy Hakanson. “Retrospective Displays Artist's Link to Her Past Despite Change of
Medium.” The Detroit News, November 30, 1995, 2.
Cotter, Holland. "Sculpture Not Meant to Last Forever, Much Less Past Summer." New York
Times, August 18, 1995, 1, 22.
"Cranbrook Art Museum." Detroit Free Press, November 17, 1995.
Duncan, Michael. "Queering the Discourse." Art in America (July 1995): 27.
Fressola, Michael J. “'Beyond Gender' Exhibit Focuses on Wider Issues.” Staten Island Advance, October 27, 1995, 3.
Fressola, Michael. "Feminism Redux." Staten Island Sunday Advance, August 27, 1995, 1.
Fressola, Michael J. “Women's Work: Sculpture Show Features Work of Female Artists.” Staten Island Advance, July 7, 1995.
Goldberger, Paul. "The Art of his Choosing." New York Times Magazine, February 26, 1995, 30-39.
Green, Roger. “At Cranbrook, A 'Process Art' Pioneer.” The Ann Arbor News, November 26, 1995, 1, 2.
Knight, Christopher. “‘Shining a Different Light' on Both Artist and Viewer.” Los Angeles Times, February 4, 1995.
Leblanc-Berry, Lisa. “It's ‘Arty Gras’ in New Orleans.” Where/New Orleans, 1995: 16-17.
Littlejohn, David. "Queer Art Show: Gender Confusion." Wall Street Journal, March 22, 1995, 1, 10.
MacCash, Doug. "Eye Music." Offbeat (November 1995): 18-19, 33.
Mayo, Joy. “In Three Dimensions: Women Sculptors of the 90's.” Sculpture Review (Fall 1995).
McClellan, Marian S. "Sensation of Polish." New Orleans Art Review (November/December 1995): 22-24.
Misra, Prithwiraj. “Dongar '95.” India Magazine of Her People and Culture (June 1995): 39-43.
"Painting the Town: New Orleans Collectors Celebrate the Big Easy and Its Art." The Times-Picayune, October 6, 1995, 1, 15, 19-20.
Patnaik, K. Sudhakar. "Tribal Attraction." Aside, May 15, 1995, 24-25.
"Preview: The Secret Histories." Artforum (February 1995): 23-24, 104.
Rinder, Lawrence. "In a Different Light." University Art Museum Pacific Film Archive (January/February 1995): 2.
Schjeldahl, Peter. "Airfill (Nancy Rubins Review)." The Village Voice, February 14, 1995, 82.
Sizemore, Gene. "Mothers Mentors and Mischief: What Makes a Child Want to e An Artist." ARTnews, January 1995: 112.
Smith, Roberta. "Void, Self, Drag, Utopia (And 5 Other Gay Themes)." New York Times, March
26, 1995.
Vogel, Carol. "Inside Art." New York Times, December 8, 1995, 26, 27.
Wei, Lilly. "Feminists in The Art World." Art in America 83.1 (January 1995): 35, 37.
1994
Berlind, Robert. "Art and Old Age." Art Journal 53.1 (Spring 1994): 19-21.
Choon, Angela. "Sense and Sensibility." Art and Antiques, February 1994: 27.
Ebony, David. "Rebecca Smith." Art in America 82.11 (November 1994): 136.
"Female Artists Find Expression Refuge in Video Art." Florida Flambeau, March 7, 1994, 9.
Frank, Peter. "Introducing the Mothers of Beavis and Butthead: L.B. Museum Takes Surprising Looking at Early Video Art by Women." Los Angeles Times, July 17, 1994, 8.
“Just Looking: An Art for Art's Sake Sampler.” The Times-Picayune, September 30, 1994, 25-27.
Kalil, Susie. "The Small and the Dreadful." The Houston Press, November 17-23, 1994, 38-39.
Knight, Christopher. "Eyewitnesses to Her Story." Los Angeles Times, July 24, 1994.
Lewis, Jim. "Pragmatics." Art Issues (January/February 1994): 12-15.
“Louise Bourgeois: A Living Legacy." Sculpture 13.5 (September/October 1994): 32-35.
Melrod, George. "Daniel Wiener." Art in America 82.2 (February 1994): 107
Newhall, Edith. "Hello, Old Paint." New York Magazine, 14 February 1994: 21.
Princenthal, Nancy. "Lee Tribe." Art in America 82.7 (July 1994): 89.
“Prints from Solo Impressions, Inc." Dialogue (September/October 1994): 30.
Rasenberger, Jean. "In the Beginning: The First Generation: Women and Video, 1970–75." Art Week, July 21, 1994.
Safran, Verna. "Women, Men and History." 0 Magazine, 1994: 5.
Saltz, Jerry. "A Year In The Life: Tropic of Painting." Art in America (October 1994): 93.
Smith, Roberta. "Postmasters.” New York Times, February 25, 1994, 22.
1993
Als, Hilton, Darryl Turner. "History of the Suburbs." Artforum vol. 31, no. 9 (May 1993): 70-75.
"Aspen: Lynda Benglis." Art Talk, March 1993: 46.
Baskett, Pat. "Waxing Lyrical." The New Zealand Herald, 31 October 31, 1993.
"Galleries-Downtown." The New Yorker, June 7, 1993, 21.
Gibson, Eric. “Artistic Limits of 'Options.'” The Washington Times, February 7, 1993.
Nesbit, Molly. "A Project for Artforum." Artforum (May 1993): 70-75.
Smith, Roberta. "Art Invitations as Small Scraps of History." New York Times, May 16, 1993, 37,
42.
Smith, Roberta. "25 Years, Part I." New York Times, November 26, 1993, 29.
Yood, James. "Lynda Benglis, Richard Gray Gallery." Artforum (March 1993): 99-100.
1992
Avgikos, Jan. "Seeing with Our Bodies." Tema Celeste (Autumn 1992): 38-43.
Braff, Phyllis. "6 East End Sculptors at Midcareer." New York Times, July 26, 1992, 11.
Cotter, Holland. "Far Better to Display than Merely to Receive." New York Times, May 29, 1992.
Heartney, Eleanor. “Etats-Unis changement d'epoque.” Art Press (October 1992): 41-46.
"Heavy Metal at Guild Hall." Hamptons Magazine, June 12, 1992.
Kahn, Wolf. "Connecting Incongruities." Art in America (November 1992): 116-121.
Kirili, Alain. “Who's Afraid of Abstract Modeling?” Tema Celeste 35 (April/May 1992): 54-57.
Landau, Ellen G. “Cindy Sherman Deconstruite? Une Reconstruction.” Cahiers du Musee
National d'Art Moderne 40 (Summer 1992): 36-47.
"Listings." The Village Voice, August 4, 1992: 71.
Long, Robert. "Sculpture at Guild Hall Moves Beyond Minimalism." The Southampton Press, July 16, 1992.
Rimer, Sara. "Collecting Priceless Art, Just for the Love of It." New York Times, February 11, 1992, 2.
"Sag Harbor Sculpture Feature in Show." The Sag Harbor Express, June 11, 1992, 9.
S.B. "Expo Sulfureux et Feminin." Museart 22 (July/August 1992).
Scott, Andrea K. "An Eloquent Silence." Tema Celeste (Autumn 1992): 80-83.
“Sculpture at Guild Hall." The Southampton Press, June 11, 1992.
"Sculpture Exhibit Modern and Big." The East Hampton Star, June 11, 1992.
“Sculpture Donations.” Lake Charles American Press, October 28, 1992: 33.
Slivka, Rose C.S. "From the Studio." The East Hampton Star, June 18, 1992, 9.
Smith, Roberta. "10 Steps." New York Times, December 4, 1992, 23.
Spoto, Donald. "Park Avenue Harmonics for Clive Davis." Architectural Digest (November 1992): 178-85.
Szeto, Regina. "Transfigured Forms: An Encounter with Lynda Benglis.” Cassandra Speaks,
Spring/Summer 1992.
Tucker, Lori. "Three Women and Their Art." The News-Star, May 8, 1992, 1, 3.
Vogel, Carol. "2 Unusual Collectors Pledge 2000 Works to National Gallery." New York Times, January 8, 1992, 1.
"Volume: Six Contemporary Sculptors." Newsday, June 26, 1992.
Weiss, Marion Wolberg. “Volume: Six Sculptors Strut Their Stuff at Guild Hall.” Dan's Papers, June 19, 1992, 62.
Wylie, Patrice. "Nationally Known Sculptor Appears at Proscenium." Aztec Press, October 14, 1992: 6.
1991
Annas, Teresa. "Car Exhibit Takes You Places Metaphorically." The Virginia-Pilot, May 12, 1991.
Baker, Kenneth. “It's the 60s Again with the New Sculpture.” San Francisco Chronicle, May 2, 1991.
Baker, Kenneth. "Sculptor Carves Her Own Niche." San Francisco Chronicle, October 26, 1991.
Bonetti, David. "Provocateur Exhibits the Objects of Her Desire." San Francisco Examiner,
November 1, 1991, 2.
Bonetti, David. "Ten Who Shaped the World." San Francisco Examiner, March 20, 1991, 3.
Burkhart, Dorothy. “Throwing a Soft Curve at Sculpture's Hard Edge.” San Jose Mercury News, September 26, 1991.
Calas, Terrington. "On Lynda Benglis." New Orleans Art Review (September/October 1991): 6-9. Chadwick, Susan. "Art." The Houston Post, October 20, 1991, 10.
Chattopadhyay, Collette. "The Sweat of Daily Life." Artweek 22.36, October 31, 1991.
Cullum, J. W. "Lynda Benglis at High Museum of Art, Atlanta." Sculpture 10.5 (September/October 1991): 82-83.
Cutajar, Mario. “An Acquiescent Dignity. The New Sculpture 1965–75: Between Geometry and Gesture at MOCA's Temporary Contemporary.” Artweek 22.14, April 11, 1991, 1, 16
Fox, Catherine. “Defiant, Daring, Enlightening: Indulge in Benglis's Wild World.” The Atlanta Journal, February 22, 1991, 6.
Fox, Catherine. "Pushing the Edges." The Atlanta Journal, February 3, 1991, 1, 12.
“Gallery Guide.” Art Now/Southeast, June 1991: cover, 3.
Gray, Alice. "Lynda Benglis." ARTnews (May 1991): 163.
Green, Roger. "Landmark Works from Louisiana Artist." The Times-Picayune, June 21, 1991, 13.
Hall, Jacqueline. “Setting the Stage Simulates Theater's World of Magic.” The Columbus Dispatch, March 3, 1991.
Heilenman, Diane. "Road Trips Offer an Artistic Winter Pick-Me-Up." The Courier Journal, January 27, 1991, 6.
Hoban, Phoebe. "Artists on the Beach: Come Summer, The Hamptons are Soho by the Sea." New York Magazine, July 1-8, 1991, 38-45.
Jinkner-Lloyd, Amy. "Materials Girl." Arts Magazine (May 1991) 52-55.
Kandel, Susan. "Benglis Pointedly Deceptive Pleasures." Los Angeles Times, September 12, 1991, 12.
Knight, Christopher. “MOCA's New Sculpture a Fine Match of Work, Space.” Los Angeles Times, February 20, 1991, 1, 10.
"Lake Charles Artist Pays a Call." Louisiana Life (July/August 1991): 9.
"Lynda Benglis: Dual Natures." New Orleans Museum of Art 13.2 (April/May/June 1991): 15.
Nesbitt, Lois. "Diddle and Pillage: Anxious Art from Three New Sculptors." Elle (June 1991): 94, 96.
Pincus, Robert. "An Ambitious Survey of Contemporary Sculpture." The San Diego Union, April 7, 1991, 1, 6.
Plagens, Peter. "Objects of Affection." Newsweek 117.22, June 3, 1991, 68.
Raven, Arlene. "Graven Image." Art Papers 15.6 (November/December 1991): 3-6.
Schwendenwien, Jude. "Body Language.” Sculpture 10.6 (November/December 1991): 38-43.
Servin, James. "SoHo Stares at Hard Times." New York Times Magazine, 20 January 1991: 24
29.
Tanner, Marcia. "Out of the Pigeonhole: Lynda Benglis Dual Natures at the San Jose Museum of Art." Artweek 22.36, October 31, 1991, 13-14.
Tarchinski, Pamela. "Masterworks: The Last Six Decades of Sculpture, Painting and Drawing at Bellas Artes." Crosswinds, July 1991.
Taylor, Paul. "The Art of P.R., and Vice Versa." New York Times, October 27, 1991, 1, 35.
Vetrocq, Marcia E. "Knots, Glitter and Funk." Art in America 79.12 (December 1991): 92-97.
Wolf, Stephen. "The New Sculpture as Junk Bonds: Geometrical Gestures at the Temp Contemp." Downtown News, March 26, 1991, 17-18.
1990
"Advertisement for ‘The New Sculpture: 1965–75.’" The Village Voice, March 28 – April 3, 1990.
Anderson, Michael. "Pharmacy." Art Issues (Summer 1990): 31.
Ashton, Dore. "The New Sculpture." Contemporanea (Summer 1990): 106.
Avgikos, Jan. "The New Sculpture 1965–1975." Flash Art (Summer 1990): 138-39.
Carrier, David. "The New Sculpture 1965–75 New York, Whitney Museum of American Art." The Burlington Magazine (May 1990): 377-78.
Cohen, Ronny. "Lynda Benglis at Paula Cooper." Artforum vol. 29, no. 3 (November 1990): 168.
Cyphers, Peggy. "Trophies." Arts Magazine, December 1990: 100-01.
Danto, Arthur. "Art: Postminimalist Sculpture." The Nation, May 14, 1990, 680-84.
Denson, Roger G. "Lynda Benglis: Feminist Knot." Flash Art (November/December 1990): 146.
“A Dozen for the Decade." Southpoint: The Metropolitan Monthly, January 1990: 48-49.
“Goings on About Town." The New Yorker, September 17, 1990: 14.
“Goings on About Town." The New Yorker, September 24, 1990: 16.
Hackett, Regina. “Artist's Eye for Tawdry is Exhibited.” Seattle Post-Intelligencer, August 10, 1990, 10.
Haden, Anthony. "Shades of Bleckner: Ross Bleckner." Vanity Fair, February 1990: 156-61, 198-99.
Hanson, Henry. "Living with Art." ARTnew 89.2 (February 1990): 93-96.
Hapgood, Susan. "Remaking Art History." Art in America (July 1990): 115-21, 181.
Hixson, Kathryn. "Chicago in Review." Arts Magazine 64.10 (Summer 1990): 104.
Honda, Margaret. "Interview: Jack Brogan." Visions Art Quarterly (Los Angeles) 4.3 (Summer 1990): 28-31.
Huard, Michael. "Le Whitney Celebre Dix Ans de Sculpture Americaine." Espace, Fall 1990: 11-13.
Larson, Kay. "Foreign Exchange." New York Magazine, September 14, 1990, 106-07.
Licht, Ira. "Coconut Grove Revival." Vogue Decoration (October/November 1990) 126-31.
McCracken, David. "Gallery Scene: Litzenberger Finds Beauty in Found Objects." Chicago Tribune, April 6, 1990, 84.
"Museum Preview: Lynda Benglis: A Retrospective." Art in America Annual (1990-1991): 47, 51.
Newall, Edith. "Galleries." New York Magazine, September 10, 1990: 56.
Princenthal, Nancy. "The New Sculpture, 1965–1975: Between Geometry and Gesture." Sculpture 9.4 (July/August 1990): 40-45.
Rafferty, Carole. "Arts Alive at Ben Shahn: Modern Sculpture Now on Display." The Beacon (Wayne, New Jersey: William Patterson College), April 23, 1990, 20.
Rayner, William P. "Art with a View." House & Garden (May 1990): 202-09.
“Review of Lynda Benglis." New Yorker Magazine, September 17, 1990, 14.
Rubinstein, Raphael Meyer. "Lynda Benglis: Paula Cooper." ARTnews (November 1990): 161.
Schmerler, Sarah. "Lynda Benglis." Cover 4.7, September 1990: 21.
Sherman, Mary. "Sculpture from New England Collections." The Boston Globe, March 22, 1990
Smith, Roberta. "Sculpture at the Whitney: The Radical Years." New York Times, March 9, 1990,
1, 9.
Straayer, Chris. "The She Man: Postmodern Bi-Sexed Performance in Film and Video." Screen 31.3 (Autumn 1990): 262-80.
Tallmer, Jerry. "Look Back at New Ideas." New York Post, March 2, 1990, 30.
The Village Voice, 3 April 1990.
Watkins, Eileen. "William Paterson Exhibits Deal with Ancient and Modern Styles." Newark Star-Ledger, April 15, 1990, 15.
Wood, Joe. “Choices: An Opinionated Survey of the Week's Events.” The Village Voice, March 28 – April 3, 1990.
Yood, James. "Lynda Benglis." New Art Examiner, June 1990, 49.
Zimmer, William. "2 Themes: Domesticity and Grid." New York Times, April 15, 1990, 11.
1989
"Benglis Returns to the ACA." The Observer Volusia, July 14-20, 1989.
Bookhardt, Eric D. "Lynda Benglis." Art Papers: Covering the Arts in the Southeast 13, no. 4 (July/August 1989): 58.
Copelon, Dianne. "Gallery Hopping." The News-Journal (Daytona Beach), July 1, 1989, 2.
Cullinan, Helen. “Center's Exhibit Displays All the Art That's Fit for Print.” The Plain Dealer, July 16, 1989, 4.
Donohue, Marlena. "Expressing Herself." Los Angeles Times, July 29, 1989, 2.
Donohue, Marlena. "The Galleries: La Cienega Area." Los Angeles Times, July 21, 1989, 6, 17. Gardner, Paul. "Mesmerized by Minimalism." Contemporanea 2.9 (December 1989): 56-61.
Gerak, Sally. "Artists ‘Show and Tell’ Their Works at Benefit." Observer and Eccentric, October 30, 1989, 4.
Gilbert, Jan. "Portraits of Success: Women Artists." The Times-Picayune, May 14, 1989, 8.
Green, Roger. "Material Evidence of Success." The Times-Picayune, April 7, 1989.
Hellekson, Diane. "Printing is Quite Impressive at Walker Art Show." St. Paul Pioneer Press
Dispatch, June 11, 1989.
Howell, John. "Paula Cooper Quite Contrary." ARTnews, March 1989: 152-57.
Koplos, Janet. "Foreign Invasion." Asahi Evening News (Tokyo), April 14, 1989.
"Listing for Exhibition at Tilden-Foley." The Times Picayune, April 7, 1989, 17.
Matlow, Annie. "Expressions of Music, Art and Poetry." The Observer, January 17, 1989, 8A.
Milani, Joanne. “Artist's Prints Leave a Lasting Impression.” The Tampa Tribune, April 19, 1989, 4.
O'Brien, John. “Sculptural Intimacies: Small Scale vs. Miniature.” Artweek 20.44, December 28, 1989.
Perron, Joel. "Growing Recognition of Regional Differences Reflected in Exhibition by Two West Coast Artists." The Japan Times, April 16, 1989, 11.
Rinaldi, RosaMaria. “Casa D'Artista.” Interni, March 1989: 14-17.
Rosen, Randy. "Marking Their Mark: Women Artists Move into the Mainstream 1970–1985." Arts Quarterly (New Orleans Museum of Art) 11.2 (April/May/June 1989): 1-7.
Silberman, Rob. "Prints Charming." City Pages (Minneapolis), June 21, 1989, 20.
Solomon, Deborah. "A Downtown Aesthetic." Architectural Digest 46.11 (November 1989): 316.
Straayer, Chris. "Sexuality and Video Narrative." Afterimage 16.10, May 10, 1989, 8-11.
Tancill, Karen B. "Museum Goes Knots." The Journal Times, October 5, 1989.
Waddington, Chris. “Critic's Choice/Exhibition.” The Minneapolis Star Tribune, June 2, 1989, 2.
Zevon, Susan. "Modern Goes Mellow." House Beautiful 131.1 (January 1989): 80-83.
1987
"Album: Lynda Benglis." Arts Magazine 61.8 (April 1987): 100-01.
“Alumnae Connections." Newcomb Under the Oaks (Fall 1987): 18-19.
Bernikow, Louise. "An Oasis in Bangkok." Architectural Digest 44 (January 1987): 60-63.
Braff, Phyllis. "Faculty Show: Range of Ideas." New York Times, September 6, 1987, 25.
Burkhart, Dorothy. "Finding Beauty in Chicken Wire and Wax." San Jose Mercury News, 1987.
Cotter, Holland. "Lynda Benglis at Paula Cooper." Art in America 75.7 (July 1987): 124-25.
Donohue, Marlena. "California, Lynda Benglis." Sculpture 6.5 (September/October 1987): 39-40.
Green, Roger. "Art." The Times-Picayune, March 1, 1987, 3.
Huntington, Richard. "Albright-Knox Turns Good Idea into Fine Show." The Buffalo Evening
News, August 2, 1987, 1, 3.
Long, Robert. "Faculty Art Is Shown." Southampton Press, September 3, 1987, 9.
Muchnic, Suzanne. "Art: La Cienega Area." Los Angeles Times, May 22, 1987, 6, 14.
Morgan, Robert C. "American Sculpture and the Search for a Referent." Arts Magazine 62.3, (November 1987): 20-23.
Nilson, Lisbet. “Chicago's Art Explosion.”ARTnews (May 1987): 110-19.
“Retrospective Features La. Natives." Alexandria Dailly Town Talk (Alexandria, LA), October 2,
1987, 6.
"R.S.V.P.: Reception for Guest Artists." Lake Charles American Press, February 8, 1987, 48.
Thomas, Alice B. "Art Forms: Native La. Sculptor Casts for Challenging Ideas." Alexandria Daily Town Talk (Alexandria, LA), October 16, 1987, 1, 2.
Thomas, Alice B. "Museum Celebrates 100th Year, Shows Works by 2 L.A. Natives." Alexandria Daily Town Talk (Alexandria, LA), October 8, 1987, 1.
Thomas, Alice B. “Neon, Natural Elements Figure in Manou Native's Sculptures.” Alexandria Daily Town Talk (Alexandria, LA), October 9, 1987, 1, 2.
Wallach, Amei. "Moving Beyond Provincialism." New York Newsday, August 21, 1987, 20.
1986
Baker, Kenneth. "Benglis: Sculptures Whose Form Is Their Substance." San Francisco Chronicle, April 17, 1986, 65.
Bonetti, David. "Back to Natural: Sculpture Takes on The World." The Boston Phoenix, June 3, 1986, 4-5.
Bos, Michael. "Abstract Sculpture Show Is Very Impressive." The Tech (MIT), May 13, 1986, 7.
Brenson, Michael. "Art: The Guide." New York Times, August 3, 1986, 2.
Brenson, Michael. "Changing Sculpture Exhibition." New York Times, December 20, 1986.
Brenson, Michael. "Sculpture Breaks the Mold of Minimalism." New York Times, November 23, 1986, 1, 33.
Cohen, Stan. "Lynda Benglis." Art Papers 10.1 (January/February 1986): 63.
"Evolucion comparativa de ARCO." El Punto (Madrid), 14 April 1986: 6.
"Fans and Bows Unveiled." Sutter Post (San Francisco: Crocker West Tower, Inc.), February 1986: 3.
Green, Roger. "Benglis Shapes A Powerful Show of New Works." The Times-Picayune, May 4, 1986, 2.
Green, Roger. "Benglis To Give Talk, Open Exhibit Today." The Times-Picayune, April 23, 1986, 8.
Hackman, William. "Seven Artists in Search of a Place to Hang." California Magazine (November 1986): 89-95, 108.
Malcolm, Janet. "Profiles: A Girl of the Zeitgeist." New Yorker, October 20, 1986, 49-66.
Morch, Al. "Creations of Steel and Glass." San Francisco Examiner, April 7, 1986, 1, 6.
Morse, Margaret. "The Big Sleek." House & Garden (April 1986): 205-08.
Muchnic, Suzanne. "Glass Society Shows Its Mettle." Los Angeles Times, April 17, 1986, 6, 10.
Quinn, Joan Agajanian. "Cityscapes: L.A." Art & Auction, November 1986: 152-59.
Taylor, Robert. "Sculpture Show a Pioneering Effort." The Boston Globe, May 18, 1986, 17, 20.
Wohlfert-Wihlborg, Lee. "A New Place in the Sun." Town and Country (May 1986): 203-228.
1985
“Anniversary Portfolio: Artist View the South Fork." East Hampton Star, September 5, 1985, 17.
Blue, Macdowell. "Film, Exhibit to show at Museum." Voyager, March 18, 1985, 3.
Brenson, Michael. “Art: 8 Artists in 'Between Drawing and Sculpture.'” New York Times,
December 20, 1985, 29.
Bullard, E. John. "Profile of a Connoisseur: The Collection of Muriel Bultman Francis." Arts Quarterly 7.4 (October/November/December 1985): 1, 3-7.
Colby, Joy Hakanson. “Glass Gets a Boost from Ms. Benglis and Friends." The Detroit News, October 13, 1985, 4.
Green, Roger. “Visiting Atlanta's Magazine Street.” The Times-Picayune, December 6, 1985, 14.
Larson, Kay. “Keep Your Eye on Art Women in the Vanguard.” Harper's Bazaar (March 1985):
27-77, 318, 320.
"Light and Shadow: Inside and Outside the Ground (Luce e ombra dentro e fuori terra)." Abitare 234, May 1985, 50-59.
Lloyd, Pat. "Museum Opening." The Pensacola Journal, March 13, 1985, 2.
London, Barbara. "Video: A Selected Chronology." Art Journal 45.3 (Autumn 1985): 249-62.
McKenna, Kristine. "The Art Galleries." Los Angeles Times, September 6, 1985, 6, 10.
Miro, Marsha. "Fearless Sculptor Sets Her Eyes on Glass." Detroit Free Press, October 29, 1985, 1.
"Museum Features Abstracts." The Pensacola Journal, April 5, 1985: sec. E, 14.
“New Art Exhibits This Week." San Francisco Examiner, November 5, 1985.
Nicholas, Fontine. "Lynda Benglis: Sculptor, Teacher, Iconoclast." Proini Weekly Review, May
24, 1985, 13.
Poleskie, Steve. "Art and Flight: Historical Origins to Contemporary Works." Leonardo 18.2, 1985, 69-80.
Raynor, Vivien. "Abstract Relationships." New York Times, July 5, 1985, 21.
Rose, Barbara. "Portrait of Paula." Vogue (April 1985): 362-67, 410.
Saunders, Wade. "Talking Objects: Interviews with Ten Younger Sculptors." Art in America 37.11
(November 1985): 110-36.
Staniszewski, Mary Anne. "Corporate Culture.” Manhattan Inc. 2.12 (December 1985): 145-49.
Tuchman, Phyllis. “Bryan Hunt's Balancing Act.” Art News 84.8 (October 1985): 64-73.
Watson, Bret. "Vision Helps a Young Couple Focus on Art Coming into View." Avenue Magazine 9.5 (February 1985): 126-30.
Wilson, William. "The Galleries: La Cienega Area." Los Angeles Times, February 22, 1985, 13.
Wortz, Melinda. "Lynda Benglis at Margo Leavin." ARTnews 84.6 (Summer 1985): 101.
Zimmer, William. "Works by Women on View in Stamford." Los Angeles Times, 1985.
1984
“Artists' Sets, Picasso Play.” The East Hampton Star, June 7, 1984, 7.
Bell, Tiffany. "Lynda Benglis." Arts Magazine 58.10 (Summer 1984) 2.
Bonetti, David. "Back to Natural, Sculpture Takes on the World." The Boston Phoenix, June 3,
1984, 4-5.
Bourgoyne, J.E. "Clones Honor Arts Patrons." The Times-Picayune, December 12, 1984, 2.
Braff, Phyllis. "From the Studio." The East Hampton Star, August 2, 1984, 6.
Brenson, Michael. "Art: Open Juried Show at Academy of Design." New York Times, March 30,
1984, 24.
Calas, Terrington. "Cannon, Benglis, Dale." The New Orleans Art Review 3 (October/November 1984): 24-25.
Germany, Lisa. "The Modernist Stripe." Home and Garden, September 1984: 148-55.
Glueck, Grace. "Bronze in the Hands of Sculptors." New York Times, December 23, 1984: 29, 31.
Green, Roger. "Diaphanous Designs as Heavy Metal." The Times-Picayune, October 26, 1984, 14.
Handy, Ellen. "Lynda Benglis at Paula Cooper." Arts Magazine 58.10 (Summer 1984): 36-37.
Henry, Gerrit. "Ecstasy." Arts Magazine 59.3, November 1984: 13.
Johnson, Patricia C. "Sculpture Exhibits Visions of Beauty." Houston Chronicle, October 20, 1984, 1, 6.
King, Marcia. "Go Sculpt-Touring." Toledo Alive Magazine (July/August 1984): 20-22.
Klein, Alvin. "Picasso Play gets Rare Showing." New York Times, June 10, 1984: 18-19.
Kohen, Helen L. "Water, Water, Everywhere at New Orleans Fair." The Miami Herald, April 15, 1984, 9.
James, Sibyl. “Painting the Town Read.” The Women's Review of Books (January 1984): 6-7.
Johnson, Patricia C. "Sculptures Point to Brilliant Future for Public Art." Houston Chronicle, 21
January 1984, 7, 8.
"Lynda Benglis, Winner International Water Sculpture Competition, Louisiana World Exposition." Art in America (1984).
Lubell, Ellen. "Review of Exhibitions." Art in America 72.8 (September 1984): 219.
Marvel, Bill. “'Frozen' Works.” Dallas Times Herald, January 31, 1984.
Mayer, Charles. "Paper Transformed." Arts Insight 6.4 (May 1984): 22-23.
McDarrah, Timothy. "East Hampton Sculptress, Lynda Benglis." Hamptons Newspaper/Magazine, July 10, 1984, 7-8.
McDarrah, Timothy. "The Season: Art and Artists." Hamptons Magazine, July 19, 1984, 6-8.
Nelson, Boris. "Citywide Contemporary Sculpture Show is Imaginative." Toledo Blade, July 29,
1984.
"New at the New Museum." Sculptors International 2.4 (1984): 25.
“Previews and Postscripts: Lynda Benglis Featured." The Southampton Press, July 19, 1984.
Raynor, Vivien. “Art Explanations for 'Success of Failure.'” New York Times, December 21, 1984.
Russell, John. "Art: Just the Show for Summer in Hamptons." New York Times, August 3, 1984.
“Sculpture's Fate will be decided by Court.” Lake Charles American Press, November 27, 1984: 7.
Shaver-Crandell, Annie. “The Artist and the Quilt.” Woman's Art Journal 5.1 (Spring/Summer 1984): 52-53.
Sozanski, Edward J. "Finding Right Space for Sculpture in World Art." Philadelphia Inquirer,
January 22, 1984, 14.
Taylor, Dan. "Bronze Look." The Press Democrat, October 19, 1984, 1.
Winkel, Gabrielle. "Art of the Ankas." House and Garden (September 1984): 166-73.
Wright, Carolyne. "The Gihon Art Collection." Helicon Nine (Fall 1984): 32-41.
Zimmer, William. "Three Shows, Three Styles." New York Times, April 29, 1984, 28.
1983
Anderson, Alexandra. “Editor's Choice: Selected Gallery Previews.” Portfolio 5.2 (March/April
1983): 26.
"Art Notes." The Washington Times, May 16, 1983, 3B.
"Artist Section." Artforum vol. 22, no. 1 (September 1983): 106.
Artner, Alan G. "Art Galleries: Joan Thorne, Lynda Benglis." Chicago Tribune, November 25, 1983, 18.
Artner, Alan G. "The Return of the Human Touch: Figurative Sculpture is Really Back in Vogue." Chicago Tribune, May 15, 1983, 20-21.
Bienn, David, Mary-Kate Tews. “Results: 1984 Louisiana World Exposition's First International Water Sculpture Competition.” Arts Quarterly, published by the New Orleans Museum of Art 5.3
(September 1983): 36-40.
"Books: The Artist and the Quilt." Time, December 12, 1983, 103
Braff, Phyllis. "From the Studio." The East Hampton Star, April 21, 1983, 6.
Braff, Phyllis. "Sculpture Designed for the Floor." New York Times, December 4, 1983.
Cohen, Ronny. "Paper Routes." ARTnews 82.8 (October 1983): 79-85.
Eisenman, Stephen F. "Lynda Benglis." Arts Magazine 57.5, January 1983: 40-41.
"A Fortune Portfolio: Keepers of Corporate Art." Fortune no. 6, March 21, 1983: 114-22.
Goldberger, Paul. "Philip Morris Building Plus Whitney Branch Combine Office Space and Art." New York Times, April 7, 1983, C17.
Halley, Peter. “A Note on the 'New Expressionism' Phenomenon.” Arts Magazine 57.7 (March 1983): 88-89.
Ianaco-Starrels, Josine. "Art News." Los Angeles Times, September 11, 1983, 83.
“Joe D'Urso in Hong Kong.” Interior Design 54.5 (May 1983): 196-215.
Larson, Kay. "The New Ugliness." New York Magazine 16.22, May 30, 1983: 64-65.
"Lynda Benglis." Art in America (September 1983): 105.
"Lynda Benglis." The Detroit News, 3 July 1983: sec. E, 5.
Miro, Marsha. "Feminism Takes a Delicate Stance in Relief Sculptures." Detroit Free Press, June
26, 1983, 7.
Muchnic, Suzanne. "The Galleries." Los Angeles Times, April 1, 1983, 12.
Muchnic, Suzanne. "The Galleries: The Cienega Area." Los Angeles Times, July 8, 1983, 12.
Muchnic, Suzanne. “16 Artists Chart an Independent Course for '84.” Los Angeles Times, January 12, 1983, 4.
Raynor, Vivien. “All the Glitters Isn't Always Gold.” New York Times, May 29, 1983, 28.
Starbuck, Richard. "The Quilt as Is Art." The Sentinel (Winston-Salem), November 19, 1983, 1.
Stein, M.L. "16 Top Artists Create Olympics Posters." The Boston Globe, January 12, 1983, 36.
Tully, Judd. "Paper Chase." Portfolio: The Magazine of the Fine Arts 5.3 (May/June 1983): 78-85.
"Visions of the Olympics." Newsweek 101.4, January 24, 1983: 74.
Watkins, Eileen. "TWEED Mines All That Glitters." The Sunday Star-Ledger (Newark, New Jersey), June 5, 1983, 16.
Wilson, William. "The Galleries: La Cienega Area." Los Angeles Times, April 1, 1983: 12.
Wilson, William. "Review." Los Angeles Times, January 12, 1983.
Zimmer, William. “‘Before' and 'After' Look from the Coast.” New York Times, October 30, 1983, 20.
1982
Baker, Kenneth. "Heavy Metals: A Tangle of Sculpture." The Boston Phoenix, September 14, 1982, 10.
Bishop, Joe. "Pick of the Week." Los Angeles Weekly, February 5-11, 1982, 84.
Braff, Phyllis. "From the Studio." The East Hampton Star, November 18, 1982, 6.
Canaday, John. "The Artful Body." Town & Country, May 1982, 148-58.
Cohen, Ronny. "Developments in Recent Sculpture." Artforum vol. 20, no. 5 (January 1982): 79.
Curtis, Cathy. "Metallic Gestures." Artweek, November 20, 1982, 7.
Dickinson, Nancy Godwin. "Metals: Cast-Cut-Coiled." Art New England 3.8 (October 1982): 11.
“Editor's Choice.” Portfolio (New York) 4.6 (November/December 1982): 17.
Findsen, Owen. "Gleefully Exploding Art at CAC." The Cincinnati Enquirer, March 14, 1982, 8.
Foreman, B.J. “CAC's 'Dynamix' Big, Bold and Raucous Show.” The Cincinnati Post, March 24, 1982, 12.
Gedo, Mary Mathews. "Art Institute of Chicago Exhibition." Arts Magazine 57.1 (September 1982): 20.
Glueck, Grace. "After 2 Years, Selected Prints III." New York Times, September 24, 1982, 21.
Handy, Ellen. "Arts Reviews." Arts Magazine 57.4 (December 1982): 32-33.
Henry, Gerrit. "Women of the Americas: Emerging Perspectives." ARTnews 81.10 (December 1982): 155.
J.A. "Scene in Review: Benglis at Paula Cooper." The Art Gallery Scene, December 4, 1982, 3.
King, Mary. “Lynda Benglis' Works: Diverse, Physical.” St. Louis Post-Dispatch, January 26, 1982, 6.
Lawson, Thomas. "The Dark Side of the Bright Light." Artforum vol. 21, no. 3 (November 1982): 62-66.
Lewinson, David. "Lynda Benglis Margo Leavin Gallery." Art Express 2.3 (May/June 1982): 62-63.
Lipkin, Joan. "Lynda Benglis Is a Provocative Artist." St. Louis Globe-Democrat, February 4, 1982, 4.
“Lyon: Les punks de Manhattan.” L'Express no. 1599, March 5, 1982, 62.
Mckay, Gary. "Artful Lodgings: How Four Houstonians Live with Art." Houston Home and Garden 9.2 (November 1982): 132-37.
Mckinley, Curtis Cameron. “Adaptability: A Personal Expression in a Designer's Own San Francisco Home.” Architectural Digest, November 1982: 104-11.
Park, Betty. "The Whitney Museum of American Art." Fiberarts 9.2 (March/April 1982): 11-14.
Perrone, Jeff. "Golden Peonie of Words." Arts Magazine 56.10 (June 1982) 62-68.
Perrone, Jeff. "Subject A." Arts Magazine (November 1982): 128-31.
"Punk au mur." Connaissance des Arts no. 360 (February 1982): 21.
Raynor, Vivien. "Art: Knot-Theme Sculptures by Lynda Benglis." New York Times, November 26, 1982, 15.
Rozier, Jacqueline. “Energie importee d'outre-Atlantique.” Le Journal (Paris), February 28, 1982.
Russell, John. "Finding Pleasure in Early Work." New York Times, May 9, 1982, 29, 33.
Seiberling, Dorothy. "A New Kind of Quilt." New York Times Magazine, October 3, 1982: 42-50.
Sozanski, Edward J. "RISD Exhibit Redefines Traditional Sculpture." Providence Journal, August 27, 1982, 3.
"Subject A." Arts Magazine 57.3 (November 1982): 123-31.
Wilson, William. "Galleries: La Cienega Area." Los Angeles Times, January 22, 1982, 10.
1981
Albright, Thomas. "At the Galleries: Baubles and Freeways." San Francisco Chronicle,
November 24, 1981, 32.
Butera, Virginia Fabbri. "The Fan as Form and Image in Contemporary Art.” Arts Magazine 55.9, (May 1981): 88-92.
Dubois, Phillipe. "Peinture et Videographie: Miroir et Narcissisme." Art Press 47 (April 1981): 19-21.
Fleming, Lee. "Adventures at Artpark." Washington Review 7.3 (October/November 1981): 6-7.
"Galleries." LA Weekly, September 11-17, 1981, 70.
Horne, David. “'Provocateur' Breaks New Ground.” The Arizona Daily Star, May 10, 1981, 7.
Johnson, Patricia C. “Minimalist Heizer's Work Austere; Benglis' Process Misses Its Mark.” Houston Chronicle, December 21, 1981, 8.
Johnstone, Bryan. "Benglis: A Flamboyant Approach to Contemporary Art." Encore: Arizona Daily Wildcat (Tucson), April 30, 1981, 1-2.
Knight, Christopher. "Cast, Carved and Constructed. An Opportunity to Look at Good Sculpture." Los Angeles Herald Examiner, August 16, 1981, 9.
Kramer, Hilton. "Art: Post Minimalists Show Recent Sculpture." New York Times, July 24, 1981, 21.
Kuspit, Donald. "Out of the South: Eight Southern-born Artists." Art Papers 6.6 (November 1981/December 1982): 2-5.
Larson, Kay. "Live Five." New York Magazine, September 14, 1981, 55, 58.
Lawson, Thomas. "Schilderkunst in New York: Een geillustreerde gids." Museumjournaal (Amsterdam) 26.3 (1981): 127-37.
Masterson, Kathleen. “Daryl Chin's 'Aesthetical Culture.'” The Drama Review: TDR 25.4 (Winter 1981): 87-91.
Morgan, Stuart. "Animal House: The Whitney Biennial." Artscribe 29 (June 1981): 28-31.
Muchnic, Suzanne. “A 'Cast' of 21 at Leavin Gallery.” Los Angeles Times, August 28, 1981.
Niepold, Mary Martin. "A Peak at Paris in Bourse." Philadelphia Inquirer, April 12, 1981, 3.
Perrone, Jeff. "Lynda Benglis at Paula Cooper." Images & Issues, (Spring 1981): 45-46.
Perrone, Jeff. "Notes on the Whitney Biennial." Images and Issues (Santa Monica) 2.1 (Summer
1981): 46-49.
Phillips, Deborah C. "New York Reviews" ARTnews 80.1 (January 1981): 170-71.
Phillips, Deborah C. "Reviews." ARTnews 80.7 (September 1981): 234, 236.
Pincus-Witten, Robert. "Entries: Style Shucks." Arts Magazine 56.2 (October 1981): 94-97.
Ratcliff, Carter. "The Distractions of Theme." Art in America (November 1981): 19-23.
Raynor, Vivien. "30 Years of American Drawing." New York Times, June 21, 1981, 22.
Rickey, Carrie. "Curatorial Conceptions the Hirshhorn: Danger, Curves Ahead." Artforum vol. 19,
no. 8 (April 1981): 48-57.
Rock, Maxine A. "A Gigantic Airport Harmonizes Art with Technology." Smithsonian Magazine 11.11 (February 1981): 90-94.
Schjeldahl, Peter. "The Hallelujah Trail." The Village Voice 26.2, March 18-24, 1981, 77.
Smith, Roberta. "Biennial Blues." Art in America (April 1981): 92-101.
Van Izzy, Abrahami. "On Speaking Terms: Lynda Benglis." Avenue Magazine (Amsterdam), February 2, 1981.
Wolff, Theodore F. "Whitney Museum of Art: Dateline New York." Philadelphia Inquirer, March 23, 1981, 5.
Zanetti, Paola. "New Work/New York." Meta: Parole & Immagini no.3 (February/March): 1981.
Zimmer, William. "Under Developments." The Soho Weekly News, August 4, 1981: 46.
1980
Ashberry, John. "Ramshackle Kennels Glimpsed by Moonlight." New York Magazine 13.39, October 6, 1980: 61, 63.
Ballatore, Sandy. "High Points, Low Points, and No Points: Los Angeles 1980." Images and Issues (Santa Monica) 1.3, Winter 1980: 17-21.
Bertolo, Diane. "Paper Exhibit." The Buffalo Evening News, September 16, 1980, 30.
Bickerton, Jane. "Reviews.” Atlanta Art Papers 4.6 (November/December 1980): 12-13.
Burnett, W.C. "Art as Afterthought Suffers in Poor Light, Placement; Avant Garde Works Humanize Structure but Few Are Well Integrated with Architecture." The Atlanta
Journal/Constitution, September 14, 1980, 16.
Colby, Joy Hakanson. "Their Versatility Clicks in Photography Exhibit." The Detroit News, December 7, 1980, 14.
Crossley, Mimi. "Review: Extensions." The Houston Post, January 25, 1980, 1, 5.
Elliot, David. “In 3-D, He's a Diamond that Glitters.” Chicago Sun-Times, August 10, 1980.
Glueck, Grace. "Art People." New York Times, September 19, 1980.
Glueck, Grace. “How Picasso's Vision Affects American Artists.” New York Times, June 22,
1980, 1, 25.
Goldberger, Paul. "New Atlanta Terminal Is Orderly, but Will It Fly." New York Times, September 24, 1980, 16.
Gruen, John. "Women Artists: 25 Best Investments." Working Woman 5.7, July 1980: 30–32.
Henson, Judy. "Reviews." Atlanta Art Papers 4.6 (November/December 1980): 13–14.
Houck, Catherine. "Women Artists Today." Cosmopolitan 188.1, January 1980: 198–199, 220, 258, 266.
Huntington, Richard. "Throwaway Paper Put on Pedestal." Courier Express (Buffalo), September
21, 1980, 1, 5.
Kalil, Susie. "Issues in Extension." Artweek 11.5, February 9, 1980, 1, 16.
Kalil, Susie. "Issues in Extension." The Houston Post, January 25, 1980, 5E.
Kramer, Hilton. "Art: Contrasts in Imagery: 2 Views of Louise Bourgeois." New York Times, October 3, 1980, 29.
Larson, Kay. "Avant to Be in Style." The Village Voice 25.41, October 8–14, 1980, 85.
Lewis, Louise. "Jack Brogan: Art Catalyst." Artweek, June 21, 1980, 1, 20.
Martin, Robert. "Artist Lynda Benglis Turns Her Back on Media Publicity." The Tampa Times, February 9, 1980, 9A.
Muchnic, Suzanne. “A 'Cast' of 21 at Leavin Gallery.” Los Angeles Times, August 28, 1980, 2. Muchnic, Suzanne. "A Wider View of Artistic Endeavor." Los Angeles Times, June 25, 1980, 1, 6.
Nelson, James. “Museum's Three-Artist Show Is a Modest but Fun Exhibition.” Birmingham News, November 30, 1980, 6.
Rickey, Carrie. "Reviews." Artforum vol. 19, no. 4 (December 1980): 71.
Roth, Karen. “Lynda Benglis' Colorful Curious Paintings.” Phase Two (Berkeley) (December 1980): 4-5.
Russell, John. "Art People." New York Times, April 11, 1980, C21.
Russell, John. "Review." New York Times, June 28, 1980, 27.
Saunders, Wade. "Hot Metal." Art in America 68.6 (Summer 1980): 86-95.
Semmel, Joan, April Kingsley. “Sexual Imagery in Women's Art.” Woman's Art Journal 1.1
(Spring/Summer 1980): 1-6.
Taylor, Ron. "Caviar Was Mite Salty, but Folks at Airport Party Had a Real Bash." The Atlanta
Journal, September 19, 1980, 1, 4.
Tennant, Donna. "4 Artists Struggle for Originality." Houston Chronicle, January 27, 1980, 15-29.
Warren, George. "Lynda Benglis: Recent Work." The Atlanta Art Workers Coalition Newspaper 4.1 (January/February 1980): 14-15.
Welch, D. "Exhibition Reviews." Arts Magazine 55.3 (November 1980): 35,
Wilson, William, Suzanne Muchnic. "Review: Margo Leavin Gallery." Los Angeles Times, March
28, 1980, 4, 6.
Zimmer, William. "Art Picks." The Village Voice, September 24, 1980, 40.
Zucker, Barbara. "Unusual Surfaces: Flock, Fur, Glitter, and Wax." Art Journal 39.4 (Summer 1980): 274-75.
1979
Anderson. "Voice Choices-Art: Gold/Silver." The Village Voice, January 8, 1979, 47.
Bonesteel, M. "Art and the New Androgyny." New Art Examiner 6.10 (Summer 1979): 9, 11.
Boots, A. "What is the Target of Aggression in Feminist Art? (Waartegen Richt Zich De Agressie van de Feministische Kunst?" Museumjournaal 24.2 (April 1979): 66-69.
Burnett, W.C. "Women Add Textures to Art World Mosaic." The Atlanta Journal, October 21,
1979, 1, 3.
Butterfield, Jan. "Poured Art Sculptor Reveals Technique." Fort Worth Star-Telegram, June 14, 1979, 6.
Crossley, Mimi. "Reviews: Johnson, Goodnough, Benglis and the Museum School Faculty." The Houston Post, January 26, 1979, 3.
Falling, Patricia. "New York Reviews." ARTnews 78.3 (March 1979): 183-84.
Gardner, Paul. “Look! It's the Vogels!” ARTnews 78.3 (March 1979): 84-88.
Hirsch, Linda Blaker. "Sculpting the Sensuous Line: Lynda Benglis Knows How to Throw a
Curve." Hartford Advocate, October 10, 1979: 19.
“Interview: Lynda Benglis." Ocular 4.2 (Summer 1979): 30-43.
Kuspit, Donald. "Cosmetic Transcendentalism: Surface Light in John Torreano, Rodney Ripps and Lynda Benglis." Artforum 18.2 (October 1979): 38-41.
“Lake Charles Artist Work Featured in Newsweek." Lake Charles American Press, April 7, 1979, 9.
Lawson, Thomas. "Color and Structure, Hamilton Gallery." Flash Art 90-91 (June/July 1979): 53.
Lawson, Thomas. "Painting in New York: An Illustrated Guide." Flash Art (October/November 1979): 4-11.
Lubell, Ellen. "Lynda Benglis." Arts Magazine 53.5 (January 1979): 14
Lubell, Ellen. "Lynda Benglis at Paula Cooper." Soho Weekly News, June 14, 1979, 28.
"Quelques Notes Sur ‘Pittura-Ambiente.’" Domus (October 1979): 56.
Raynor, Vivien. “Avant-Garde Experiments in an 'Alternative Space.'” New York Times, October 21, 1979, 20.
Ricard, Rene. "Lynda Benglis at Paula Cooper." Art in America 67.1 (January/February 1979): 141-42
Sandler, Irving. "Art as Auto-Image." Arts Month (Hampshire College Gallery), March 1979: 1-6.
Shapiro, Lindsay Stamm. "Exhibitions." Craft Horizons 39.1, February 1979: 50.
Stevens, Mark. "The Dizzy Decade." Newsweek 93.13, March 26, 1979: 88-91, 94.
Tatransky, Valentin. "Art Reviews." Arts Magazine 53.5, January 1979: 18
1978
Cole, Darrah, L. Ross. “Lynda Benglis: visiting Skowhegan Lecturer.” Vision: A Journal of the Visual Arts in Maine 1, no. 3 (September/October/November 1978): 10-11.
Robinson, Walter. “Storytelling, Infantilism and Zoophily.” Art-Rite 19, June/July 1978: 29-30.
Russell, John. “Art: Delicate Kites of Richard Smith.” New York Times, February 17, 1978.
Russell, John. “Review.” New York Times, November 17, 1978.
1977
Amateau, Michele. “Interview: Paula Cooper.” Ocular 2 (June 1977): 28-36.
Askey, R. “LA, Women, Art and the Future.” Women Artist Newsletter, 3, no. 1 (May 1977): 2, 7.
Burnham, Jack. “Ten Years Before the Artforum Masthead.” The New Art Examiner, February 1977, 1, 6-7.
“But Where’s the Float?” The States Item (New Orleans), January 29, 1977: 1A.
Dalkey, Victoria. “Women’s Show Wins Even-Handed Condemnation.” The Sacramento Bee, 1977.
Isaacs, Chuck. “Showing the art of Nude Photography.” Philadelphia Inquirer, 1977.
Jackson, Lily. “Looking and Listening-And Learning.” The Times-Picayune, March 13, 1977, 1.
Landry, Pat. “Benglis’ Knots Measure Success.” Lake Charles American Press, February 19, 1977, 15.
Lippard, Lucy. “You Can Go Home Again: five from Louisiana.” Art in America 65, no. 4
(July/August 1977): 20, 23, 25, 80-89.
Lubell, Ellen. “Review.” Arts Magazine 51, no. 7 (March 1977): 39-41.
Lubell, Ellen. “Review.” Arts Magazine 52, no. 4 (December 1977): 29-32.
Meisel, Alan. “Exhibitions.” Craft Horizons 37, no.6 (December 1977): 68.
Morin, France. “Lynda Benglis in Conversation with France Morin.” Parachute 6 (Spring 1977): 9-11.
Muchnic, Suzanne. “Lynda Benglis: Sculptural Knots.” Artweek 8, no. 22 (June 1977): 1, 20.
Patton, Phil. “Other Voices, Other Rooms: The Rise of Alternative Spaces.” Art in America (July/August 1977): 80-89.
Perreault, John. “Women Artists: 1550–1950.” Soho Weekly News, October 13, 1977: 40-41, 44.
Praun, Phyllis. “Five from Louisiana/Four from Louisiana Talk About Making and Marketing Art.” Contemporary Art Southeast 1, no. 1 (April/May): 26-34.
Price, Jonathan. “Video Art: A Medium Discovering Itself.” ARTnews 76, no. 1 (January 1977): 41-47.
Roufberg, Ruth B. “An Eye-Catching, and Mind-Catching Exhibit.” P.S., May 25, 1977: 10, 28.
Seldis, Henry J., Willima Wilson. “Art Walk: A Critical Guide to the Galleries.” Los Angeles Times, May 27, 1977, 18.
Stein, Judith E. “Contemporary Issues: Works on Paper by Women.” Art Journal 36, no. 4 (Summer 1977): 328-29.
Trini, Tommaso. “La Biennale di Sidney.” Data 26 (April/June 1977): 38-44.
“U of H to Show Plastics.” The Hartford Courant, January 30, 1977, 2.
Watkins, Ellen. "Creativity is Alive and Well." The Sunday Star-Ledger (Newark), May 22, 1977, 11.
Williams, Tennessee. “Lynda Benglis.” Parachute 6 (Spring 1977): 7-11.
Wortz, Melinda. “Majority Rule.” ARTnews, 76, no. 3 (March 1977): 92-93.
1976
Ballatore, Sandy. “Lynda Benglis’ Humanism.” Artweek 7, no. 21, May 22, 1976: 5-6.
Baker, E.C. “Southern Exposure.” Art in America 64, no. 4 (July/August 1976): 49-51.
Kramer, Hilton. “Artview: A Successful Counter Exhibition Inspired by the Whitney’s Failure.” New York Times, July 18, 1976, 22D.
Krauss, Rosalind. “Video: The Aesthetics of Narcissism.” October 1 (Spring 1976): 50-64.
Langway, Lynn, Mary Rourke. “Corporations: The New Medicis.” Newsweek, November 15, 1976: 95.
Lippard, Lucy. “The Pains and Pleasures of Rebirth: Women’s Body Art.” Art in America vol. 64, no. 3 (May/June 1976): 47-53.
Lubell, Ellen. “Exhibition Review.” Arts Magazine 50, no. 5, January 1976: 17-19.
Moser, Charlotte. “New Show Reflects Intensification of Benglis’s Art.” Houston Chronicle, January 14, 1976, 1.
Perimutter, Elizabeth. “Master Drawings, Voluptuous Boxes.” ARTnews 75, no. 7 (September 1976): 76.
Pincus-Witten, Rober. “Scott Burton: Conceptual Performance as Sculpture.” Arts Magazine 51, no. 1 (September 1976): 112-17.
Ratcliff, Carter. “Reviews.” Artforum vol. 15, no. 2 (October 1976): 62-63.
Sargent-Wooster, Ann. “Review.” Artforum vol. 14, no. 6 (February 1976): 60-64.
Barracks, Barbara. “’Artpark.’ The New Aesthetic Playground.” Artforum 15, no. 3 (November 1976): 1, 6.
Beller, Miles. “Albuquerque, Arnoldi, Cartoco, Steir.” Artweek 7, no. 31, September 18, 1976, 3.
Benglis, Lynda, Stanton Kaye. “The Amazing Bow Wow.” Criss Cross Double Cross (Fall 1976): 10.
Davis, Douglas. “Douglas Davis on Artpolitcs: Thoughts Against Prevailing Fantasies.” New York Arts Journal 1, no. 1 (May 1976): 8-9.
Gorney, Jay. “Drawing today in New York.” Art Journal 36, no. 2 (Winter 1976/1977): 143.
“Investing in Young Artists (A Business Week Supplement).” Business Week, May 3, 1976, 127-34.
Seldis, Henry J. and William Wilson. “Art Walk: A Critical Guide to the Galleries.” Los Angeles Times, May 7, 1976, 12.
Soper, Susan. “Spring Flowering Sculpture.” New York Newsday, April 30, 1976, 4-5.\Weissman, Julian. “New York Reviews.” ARTnews 75, no. 1 (January 1976): 120.
Wilson, William. “Downbeat Exhibit at Otis Galleries.” Los Angeles Times, September 6, 1976: 2.
1975
Abjornsen, Allison and Dick Burg. “Letters.” Artforum vol. 13, no. 4 (December 1975): 9.
Antin, David. “Television: Video’s Frightful Parent.” Artforum vol. 14, no. 4 (December 1975): 36-45.
Bourdon, David. “The Grand Acquisitor Shows Off.” The Village Voice, December 15, 1975: 123.
Davis, Douglas. “What’s in the Galleries.” Newsweek, December 8, 1975: 106-07.
Freed, H. “In Time, Of Time.” Arts Magazine (June 1975): 82-84.
Glueck, Grace. “Nude Art in Halls of Justice Stirs a Storm in the Bronx.” New York Times,
February 10, 1975, 40.
Grace, Trudie. “Artists Space.” Art Journal 34, no. 4 (Summer 1975): 323-26.
Hess, Thomas B. “Abstract Acrylicism.” New York Magazine, December 8, 1975, 114.
Kramer, Hilton. “What Happens When Art is Confused with Publicity.” New York Times, November 12, 1975, 25D.
Kutner, Janet. “Nude Photo Shocks Artistic Community.” Dallas Morning News, February 16, 1975, 6C.
“Lynda Benglis.” Heute Kunst 5, February/March 1975.
Maritime, Mickey. “Letters.” Artforum vol. 13, no. 7 (March 1975): 8.
Miller, John Pindyck. “Letters: Art vs. Advertising.” New York Magazine, March 10, 1975, 5.
Nemser, Cindy. "Four Artists of Sensuality." Arts Magazine 49, no. 7 (March 1975): 73-75.
Orenstein, Gloria Fman. “Art History.” Signs 1, no. 2 (Winter 1975): 505-25.
Robinson, Walter. “The Chorus Line Role, Style, Media.” Art-Rite 10 (Fall 1975).
Rosenblum, Robert. “Letters.” Artforum vol. 13, no. 7 (March 1975): 8-9.
Ryan, Paul R. “Letters.” TDR: The Drama Review, 19, no. 2, June 1975: 136-39.
Seiberling, Dorothy. “The New Sexual Frankness: Good-by to Hearts and Flowers.” New York Magazine, February 17, 1975, 37-44.
Steward, Daniel H. “Letters.” Artforum vol. 13, no. 7 (March 1975): 9.
1974
Alloway, Lawrence, Max Kosloff, Rosalind Krauss, Joseph Masheck, Annette Michelson. “Letters.” Artforum vol. 13, no. 4 (December 1974): 9.
Andre, Michael. “Reviews and Previews.” ARTnews 72, no. 2 (February 1974): 90.
Benglis, Lynda. “Artforum Ad.” Artforum vol. 13, no. 3 (November 1974): 4-5.
Benglis, Lynda. "Lynda Benglis Presents Metallized Knots (Macharina Ad)." Artforum vol. 12, no. 8 (April 1974): 85.
“Collage-Pin Ups.” ARTnews 73, no. 7 (September 1974): 42-45.
“Conventional Wisdom.” Art-Rite 8 (Winter 1974): 17-18.
Corry, John. “A Serious Dirty Picture?” New York Times, November 22, 1974, 78.
“Cover Photo.” Extra (West Cologne), July 1974, cover.
Freed, H. “Video and Abstract Expressionism.” Arts Magazine 49, no. 4 (December 1974): 67-69.
Gilbert-Rolfe, Jeremy. “Reviews: Lynda Benglis, The Clocktower.” Artforum vol. 12, no. 6 (March 1974): 69-73.
Herrera, Hayden. “Reviews.” ARTnews 73, no. 7 (September 1974): 100.
“Illustration and Artist’s Statement.” Art-Rite 7, Autumn 1974: 12.
Johnson, Ray. “Abandoned Chickens.” Art in America 62, no. 6 (November 1974): 54-59.
Kuhn, Annette. “Culture Shock.” The Village Voice, December 2, 1974: 96.
Lubell, Ellen. “Museum and Gallery Reviews.” Arts Magazine 48, no. 5 (February 1974): 68.
Nemser, Cindy. "Lynda Benglis: A Case of Sexual Nostalgia." The Feminist Art Journal 3.4 (Winter 1974/1975): 7, 23.
Pereault, John. “Celebrations Knotted and Dotted.” The Village Voice, May 16, 1974, 44.
Pincus-Witten, Robert. “Lynda Benglis: The Frozen Gesture.” Artforum vol. 13, no. 3 (November 1974): 54-59.
Plagens, Peter. “Letters.” Artforum vol. 13, no. 4 (December 1974): 9.
Raynor, Vivien. “The Art of Survival (and Vice Versa).” New York Times Magazine, February 17, 1974, cover, 8-9, 50, 52-55.
Schjeldahl, Peter. “Updated Data on the Adventure of Being Human.” New York Times, May 26, 1974, 17D.
Schwartz, Barbara. “Exhibitions.” Craft Horizons 34, no. 4 (August 1974): 38-39.
Teres, Rosemary. “Modern Artists Have Varied Ways of Representing Space.” The (Rochester) Times Union, February 2, 1974, 5, 8.
Teres, Rosemary. “UR Studio Arts Faculty Exhibit Intriguing.” The (Rochester) Times-Union,
December 18, 1971, 11C.
“Un-Skirting the Issue.” Art-Rite 5 (Spring 1974): 6-7.
Wooster, Ann Sargent. “Lynda Benglis at Cooper.” Art in America 67, no. 5 (September/October 1974): 106.
1973
Albright, Thomas. “Three Major U.S. Artists.” San Francisco Chronicle, May 22, 1973, 45.
Anderson, Laurie. “Reviews and Previews.” ARTnews 72, no. 3 (March 1973): 82.
Boice, Bruce. “Exhibition Reviews.” Artforum 11, no. 9 (May 1973): 83.
Butler, Susan L. “Lynda Benglis Has One-Man Show at Houston Gallery.” Lake Charles American Press, November 14, 1973, 5, 15.
Crimp, Douglas. “New York Letter.” Art International 17, no. 3 (March 1973): 46.
“Exploring the Medium.” Art + Cinema 1, no. 2 (Fall 1973): 7, 22-23.
Fagan, Beth. “Benglis Show in Center for Visual Arts Reflects Her Painting-Sculpture Concerns.” Sunday Oregonian, June 24, 1973, 18.
Markell, Jon. “At the Galleries.” Daily Californian Art Magazine 4, no. 137, May 25, 1973, 3.
McCann, Cecile N. “Lynda Benglis Dimensional Painting.” Artweek 4, no. 20, May 19, 1973, 3.
Meisel, Alan. “Exhibitions.” Craft Horizons 33, no. 4 (August 1973): 26.
Minton, James. “Lynda Benglis: Videotapes.” Artweek 4, no. 20, May 19, 1973, 2.
Montgomery, Cara. “West Coast Report.” Arts Magazine 48, no. 1 (September/October 1973):
55-56.
Morris, Robert. “Exchange ’73: From a Videotape.” Avalanche (Summer/Fall 1973): 22-25.
Moser, Charlotte. “Tom Canvas Pieces Part of a Larger Puzzle.” The Houston Post, December 2, 1973, 29.
“Part VI: Videotape and the New Imagery.” Art + Cinema 1, no. 1 (January 1973).
“Part III: The Video Artist.” Art + Cinema 1, no. 3 (1973/1974): 28.
Perreault, John. “At the Table, On the Stoop.” The Village Voice, December 20, 1973, 37, 39.
Pincus-Witten, Robert. “Thought Itself Is the Subject of the This Art.” New York Times, May 12,
1973, 23.
Pozzi, Lucio. “An Extraordinary Collection of the Avant-Garde (Una Straordinaria Colleczione Delle Avanguardie.” Bolaffiarte 4, no. 31 (June/July 1973): 62-67.
Stevens, Walter W. “A Case for No Organization.” ETC: A Review of General Semantics 30, no. 1 (March 1973): 81-89.
Sutinen, Paul. “A Tough-minded approach to glitter.” Portland Scribe 2, no. 19, June 30 – July 6, 1973, 21.
1972
Berkman, Joanna. “Creativity Flows from Every Pour.” Pictorial Living Colorado Magazine (January 1972): 14.
Chiavaroli, Linda. “Lynda’s Giant Drips Are Hot Items on the Art Market.” Upstate, February 27, 1972, 14-19.
Dubrowin, S.R. "Latex in der Hand einer Kunstlerin." Semperit-Informationen (Munich) 66-67 (February/March 1972): 4.
Frankenstein, Alfed. “From Foam to Wax.” San Francisco Chronicle, February 12, 1972, 35.
Kertess, Klaus. “Foam Structures.” Art and Artists (May 1972): 32-37.
Kurtz, Bruce. “Video is Being Invented.” Arts Magazine 47, no. 3 (December 1972/January 1973): 37-44.
McCann, Cecile. “Benglis’ Record of a Flowing.” Artweek, 3, no. 8 (February 19, 1972): 2.
Matthias, Rosemary. “Galleries.” Arts Magazine 47, no. 1 (September/October 1972) 57-58.
Nunemaker, David A. “New York.” Art and Artists 6, no. 10 (January 1972): 51.
“Public Art Museum Notes.” Art Journal 31, 4 (Summer 1972): 449-52.
Welish, Marjorie. “Exhibitions.” Craft Horizons 32, no. 1, February 1972: 48.
1971
Appell Jr., Frederick W. "The Walker is Not a Preserve." Minnesota Daily, 3 June 1971: 7, 9.
B.W. "Review." ARTnews (February 1971): 17.
Benglis, Lynda. "Social Conditions Can Change." In "Eight Artists Reply: Why Have There Been
No Great Women Artists?" ARTnews (April 1971): 43.
Davis, Douglas. "The Invisible Woman is Visible.” Newsweek 78.20, November 15, 1971, 130.
Dubrowin, S.R. “Latex-One Artist's Raw Material.” Rubber Developments 24.1, 1971, cover, 10–12.
Edwards, Karen. "The Interview 9/Lynda Benglis." The Sunday Herald, June 13, 1971, 11.
“Foam, Paint, Wire Go into Hayden Sculpture.” Tech Talk (MIT), November 17, 1971, 6.
"Galleries-Downtown." The New Yorker, June 7, 1993.
Glueck, Grace. “New York: Trendless but Varied, the Season Starts.” Art in America 59, no. 5 (September/October 1971): 121-23.
Gollin, Jane. “Reviews and Previews.” ARTnews 70, no. 6 (October 1971): 8.
"Hayden to Feature Growing Sculpture." Tech Talk (MIT), November 3, 1971, 4.
Henry, Gerrit. “New York: the whole Picture.” Art International 15, no. 10, December 20, 1971, 90.
Kramer, Hilton. "Minneapolis Museum Opens Today." New York Times, May 18, 1971, 44.
Kramer, Hilton. "Grace, Flexibility, Esthetic Tact." New York Times, May 25, 1971, 44.
“Minneapolis: The New Museum.” Art International, November 20, 1971: 17-21.
Muller, Gregoire. “Materiality and Painterliness.” Arts Magazine 46, no. 1 (September/October 1971): 34-37.
Pastier, John. “Midwest Art Center Sets architectural example for L.A.” Los Angeles Times, June 20, 1971.
Perreault, John. “Ferrer: Puzzling, Omnious, Moving.” The Village Voice, October 14, 1971, 37.
Pincus-Witten, Robert. “New York: Lynda Benglis.” Artforum vol. 10, no. 4 (December 1971): 78
79.
Roberts, Patricia. "Artist Pours Herself into Major Work." The Milwaukee Journal, June 14, 1971.
Schjeldahl, Peter. “Sculptors make it big down in SoHo.” New York Times, October 30, 1971, 23.
Schjeldahl, Peter. “Chronicles: New York.” Art International 12, no. 9 (November 1971): 71.
Schwartz, Bruce. “Adhesive Product.” Tech Talk (MIT), November 17, 1971, 1, 6.
Steele, Mike. "Art Center Opens with Lavish." Minneapolis Tribune, May 16, 1971.
"Walker Opening." The Minneapolis Star, May 14, 1971, 16A, 1B, 1E.
Wolmer, Bruce. "Reviews and Previews." ARTnews 69.10 (February 1971): 17.
1970
"Benglis, Sanderson, Van Buren. Ithaca College Museum: Art Review." The Ithaca Journal (October 20, 1970): 12.
Bourdon, David. “Fling, Dribble, and Drip.” Life 68, February 27, 1970, 62-66.
Bourgeois, Jean-Louis. “Reviews: New York.” Artforum (April 1970): 82.
Constable, Rosalind. “New Sites for New Sights.” New York Magazine, January 2, 1970: 42-45.
Domingo, Willis. “Reviews: In the Galleries.” Arts Magazine (March 1970): 58.
Frackman, Noel. " Outposts of Art: Aldrich Museum Presents Show of 1969–70 Trends." Patent Trader (Mt. Kisco), July 16, 1970, 31.
Haacke, Lorraine. “Benglis Stresses Space.” Dallas Times Herald, May 29, 1970.
Kutner, Janet. “On Spot Creations Offer New Art Forum.” Dallas Morning News, May 26, 1970.
Leider, Philip. “Reviews: New York.” Artforum (February 1970): 68-70.
Pfeiffer, Günter. “Lynda Benglis.” Das Kunstwerk 23, no. 11-12 (October-November 1970): 67.
Pincus-Witten, Robert. “Reviews: New York.” Artforum (January 1970): 65-70.
Ratcliff, Carter. “Reviews and Previews.” ARTnews, April 1970: 12.
Stevens, Elisabeth. “‘Warm Art': Cool Colors.” Wall Street Journal, July 17, 1970.
Stone, Helen. “Local Girl Experimenting with Expressionistic Art.” Lake Charles American Press, January 10, 1970.
Vinklers, Bitite. “Chronicles.” Art International 14, no. 4 (April 20, 1970): 65.
1969
"The Art Week Recent Openings." New York Times, September 28, 1969.
Dienst, R.G. ''Austellungen: Prospect 69.” Das Kunstwerk, 23, no. 1-2 (October–November 1969): 59-60.
Kline, Katherine G. "Reviews and Previews.” ARTnews 68, no. 7 (November 1969): 12.
Kurtz, Stephan K. "Reviews and Previews." ARTnews (Summer 1969): 12-13.
Kurtz, Stephan K. "Review.” ARTnews, November 1969.
Nemser, Cindy. "Reviews: In the Galleries. David Paul, Richard Van Buren, Lynda Benglis and Chuck Close." Arts Magazine (Summer 1969): 58.
Pincus-Witten, Robert. "Reviews: New York." Artforum (December 1969): 68-69.
Schjelclahl, Peter. "Chronicles: New York Letter.” Art International 13, no. 7 (September 1969):
72.
Wasserman, Emily. "Reviews: New York." Artforum (September 1969): 56-62.
Museum and Public Collections
Akron Art Museum, Akron, OH
Albright-Knox Art Gallery, Buffalo, NY
Alexandria Museum of Art, Alexandria, LA
Anderson Collection at Stanford University, CA
Allen Memorial Art Museum, Oberlin, OH
Art Museum of South Texas, Corpus Christi, TX
Art Institute of Chicago, Chicago, IL
Baltimore Museum of Art, Baltimore, MD
Bergen Museum, Bergen, Norway
Birmingham Museum of Art, Birmingham, AL
Blanton Museum of Art, University of Texas, Austin, TX
Boulder Museum of Art, Boulder, CO
Carnegie Museum of Art, Pittsburgh, PA
Castellani Art Museum, Niagara University, NY
Chase Manhattan Bank, New York, NY
Cleveland Museum of Art, Cleveland, OH
Columbia Museum of Art, Columbia, SC
Contemporary Art Museum, St. Louis, MO
Corcoran Gallery of Art, Washington, D.C.
Cranbrook Design Center, Detroit, MI
Dallas Museum of Art, Dallas, TX
Davis Museum, Wellesley College, MA
Delaware Art Museum, Wilmington, DE
Denver Museum of Art, Denver, CO
Detroit Institute of Arts, Detroit, MI
Everson Museum of Art, Syracuse, NY
Gihon Foundation, Santa Fe, NM
Grey Art Gallery & Study Center, New York University, New York, NY
Harn Museum of Art, University of Florida, Gainesville, FL
Harwood Museum of Art, Taos, NM
Harvard Art Museums, Cambridge, MA
High Museum of Art, Atlanta, GA
Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, Washington, D.C.
Hokkaido Museum of Modern Art, Sapporo, Japan
Imperial Calcasieu Museum, Lake Charles, LA
Indianapolis Museum of Art, Indianapolis, IN
Irish Museum of Modern Art, Royal Hospital, Kilmainham, Dublin, Ireland
Israel Museum, Jerusalem, Israel
K-State Student Union at Kansas State University, Manhattan, KS
Lannan Foundation, Los Angeles, CA
Los Angeles County Museum of Art, Los Angeles, CA
Magasin III, Stockholm, Sweden
Marianna Kistler Beach Museum of Art, Kansas State University, Manhattan, KS
Masur Museum, Monroe, LA
Metropolitan Museum of Art, New York, NY
Miami-Dade Community College, Miami, FL
Milwaukee Art Museum, Milwaukee, WI
Modern Art Museum of Fort Worth, TX
Montclair Art Museum, Montclair, NJ
Museum of Contemporary Art, Chicago, IL
Museum of Contemporary Art, Los Angeles, CA
Museum of Fine Arts, Houston, TX
Museum of Modern Art, New York, NY
National Gallery of Art, Washington, D.C.
National Gallery of Australia, Canberra, Australia
National Gallery of Victoria, Melbourne, Australia
National Museum of American Art, Smithsonian Institution, Washington, D.C.
Nelson-Atkins Museum of Art, Kansas City, MI
Norton Museum of Art, West Palm Beach, FL
New Orleans Museum of Art, New Orleans, LA
Ogden Museum of Southern Art, New Orleans, LA
Parrish Art Museum, Southampton, NY
Philadelphia Museum of Art, Philadelphia, PA
Portland Museum of Art, Portland, OR
Rhode Island School of Design Museum of Art, Providence, RI
San Francisco Museum of Modern Art, San Francisco, CA
Seattle Art Museum, Seattle, WA
Smart Museum of Art, University of Chicago, Chicago, IL
Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.
Solomon R. Guggenheim Museum, New York, NY
Speed Art Museum, Louisville, KY
Storm King Art Center, Mountainville, NY
Tate Modern, London, UK
University Art Gallery, New Mexico State
University, Las Cruces, NM
University of Michigan Museum of Art, Ann Arbor, MI
University of South Florida Art Museum, Tampa, FL
Walker Art Center, Minneapolis, MN
Weatherspoon Art Museum, University of North Carolina at Greensboro, NC
Whitney Museum of American Art, New York, NY
Williams College Museum of Art, Williamstown, MA
Yale University Art Museum, New Haven, CT