Opening reception: Saturday, July 20, 6–8 pm
Blum & Poe presents a solo-exhibition by Darren Bader.
Preamble:
2 is the indomitable parallax of union and division. Therein lies its horror and divinity, its comedy and stupidity.
It takes two to make a thing go right; it takes two to make it out of sight (like literally, I can't see a thing).
Which number is the number of faith, 2 or 1 (infinity doesn’t count)? Ethically speaking, 2, since 1 is fantasy—fantasy and faith seemingly isomorphic, much like 2 and itself.
Try to separate them—it’s an illusion. (Pope Innocent III)
Amble:
The impulse is one of knowing: How to know? (Why to know and what to know are both tautological in their own ways. Who cares about where, and where knows no care of who. When is the point that is beside the point.)
Everything is everything as of course it can’t be.
Ask the local gentry, and they will say it's elementary. (Voltaire)
Dissemble:
You always wanted a lover; I only wanted a job. (Kanye West)
Words cleave; thoughts struggle to equalize.
Every time one wants to be valedictory, one is assailed by remains. Every time one wants to be present, one is assailed by doubts.
What have I done to deserve this? (Edward Snowden)
There's the noble notion that the abstract can eschew the anthropomorphic, and so it can. But it can’t do anything else at all.
How am I gonna get through? (Fredric March, Death Takes a Holiday)
Darren Bader (b. 1978) studied Film/Television and Art History at New York University. He has had solo exhibitions at MOMA PS1, New York and 1857, Oslo, as well as participated in group exhibitions at the Palazzo delle Esposizioni, Rome; Palais de Tokyo, Paris; Fondazione Nicola Trussardi, Milan; FLAG Art Foundation, New York; Museum of Contemporary Art, North Miami; LAXART, Los Angeles; White Columns, New York; and Museum of Contemporary Art, Los Angeles. He frequently writes and has published several books.
WORKS IN THE EXHIBITION
(in Gallery 1 or on www.blumandpoe.com)
ponytail and/with canal
Rushdie and/with rösti*
rattlesnake and/with printer paper
concert harp and/with airplane tray table
sugar and/with axe
two with/and three
snowboard and/with closet
oysters and/with peanut butter
borscht and/with omelets
ciborium-niobium-geranium-tedium
Bogart and/with Bacall
riot shield with/and yarn
Donald Judd with/and bee colony*
pothole with/and shoe box
ponytail and/with canal
patella with/and theater tickets
rickshaw and/with Russian doll
rope with/and Don Quixote
cocaine and/with photon gun*
obi and/with SCOBY
oak with/and smoke
owl and/with towel
oar with/and store
oil with/and mohel
oat and/with note
orc with/and fork
perfume with/and trapezoid
glasses with/and glasses
Bryan Cranston and/with sleeping bag
pointe shoes with/and recycling bin
composer and/with shin guard
14 with/and 6
audio file and/with audio file
(all) things remembered and/with everything (else) forgotten
archivist and/with railing
widower with/and mail
persian rug and/with tripod and/with sous chef
cotton gin and/with diving board*
swing and/with glove compartment
dovecote and/with font library
insulin and/with a/c unit
penis and/with zombie movie
breast with/and camera
clitoris with/and play
anus and/with greyness
testicles and/with weekend
4428 ½ with/and 4428
unicycle with/and bell jar
painting and/with sculpture
escalator and/with end zone*
elevator with/and Dagobert's throne*
gift basket with/and foghorn
jumproping lectern
hornet nest and/with turmeric
pay phone and/with comic book
magnesium and/with maple
Rothko parking space*
kale and/with Braille
costume and/with pillow
cinder block with/and tuning fork
(dead) shark and/with subway car
rubber band ball and/with jack-o’-lantern
161 and/with 39
globe and/with pedestal
8 and/with 12
garlic with/and moss
Patricia Arquette with/and weather balloon
*Works stuck in limbo.